Author: Pascale Drouet
Publisher: PU Paris-Sorbonne
ISBN:
Category : Lear, King (Legendary character), in literature
Languages : fr
Pages : 332
Book Description
Ceci n'est pas une fiction
Author: Pascale Drouet
Publisher: PU Paris-Sorbonne
ISBN:
Category : Lear, King (Legendary character), in literature
Languages : fr
Pages : 332
Book Description
Publisher: PU Paris-Sorbonne
ISBN:
Category : Lear, King (Legendary character), in literature
Languages : fr
Pages : 332
Book Description
Jonathan Coe
Author: Vanessa Guignery
Publisher: Bloomsbury Publishing
ISBN: 1137405848
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
Jonathan Coe is one of the most popular and critically acclaimed contemporary British writers. This comprehensive introduction places his work in clear historical and theoretical context, offering extensive readings of the author's ten novels from The Accidental Woman to Expo 58, including the remarkable What a Carve Up! The book explores Coe's biography and his experimentations with narrative, genre and comedy, as well as his thematic preoccupations with history, memory, loss and nostalgia. The first volume devoted entirely to Coe, this book includes: - A supporting timeline of key dates in literature and current events - An examination of the critical reception to Coe's works - An exclusive interview with Jonathan Coe himself
Publisher: Bloomsbury Publishing
ISBN: 1137405848
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
Jonathan Coe is one of the most popular and critically acclaimed contemporary British writers. This comprehensive introduction places his work in clear historical and theoretical context, offering extensive readings of the author's ten novels from The Accidental Woman to Expo 58, including the remarkable What a Carve Up! The book explores Coe's biography and his experimentations with narrative, genre and comedy, as well as his thematic preoccupations with history, memory, loss and nostalgia. The first volume devoted entirely to Coe, this book includes: - A supporting timeline of key dates in literature and current events - An examination of the critical reception to Coe's works - An exclusive interview with Jonathan Coe himself
Before Fiction
Author: Nicholas D. Paige
Publisher: University of Pennsylvania Press
ISBN: 0812205103
Category : Literary Criticism
Languages : en
Pages : 301
Book Description
Fiction has become nearly synonymous with literature itself, as if Homer and Dante and Pynchon were all engaged in the same basic activity. But one difficulty with this view is simply that a literature trafficking in openly invented characters is a quite recent development. Novelists before the nineteenth century ceaselessly asserted that their novels were true stories, and before that, poets routinely took their basic plots and heroes from the past. We have grown accustomed to thinking of the history of literature and the novel as a progression from the ideal to the real. Yet paradoxically, the modern triumph of realism is also the triumph of a literature that has shed all pretense to literalness. Before Fiction: The Ancien Régime of the Novel offers a new understanding of the early history of the genre in England and France, one in which writers were not slowly discovering a type of fictionality we now take for granted but rather following a distinct set of practices and rationales. Nicholas D. Paige reinterprets Lafayette's La Princesse de Clèves, Rousseau's Julie, ou la Nouvelle Héloïse, Diderot's La Religieuse, and other French texts of the seventeenth and eighteenth centuries in light of the period's preoccupation with literal truth. Paige argues that novels like these occupied a place before fiction, a pseudofactual realm that in no way leads to modern realism. The book provides an alternate way of looking at a familiar history, and in its very idiom and methodology charts a new course for how we should study the novel and think about the evolution of cultural forms.
Publisher: University of Pennsylvania Press
ISBN: 0812205103
Category : Literary Criticism
Languages : en
Pages : 301
Book Description
Fiction has become nearly synonymous with literature itself, as if Homer and Dante and Pynchon were all engaged in the same basic activity. But one difficulty with this view is simply that a literature trafficking in openly invented characters is a quite recent development. Novelists before the nineteenth century ceaselessly asserted that their novels were true stories, and before that, poets routinely took their basic plots and heroes from the past. We have grown accustomed to thinking of the history of literature and the novel as a progression from the ideal to the real. Yet paradoxically, the modern triumph of realism is also the triumph of a literature that has shed all pretense to literalness. Before Fiction: The Ancien Régime of the Novel offers a new understanding of the early history of the genre in England and France, one in which writers were not slowly discovering a type of fictionality we now take for granted but rather following a distinct set of practices and rationales. Nicholas D. Paige reinterprets Lafayette's La Princesse de Clèves, Rousseau's Julie, ou la Nouvelle Héloïse, Diderot's La Religieuse, and other French texts of the seventeenth and eighteenth centuries in light of the period's preoccupation with literal truth. Paige argues that novels like these occupied a place before fiction, a pseudofactual realm that in no way leads to modern realism. The book provides an alternate way of looking at a familiar history, and in its very idiom and methodology charts a new course for how we should study the novel and think about the evolution of cultural forms.
Untheories of Fiction
Author: Mark Axelrod-Sokolov
Publisher: Springer Nature
ISBN: 3030593460
Category : Fiction
Languages : en
Pages : 153
Book Description
This book takes a closer look at the diversity of fiction writing from Diderot to Markson and by so doing call into question the notion of a singular “theory of fiction,” especially in relation to the novel. Unlike Forster’s approach to “Aspects of the Novel,” which implied there is only one kind of novel to which there may be an aspect, this book deconstructs how one approach to studying something as protean as the novel cannot be accomplished. To that end, the text uses Diderot’s This Is Not A Story (1772) and David Markson’s This Is Not A Novel (2016) as a frame and imbedded within are essays on De Maistre’s Voyage Around My Room (1829), Machado de Assis’s Posthumous Memoirs Of Braz Cubas (1881), André Breton’s Nadja (1928) and Elizabeth Smart’s By Grand Central Station I Sat Down And Wept (1945).
Publisher: Springer Nature
ISBN: 3030593460
Category : Fiction
Languages : en
Pages : 153
Book Description
This book takes a closer look at the diversity of fiction writing from Diderot to Markson and by so doing call into question the notion of a singular “theory of fiction,” especially in relation to the novel. Unlike Forster’s approach to “Aspects of the Novel,” which implied there is only one kind of novel to which there may be an aspect, this book deconstructs how one approach to studying something as protean as the novel cannot be accomplished. To that end, the text uses Diderot’s This Is Not A Story (1772) and David Markson’s This Is Not A Novel (2016) as a frame and imbedded within are essays on De Maistre’s Voyage Around My Room (1829), Machado de Assis’s Posthumous Memoirs Of Braz Cubas (1881), André Breton’s Nadja (1928) and Elizabeth Smart’s By Grand Central Station I Sat Down And Wept (1945).
Novelists in the New Millennium
Author: Vanessa Guignery
Publisher: Bloomsbury Publishing
ISBN: 1350309079
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
A collection of interviews with leading writers such as Julian Barnes, Jonathan Coe, Kazuo Ishiguro, Hanif Kureishi, Arundhati Roy and Will Self. Through these interviews the book explores and introduces a range of key themes in contemporary literature, raising questions about genre, history, postmodernism, celebrity culture and form.
Publisher: Bloomsbury Publishing
ISBN: 1350309079
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
A collection of interviews with leading writers such as Julian Barnes, Jonathan Coe, Kazuo Ishiguro, Hanif Kureishi, Arundhati Roy and Will Self. Through these interviews the book explores and introduces a range of key themes in contemporary literature, raising questions about genre, history, postmodernism, celebrity culture and form.
Wounded Fiction
Author: Joseph Adamson
Publisher: Routledge
ISBN: 1134970927
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
This book, first published in 1988, does not concern the theory of poetry so much as the poetry of theory: a poetry that theorizes, that has a "view" on things, that thinks. What or what things does poetry think about, and what do we mean by thinking? The author attempts to answer these questions by examining the work of three poets – Wallace Stevens, César Vallejo, and René Char – and reflects upon the poetry itself. This title will be of interest to students of literature and literary theory.
Publisher: Routledge
ISBN: 1134970927
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
This book, first published in 1988, does not concern the theory of poetry so much as the poetry of theory: a poetry that theorizes, that has a "view" on things, that thinks. What or what things does poetry think about, and what do we mean by thinking? The author attempts to answer these questions by examining the work of three poets – Wallace Stevens, César Vallejo, and René Char – and reflects upon the poetry itself. This title will be of interest to students of literature and literary theory.
Utilisation des images d'archives dans l’audiovisuel
Author: CARNEL Jean-Stéphane
Publisher: Lavoisier
ISBN: 2746288311
Category :
Languages : en
Pages : 210
Book Description
Par l'intermédiaire d'illustrations audiovisuelles, les journaux télévisés montrent le passé, le présent, mais aussi, paradoxalement, l'avenir. Ces programmes recourent aux images d'archives qui peuvent constituer près de 20 % de la durée d'une édition. Ces réutilisations quotidiennes d'images anciennes, qui ne sont généralement pas remarquées par le téléspectateur, présentent un défi pour les documentalistes qui les compilent. Quelles sont les méthodes utilisées pour répondre à ces besoins, anticiper les demandes urgentes et gérer les contraintes de production de contenus ? Comment sont sélectionnées, dès leur arrivée dans le service d'archives, les images possédant le plus important potentiel de réutilisation ? Les images aux aspects les plus stéréotypés sont sélectionnées pour proposer des supports pertinents et vraisemblables aux discours journalistiques. Par la redondance de leur utilisation, elles s'inscrivent dans nos répertoires visuels et donnent une image temporelle et un reflet de notre société.
Publisher: Lavoisier
ISBN: 2746288311
Category :
Languages : en
Pages : 210
Book Description
Par l'intermédiaire d'illustrations audiovisuelles, les journaux télévisés montrent le passé, le présent, mais aussi, paradoxalement, l'avenir. Ces programmes recourent aux images d'archives qui peuvent constituer près de 20 % de la durée d'une édition. Ces réutilisations quotidiennes d'images anciennes, qui ne sont généralement pas remarquées par le téléspectateur, présentent un défi pour les documentalistes qui les compilent. Quelles sont les méthodes utilisées pour répondre à ces besoins, anticiper les demandes urgentes et gérer les contraintes de production de contenus ? Comment sont sélectionnées, dès leur arrivée dans le service d'archives, les images possédant le plus important potentiel de réutilisation ? Les images aux aspects les plus stéréotypés sont sélectionnées pour proposer des supports pertinents et vraisemblables aux discours journalistiques. Par la redondance de leur utilisation, elles s'inscrivent dans nos répertoires visuels et donnent une image temporelle et un reflet de notre société.
Voices and Silence in the Contemporary Novel in English
Author: Vanessa Guignery
Publisher: Cambridge Scholars Publishing
ISBN: 1443816019
Category : Literary Collections
Languages : en
Pages : 299
Book Description
This volume examines the various processes at work in expressing silence and excessive speech in contemporary novels in English, covering the whole spectrum from effusiveness to muteness. Even if in the postmodern episteme language is deemed inadequate for speaking the unspeakable, contemporary authors still rely on voice as a mode of representation and a performative tool, and exploit silence not only as a sign of absence, block or withdrawal, but also as a token of presence and resistance. Logorrhoea and reticence are not necessarily antithetical as compulsive verbosity may work as a smokescreen to sidestep the real issues, while silences and gaps may reveal more than they hide. By submitting their texts to both expansion and retention, hypertrophy and aphasia, writers persistently test the limits of language and its ability to make sense of individual and collective stories. The present volume analyses the complex poetics of silence and speech in fiction from the 1960’s to the present, with special focus on Will Self, Graham Swift, John Fowles, Kazuo Ishiguro, Jenny Diski, Lionel Shriver, Michèle Roberts, Margaret Atwood, Jonathan Safran Foer, Salman Rushdie, Arundhati Roy, Zadie Smith, Jamaica Kincaid, Ryhaan Shah and J.M. Coetzee.
Publisher: Cambridge Scholars Publishing
ISBN: 1443816019
Category : Literary Collections
Languages : en
Pages : 299
Book Description
This volume examines the various processes at work in expressing silence and excessive speech in contemporary novels in English, covering the whole spectrum from effusiveness to muteness. Even if in the postmodern episteme language is deemed inadequate for speaking the unspeakable, contemporary authors still rely on voice as a mode of representation and a performative tool, and exploit silence not only as a sign of absence, block or withdrawal, but also as a token of presence and resistance. Logorrhoea and reticence are not necessarily antithetical as compulsive verbosity may work as a smokescreen to sidestep the real issues, while silences and gaps may reveal more than they hide. By submitting their texts to both expansion and retention, hypertrophy and aphasia, writers persistently test the limits of language and its ability to make sense of individual and collective stories. The present volume analyses the complex poetics of silence and speech in fiction from the 1960’s to the present, with special focus on Will Self, Graham Swift, John Fowles, Kazuo Ishiguro, Jenny Diski, Lionel Shriver, Michèle Roberts, Margaret Atwood, Jonathan Safran Foer, Salman Rushdie, Arundhati Roy, Zadie Smith, Jamaica Kincaid, Ryhaan Shah and J.M. Coetzee.
The B. S. Johnson - Zulfikar Ghose Correspondence
Author: Vanessa Guignery
Publisher: Cambridge Scholars Publishing
ISBN: 1443876801
Category : Literary Collections
Languages : en
Pages : 485
Book Description
From 1959 to 1973, the writers B. S. Johnson and Zulfikar Ghose regularly wrote letters to each other in which they discussed their own work and literary preoccupations. They exchanged early drafts of poems, short stories, plays and novels, and their correspondence contains detailed comments and extended analyses of these texts, as well as illuminating reflections on literature, criticism, poetics and aesthetics. Though much of the correspondence is an extended literary discussion, it also contains moments of personal revelation, jokes and anecdotes so that the letters, with their surprising asides, are enjoyable to read, even as they inform with their biographical and intellectual content. The two authors also frequently refer to the university poetry journals and literary magazines they contributed to or edited, and they write about the poetry meetings they attended and the writers they met or read. Their involvement in literary groups and their dealings with publishers, editors and agents are indicative of the publishing mechanisms of the time. This correspondence thus not only provides insight into the work of both B. S. Johnson and Zulfikar Ghose, but also conjures up a comprehensive picture of the London literary world of the 1960s.
Publisher: Cambridge Scholars Publishing
ISBN: 1443876801
Category : Literary Collections
Languages : en
Pages : 485
Book Description
From 1959 to 1973, the writers B. S. Johnson and Zulfikar Ghose regularly wrote letters to each other in which they discussed their own work and literary preoccupations. They exchanged early drafts of poems, short stories, plays and novels, and their correspondence contains detailed comments and extended analyses of these texts, as well as illuminating reflections on literature, criticism, poetics and aesthetics. Though much of the correspondence is an extended literary discussion, it also contains moments of personal revelation, jokes and anecdotes so that the letters, with their surprising asides, are enjoyable to read, even as they inform with their biographical and intellectual content. The two authors also frequently refer to the university poetry journals and literary magazines they contributed to or edited, and they write about the poetry meetings they attended and the writers they met or read. Their involvement in literary groups and their dealings with publishers, editors and agents are indicative of the publishing mechanisms of the time. This correspondence thus not only provides insight into the work of both B. S. Johnson and Zulfikar Ghose, but also conjures up a comprehensive picture of the London literary world of the 1960s.
Ebc
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 888
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 888
Book Description