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Author: Jenni Sorkin
Publisher: University of Chicago Press
ISBN: 022630325X
Category : Art
Languages : en
Pages : 311
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Book Description
Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.
Author: Jenni Sorkin
Publisher: University of Chicago Press
ISBN: 022630325X
Category : Art
Languages : en
Pages : 311
Get Book Here
Book Description
Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.
Author: Robert Hunter
Publisher:
ISBN: 9780986385780
Category :
Languages : en
Pages :
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Book Description
The 2020 volume of Ceramics in America is a celebration of the depth and diversity of ceramics in the American context. Beautifully illustrated articles explore the use of clay from the most basic building bricks to refined earthenwares promoting the political and economic issues of the American Revolution. Of special interest is the origin of the ceramic manufacturing spark in America, looking at the Franklin Institute in Philadelphia cited by historians and connoisseurs as the height of recognition of achievement for ceramic production in the United States. The archaeological discovery of rare "black delft" teapot fragments from Charleston's Drayton Hall is recounted in an exciting collector's narrative. Other articles will include a profile of North Carolina potter David Stuempfle who continues the old-age tradition of producing wood fired stoneware, a study of Thomas Jefferson's Chinese porcelain, and Pueblo pottery collected by a German Museum in the early twentieth century.
Author: Vince Pitelka
Publisher: Amer Ceramic Society
ISBN: 9781574983326
Category : Art
Languages : en
Pages : 368
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Book Description
"Every day, ceramic artists encounter techniques, processes, materials, problems, and more that leave them with questions such as: How? Why? Where? Clay: A Studio Handbook answers those questions with authoritative, comprehensive coverage of topics ranging from studio safety, finding, making, and improvising tools and equipment, firing processes and theory, and much more. Drawing on more than 30 years of experience in ceramics, Pitelka has created the most practical, all-inclusive studio handbook for students, studio artists, educators, and all those interested in the art of clay. Ten chapters, addressing the full range of ceramic processes, bring a lifetime of ceramic knowledge directly into the hands of potters. Written with concern for safe and efficient studio operation, diligent attention is paid to safety practices. A thorough table of contents, glossary, and index make finding answers quick and convenient. Numerous step-by-step illustrations guide readers through the many techniques."--Publisher's description.
Author: Martha Drexler Lynn
Publisher: Yale University Press
ISBN: 0300212739
Category : Art
Languages : en
Pages : 433
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Book Description
A landmark survey of the formative years of American studio ceramics and the constellation of people, institutions, and events that propelled it from craft to fine art
Author: Sequoia Miller
Publisher:
ISBN: 9780300214406
Category : Art
Languages : en
Pages : 0
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Book Description
Published in conjunction with an exhibition of the same name held at the Yale University Art Gallery, September 4, 2015-January 3, 2016.
Author: Emmanuel Cooper
Publisher: University of Pennsylvania Press
ISBN: 9780812235548
Category : Antiques & Collectibles
Languages : en
Pages : 368
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Book Description
The finest history of pottery available, this book offers an inspirational journey through one of the oldest and most widespread of human activities.
Author: Susan Buys
Publisher: Routledge
ISBN: 1136000267
Category : Antiques & Collectibles
Languages : en
Pages : 254
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Book Description
The Conservation and Restoration of Ceramics brings together the wide range of current information relevant to the practising conservator. The book opens with a discussion of the fundamental nature of the ceramic medium, information which is of primary importance when selecting treatments or considering preventive conservation measures. Details on techniques are given in a series of chapters covering the restoration and conservation processes, but the emphasis is on the basic principles involved in the choice of materials and methods. The nature and properties of materials commonly in use are fully discussed and guidance is given on the facilities and equipment needed. Also covered in the book are old restoration materials and methods, the ethics of ceramics conservation, examination and recording, display treatments and emergency procedures. Now in paperback, this book will be invaluable to practising conservators and readers of conservation as well as of interest to museum curators and collectors.
Author: David R. Abbott
Publisher: University of Arizona Press
ISBN: 9780816519361
Category : Social Science
Languages : en
Pages : 276
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Book Description
Among desert farmers of the prehistoric Southwest, irrigation played a crucial role in the development of social complexity. This innovative study examines the changing relationship between irrigation and community organization among the Hohokam and shows through ceramic data how that dynamic relationship influenced sociopolitical development. David Abbott contends that reconstructions of Hohokam social patterns based solely on settlement pattern data provide limited insight into prehistoric social relationships. By analyzing ceramic exchange patterns, he provides complementary information that challenges existing models of sociopolitical organization among the Hohokam of central Arizona. Through ceramic analyses from Classic period sites such as Pueblo Grande, Abbott shows that ceramic production sources and exchange networks can be determined from the composition, surface treatment attributes, and size and shape of clay containers. The distribution networks revealed by these analyses provide evidence for community boundaries and the web of social ties within them. Abbott's meticulous research documents formerly unrecognized horizontal cohesiveness in Hohokam organizational structure and suggests how irrigation was woven into the fabric of their social evolution. By demonstrating the contribution that ceramic research can make toward resolving issues about community organization, this work expands the breadth and depth of pottery studies in the American Southwest.
Author: Tatsuki Ohji
Publisher: John Wiley & Sons
ISBN: 1119100402
Category : Technology & Engineering
Languages : en
Pages : 538
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Book Description
In this book project, all the American Ceramic Society's Engineering Ceramics Division Mueller and Bridge Building Award Winners, the ICACC Plenary Speakers and the past Engineering Ceramics Division Chairs have been invited to write book chapters on a topic that is compatible with their technical interests and consistent with the scope of the book, which is to focus on the current status and future prospects of various technical topics related to engineering ceramics, advanced ceramics and composite materials. Topics include: Mechanical Behavior and Performance of Ceramics & Composites Non-Destructive Evaluation and Mechanical Testing of Engineering Ceramics Brittle and Composite Material Design Modern Fracture Mechanics of Ceramics Thermal/Environmental Barrier Coatings Advanced Ceramic Coatings for Functional Applications Advanced Ceramic Joining Technologies Ceramics for Machining, Friction, Wear, and Other Tribological Applications Ceramic Composites for High-Temperature Aerospace Structures and Propulsion Systems Thermal Protection Materials: From Retrospect to Foresight Carbon/Carbon Composites Ceramic-Matrix Composites for Lightweight Construction Ultra High-Temperature Ceramics (UHTC) Nanolaminated Ternary Carbides and Nitrides (MAX Phases) Ceramics for Heat Engine and Other Energy Related Applications Solid Oxide Fuel Cells (SOFC) Armor Ceramics Next Generation Bioceramics Ceramics for Innovative Energy and Storage Systems Designing Ceramics for Electrochemical Energy Storage Devices Nanostructured Materials and Nanotechnology Advanced Ceramic Processing and Manufacturing Technologies Engineering Porous Ceramics Thermal Management Materials and Technologies Geopolymers Advanced Ceramic Sensor Technology Advanced Ceramics and Composites for Nuclear and Fusion Applications Advanced Ceramic Technologies for Rechargeable Batteries
Author: Garth Clark
Publisher: New York : E. P. Dutton
ISBN:
Category : American ceramics
Languages : en
Pages : 430
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Book Description
From the Inside Cover: The history of American ceramics from the celebration of the Centennial (1876) to the present day is rich, varied, and relatively undocumented. It is a period studded with men and women of genius, uncompromising ethical standards, and engaging eccentricity. The purpose of the exhibition at the Everson Museum of Art, Syracuse, New York, and this book based on it is to present the history of American ceramics, its aesthetic and its influence, and so provide a perspective. Comprised of over 400 pieces, the majority of which are illustrated in this book, the exhibition and book span one hundred years of creative endeavor. In the decade-by-decade presentation, a variety of styles, philosophies, and techniques of ceramic artists is shown in this first study focusing on the role of ceramics in the modern, decorative, and fine arts of the United States. The journey of self-discovery and purpose that is surveyed here is an extraordinary one. It takes the ceramic medium in the United States from an imitative, exploratory stance in the late nineteenth century to a vanguardist role in the 1950s and beyond. The achievement is twofold. On the one hand, the American ceramists had established a beachhead for a traditional craft medium in the fine arts, redefining the vessel aesthetic and presenting ceramic sculpture as an intimate and meaningful alternative to the cerebral quality of postwar metal sculpture. More broadly, however, it reflects the triumph of a nation that has been able to achieve a cultural voice and identity through the arts in the brief space of one hundred years.
