Causality and Containment in Seventeenth-Century Chinese Fiction PDF Download
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Author: Keith McMahon
Publisher: BRILL
ISBN: 9789004085459
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
A number of features characterize late Ming vernacular fiction as part of the general cultural expansion of that period. These features centrally include the exposition of sexual transgression and the function of containment, by which is meant the ideology of the control of desires. The late Ming writers are studiously devoted to illustrating minute, obscene, or erotic details that belief the decorum of the orthodox surface. However, this subversiveness of detail decreases in intensity from the late Ming to the early Qing, when values of containment are reinvoked. Related topics are: the theme of causality and its role in the story's mapping of the logic of adultery; adultery as an emblem of the woman's escape from containment and the use of the narrative topos of the gap in the wall as a locus of sexual transgression.
Author: Keith McMahon
Publisher: BRILL
ISBN: 9789004085459
Category : Literary Criticism
Languages : en
Pages : 176
Get Book Here
Book Description
A number of features characterize late Ming vernacular fiction as part of the general cultural expansion of that period. These features centrally include the exposition of sexual transgression and the function of containment, by which is meant the ideology of the control of desires. The late Ming writers are studiously devoted to illustrating minute, obscene, or erotic details that belief the decorum of the orthodox surface. However, this subversiveness of detail decreases in intensity from the late Ming to the early Qing, when values of containment are reinvoked. Related topics are: the theme of causality and its role in the story's mapping of the logic of adultery; adultery as an emblem of the woman's escape from containment and the use of the narrative topos of the gap in the wall as a locus of sexual transgression.
Author: Keith McMahon
Publisher: BRILL
ISBN: 9004645349
Category : History
Languages : en
Pages : 170
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Book Description
A number of features characterize late Ming vernacular fiction as part of the general cultural expansion of that period. These features centrally include the exposition of sexual transgression and the function of containment, by which is meant the ideology of the control of desires. The late Ming writers are studiously devoted to illustrating minute, obscene, or erotic details that belief the decorum of the orthodox surface. However, this subversiveness of detail decreases in intensity from the late Ming to the early Qing, when values of containment are reinvoked. Related topics are: the theme of causality and its role in the story's mapping of the logic of adultery; adultery as an emblem of the woman's escape from containment and the use of the narrative topos of the gap in the wall as a locus of sexual transgression.
Author: Keith McMahon
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Keith McMahon
Publisher:
ISBN:
Category :
Languages : en
Pages : 157
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Book Description
Author: Robert Keith McMahon
Publisher:
ISBN:
Category : Chinese fiction
Languages : en
Pages : 522
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Book Description
Author: Gesine Lenore Schiewer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110795558
Category : Language Arts & Disciplines
Languages : en
Pages : 1238
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Book Description
The Handbook consists of four major sections. Each section is introduced by a main article: Theories of Emotion – General Aspects Perspectives in Communication Theory, Semiotics, and Linguistics Perspectives on Language and Emotion in Cultural Studies Interdisciplinary and Applied Perspectives The first section presents interdisciplinary emotion theories relevant for the field of language and communication research, including the history of emotion research. The second section focuses on the full range of emotion-related aspects in linguistics, semiotics, and communication theories. The next section focuses on cultural studies and language and emotion; emotions in arts and literature, as well as research on emotion in literary studies; and media and emotion. The final section covers different domains, social practices, and applications, such as society, policy, diplomacy, economics and business communication, religion and emotional language, the domain of affective computing in human-machine interaction, and language and emotion research for language education. Overall, this Handbook represents a comprehensive overview in a rich, diverse compendium never before published in this particular domain.
Author: Ann Waltner
Publisher: University of Hawaii Press
ISBN: 0824879953
Category : History
Languages : en
Pages : 249
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Book Description
The need for heirs in any traditional society is a compelling one. In traditional China, where inheritance and notions of filiality depended on the production of progeny, the need was nearly absolute. As Ann Waltner makes clear in this broadly researched study of adoption in the late Ming and early Ch'ing periods, the getting of an heir was a complex, even paradoxical undertaking. Although adoption involving persons of the same surname was the only arrangement ritually and legally sanctioned in Chinese society, adoption of persons of a different surname was a relatively common practice. Using medical and ritual texts, legal codes, local gazetteers, biography, and fiction, Waltner examines the multiple dimensions of the practice of adoption and identifies not only the dominant ideology prohibiting adoption across surname lines, but also a parallel discourse justifying the practice.
Author: Maria Franca Sibau
Publisher: SUNY Press
ISBN: 1438469896
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Reassesses didacticism in seventeenth-century Chinese vernacular fiction and challenges the view that the late Ming was a notoriously immoral time. Reading for the Moral offers an innovative reassessment of the nature of moral representation and exemplarity in Chinese vernacular fiction. Maria Franca Sibau focuses on two little-studied story collections published at the end of the Ming dynasty, Exemplary Words for the World (Xingshi yan, 1632) and Bell in the Still Night (Qingye zhong, c. 1645). Far from being tediously moralistic tales, these stories of loyal ministers, filial children, chaste widows, and selfless friends provide a deeper understanding of the five cardinal relationships central to Confucian ethics. They explore the inherent tension between what we might call textbook morality, on the one hand, and untidy everyday life, on the other. The stories often take a critical view of mechanical notions of retribution, countering it with the logic of virtue as its own reward. Conflict between passion and duty is typically resolved in favor of duty, a duty redefined with a palpable sense of urgency. In constructing vernacular representations of moral exemplars from the recent historical past rather than from remote or fictitious antiquity, the story compilers show how these virtues are not abstract or monolithic norms, but play out within the contingencies of time and space. Reading for the Moral is an entertaining and insightful exploration of how seriously moralistic writers really were in a time that became notorious for its supposed immorality. Sibaus encyclopedic knowledge of both original texts and relevant secondary literature make this an excellent source of inspiration for further research. This book is an outstanding accomplishment. Robert E. Hegel, author of Reading Illustrated Fiction in Late Imperial China
Author: Domna C. Stanton
Publisher: University of Michigan Press
ISBN: 9780472065134
Category : Interpersonal relations
Languages : en
Pages : 454
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Book Description
An important and timely book on a subject of enduring interest
Author: Martin W. Huang
Publisher: BRILL
ISBN: 1684173574
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
"In this new study of desire in Late Imperial China, Martin Huang argues that the development of traditional Chinese fiction as a narrative genre was closely related to changes in conceptions of the fundamental nature of desire. He further suggests that the rise of vernacular fiction during the late Ming dynasty should be studied in the context of contemporary debates on desire, along with the new and complex views that emerged from those debates.Desire and Fictional Narrative in Late Imperial China shows that the obsession of authors with individual desire is an essential quality that defines traditional Chinese fiction as a narrative genre. Thus the maturation of the genre can best be appreciated in terms of its increasingly sophisticated exploration of the phenomenon of desire."
