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Author: Paul Cézanne
Publisher: Reunion Des Musees Nationaux
ISBN: 9782711859191
Category :
Languages : en
Pages : 0
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Book Description
"A native of Aix-en-Provence by birth, Paul Cézanne (1839-1906) went to Paris for the first time in 1861, at the insistence of his childhood friend Émile Zola. Cézanne decided to become a painter, against his family's advice, determined to make his mark on the Parisian scene that was then intrinsic to any successful artistic career. Paradoxically, Cézanne did not use Paris as a theme for his paintings: he did not represent its streets, its monuments, life in the area, or the great urban transformations taking place, unlike many of his contemporaries, including Caillebotte, Guillaumin, and Pissarro. So was the painter indifferent to this city? Throughout his life, he would make over twenty return trips to Paris from Aix, without ever setting down in the capital, even though some of his stays there were lengthy. So what was Cézanne looking for in Paris? What kind of influence did the capital have on his painting? He had contacts with artistic and intellectual circles that were liberal in both thought and lifestyle, and was he determined at all costs to resist their temptation? Was he drawn by the city's vibrant creative buzz, seeing it as something essential to the development of his art? From a range of viewpoints and using extensive illustrations, this book explores these questions by following the painter's career in Paris and the surrounding area, as well as the motifs he used and pictorial choices he made."--Book jacket.
Author: Paul Cézanne
Publisher: Reunion Des Musees Nationaux
ISBN: 9782711859191
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
"A native of Aix-en-Provence by birth, Paul Cézanne (1839-1906) went to Paris for the first time in 1861, at the insistence of his childhood friend Émile Zola. Cézanne decided to become a painter, against his family's advice, determined to make his mark on the Parisian scene that was then intrinsic to any successful artistic career. Paradoxically, Cézanne did not use Paris as a theme for his paintings: he did not represent its streets, its monuments, life in the area, or the great urban transformations taking place, unlike many of his contemporaries, including Caillebotte, Guillaumin, and Pissarro. So was the painter indifferent to this city? Throughout his life, he would make over twenty return trips to Paris from Aix, without ever setting down in the capital, even though some of his stays there were lengthy. So what was Cézanne looking for in Paris? What kind of influence did the capital have on his painting? He had contacts with artistic and intellectual circles that were liberal in both thought and lifestyle, and was he determined at all costs to resist their temptation? Was he drawn by the city's vibrant creative buzz, seeing it as something essential to the development of his art? From a range of viewpoints and using extensive illustrations, this book explores these questions by following the painter's career in Paris and the surrounding area, as well as the motifs he used and pictorial choices he made."--Book jacket.
Author: Paul Cezanne Society
Publisher: Editions Cres
ISBN: 9782753701212
Category :
Languages : en
Pages : 0
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Book Description
Recalling the famed painter’s time in a captivating region, this stylish biography reviews Paul C�zanne’s years in Paris and the Ile de France. The diverse locations he frequented are explored, from Bonni�re Pontoise, Auvers, and Issy les Moulineaux to the villages of Chantilly, Medan, Montgeroult, and the banks of the Marne. Presented as a unique traveler’s guide, this volume recommends ideal lodging locations as well as walking trails for roaming in and around the capital. Beautifully illustrated reproductions of C�zanne’s paintings are featured along with a photographic history and a collection of contemporary images. Depicting the life of a renowned artist, this chronicle follows the routes he left behind while paying homage to his influential works. This bilingual edition includes English and French.
Author: Paul Cézanne
Publisher:
ISBN: 9783829608473
Category : Post-impressionism (Art)
Languages : en
Pages : 198
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Book Description
Author: Nina M. Athanassoglou-Kallmyer
Publisher: University of Chicago Press
ISBN: 9780226423081
Category : Art
Languages : en
Pages : 356
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Book Description
Discusses painter Paul Cézanne's 1886 departure from Paris to his native city, Aix-en-Provence, arguing that it was related to French regionalist politics of the time, and shows how the move affected his art.
Author: Alex Danchev
Publisher: Pantheon
ISBN: 0307377075
Category : Art
Languages : en
Pages : 554
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Book Description
A major biography--the first comprehensive new assessment to be published in decades--of the brilliant work and restless life of Paul Cezanne, the most influential painter of his time, whose vision revolutionized the role of the painter.
Author: Joachim Pissarro
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 262
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Book Description
Catalog of an exhibition held at the Museum of Modern Art, June 26-Sept. 12, 2005, the Los Angeles County Museum of Art, Oct. 20, 2005-Jan. 16, 2006, and the Musée d'Orsay, Paris, Feb. 27-May 28, 2006.
Author: Paul Cézanne
Publisher: Univ of California Press
ISBN: 9780520225176
Category : Art
Languages : en
Pages : 326
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Book Description
This book gathers the commentary of people who knew the painter Paul Cezanne, especially in his later years. Now seen as one of the most influential of modern painters, in his 40s he returned to his village of Aix-en-Provence where, he worked in near obscurity and with great dedication until his death in 1906.
Author: Carol Armstrong
Publisher: Getty Publications
ISBN: 0892366230
Category : Art
Languages : en
Pages : 166
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Book Description
In the last years of his life Paul Cézanne produced a stunning series of watercolors, many of them sill lifes. Still Life with Blue Pot is one of these late masterpieces that is now in the collection of the Getty Museum. In Cézanne in the Study: Still Life in Watercolors, Carol Armstrong places this great painting within the context of Cezanne’s artistic and psychological development and of the history of the genre of still life in France. Still life—like the medium of watercolor—was traditionally considered to be “low” in the hierarchy of French academic paintings. Cézanne chose to ignore this hierarchy, creating monumental still-life watercolors that contained echoes of grand landscapes and even historical paintings in the manner of Poussin—the “highest” of classical art forms. In so doing he changed his still lifes with new meanings, both in terms of his own notoriously difficult personality and in the way he used the genre to explore the very process of looking at, and creating, art. Carol Armstrong’s study is a fascinating exploration of the brilliant watercolor paintings that brought Cézanne’s career to a complex, and triumphant, conclusion, The book includes new photographic studies of the Getty’s painting that allow the reader to encounter this great watercolor as never before, in all of its richness and detail.
Author: Rebecca A. Rabinow
Publisher: Metropolitan Museum of Art
ISBN: 1588391957
Category : Art dealers
Languages : en
Pages : 466
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Book Description
Author: André Dombrowski
Publisher: Rizzoli Publications
ISBN: 084786488X
Category : Art
Languages : en
Pages : 0
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Book Description
A monumental volume devoted to one of the world’s largest and most spectacular collections of Cézannes. The Barnes Foundation’s holdings of works by the renowned Post-Impressionist Paul Cézanne (1839–1906)—sixty-one oils on canvas and eight works on paper—are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cézanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist’s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cézanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation’s impressive holdings of Cézannes—never before published in a single study in their entirety—span every period of the artist’s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This lavishly illustrated landmark volume is both a work on Cézanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.
