Ceramics, Art and Perception PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Ceramics, Art and Perception PDF full book. Access full book title Ceramics, Art and Perception by . Download full books in PDF and EPUB format.
Author:
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 516
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 516
Get Book Here
Book Description
Author: Muneyoshi Yanagi
Publisher: Kodansha International
ISBN: 9780870119484
Category : Art
Languages : en
Pages : 254
Get Book Here
Book Description
Mr. Yanagi sees folk art as a manifestation of the essential world from which art, philosophy, and religion arise and in which the barriers between them disappear. The implications of the author's ideas are both far-reaching and practical.
Author: Allen S. Weiss
Publisher: Reaktion Books
ISBN: 1780236905
Category : Art
Languages : en
Pages : 247
Get Book Here
Book Description
Ceramics give pleasure to our everyday lives, from the beauty of a vase’s elegant curves to the joy of a meal served upon a fine platter. Ceramics originate in a direct engagement with the earth and maintain a unique place in the history of the arts. In this book, Allen S. Weiss sharpens our perception of and increases our appreciation for ceramics, all the while providing a critical examination of how and why we collect them. Weiss examines the vast stylistic range of ceramics and investigates both the theoretical and personal reasons for viewing, using, and collecting them. Relating ceramics to other arts and practices—especially those surrounding food—he explores their different uses such as in the celebrated tea ceremony of Japan. Most notably, he considers how works previously viewed as crafts have found their rightful way into museums, as well as how this new-found engagement with finely wrought natural materials may foster an increased ecological sensitivity. The result is a wide-ranging and sensitive look at a crucial part of our material culture.
Author: Judith S. Schwartz
Publisher: Herbert Press
ISBN:
Category : Art
Languages : en
Pages : 264
Get Book Here
Book Description
"This book looks at the use of ceramics as a tool for confrontation, where artists use this ancient and most plastic of media to make provocative commentaries about the inequities of the human condition. It is a massive overview of the ceramic scene from this perspective, showcasing representative artist' work juxtaposed against their statements, to provide the contexts for the issues against which they rail."--[book cover].
Author: Kevin Petrie
Publisher: Bloomsbury Visual Arts
ISBN: 9781350198944
Category : Art
Languages : en
Pages : 616
Get Book Here
Book Description
The Ceramics Reader is an impressive editorial collection of essays and text extracts, covering every discipline within ceramics, past and present. Tackling such fundamental questions as “why are ceramics important?”, the book also considers the field from a range of perspectives – as a cultural activity or metaphor, as a vehicle for propaganda, within industry and museums, and most recently as part of the ‘expanded field’ as a fine art medium and hub for ideas. Newly commissioned material features prominently alongside existing scholarship, to ensure an international and truly comprehensive look at ceramics.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
Get Book Here
Book Description
Author: Elaine Cheasley Paterson
Publisher: Bloomsbury Publishing
ISBN: 1472533070
Category : Design
Languages : en
Pages : 340
Get Book Here
Book Description
Sloppy Craft: Postdisciplinarity and the Crafts brings together leading international artists and critics to explore the possibilities and limitations of the idea of 'sloppy craft' – craft that is messy or unfinished looking in its execution or appearance, or both. The contributors address 'sloppiness' in contemporary art and craft practices including painting, weaving, sewing and ceramics, consider the importance of traditional concepts of skill, and the implications of sloppiness for a new 21st century emphasis on inter- and postdisciplinarity, as well as for activist, performance, queer and Aboriginal practices. In addition to critical essays, the book includes a 'conversation' section in which contemporary artists and practitioners discuss challenges and opportunities of 'sloppy craft' in their practice and teaching, and an afterword by Glenn Adamson.
Author: Ian Marsh
Publisher: A&C Black
ISBN: 1408110075
Category : Art
Languages : en
Pages : 113
Get Book Here
Book Description
A practical handbook exporing the possibilities of ceramic work using slabs.
Author: Ashley Thorpe
Publisher: The Crowood Press
ISBN: 1785008897
Category : Crafts & Hobbies
Languages : en
Pages : 591
Get Book Here
Book Description
Ceramics is one of the most vibrant and engaging fields of contemporary British art. This lavishly illustrated book reviews the work of twenty-two artists and celebrates their contribution to its rich landscape. Written from a collector's point of view, it explores what contemporary ceramic objects can mean, what emotions they evoke and how artists draw upon different facets of the art and crafts worlds in their work. A vital visual and critical resource, Contemporary British Ceramics showcases British ceramics as a compelling interdisciplinary practice, attuned to the contemporary world. Featuring more than 280 images, it encourages readers to look beneath the surface, to discover the vibrant contribution that British ceramics makes to the broad field of contemporary art.
Author: Laura Gray
Publisher: Taylor & Francis
ISBN: 1351626418
Category : Art
Languages : en
Pages : 147
Get Book Here
Book Description
This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the 'higher' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.
