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Author: Herbert Menzies Marshall
Publisher:
ISBN:
Category : Cathedrals
Languages : en
Pages : 416
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Author: Herbert Menzies Marshall
Publisher:
ISBN:
Category : Cathedrals
Languages : en
Pages : 416
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Book Description
Author: Stan Parry
Publisher: Oro Editions
ISBN: 9781939621788
Category : Architecture
Languages : en
Pages : 200
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Book Description
Great Gothic Cathedrals of France guides readers on a tour of twelve French cathedrals that best exemplify one of the greatest glories of Western civilization. From the beautiful facade of Notre-Dame in Paris to the transcendent beauty of the stained glass at Chartres, this book clarifies the significant elements of their architecture by means of its text and images. The cathedrals of Amiens, Paris, Saint Denis, Chartres, Reims, Laon, Noyon, Soissons, Sens, Beauvais, Bourges and Troyes as well as Sainte-Chapelle are all presented to give the reader and visitor to France a clear understanding of these extraordinary buildings. This publication also provides the reader with a chapter on how to "read" a stained glass window.
Author: Herbert Menzies Marshall
Publisher:
ISBN:
Category : Cathedrals
Languages : en
Pages : 378
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Author: Milburg Francisco Mansfield
Publisher: Library of Alexandria
ISBN: 1465544356
Category : History
Languages : en
Pages : 540
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Book Description
An attempt to enumerate the architectural monuments of France is not possible without due consideration being given to the topographical divisions of the country, which, so far as the early population and the expression of their arts and customs is concerned, naturally divides itself into two grand divisions of influences, widely dissimilar. Historians, generally, agree that the country which embraces the Frankish influences in the north, as distinct from that where are spoken the romance languages, finds its partition somewhere about a line drawn from the mouth of the Loire to the Swiss lakes. Territorially, this approaches an equal division, with the characteristics of architectural forms well nigh as equally divided. Indeed, Fergusson, who in his general estimates and valuations is seldom at fault, thus divides it:—"on a line which follows the valley of the Loire to a point between Tours and Orleans, then southwesterly to Lyons, and thence along the valley of the Rhône to Geneva." With such a justification, then, it is natural that some arbitrary division should be made in arranging the subject matter of a volume which treats, in part only, of a country or its memorials; even though the influences of one section may not only have lapped over into the other, but, as in certain instances, extended far beyond. As the peoples were divided in speech, so were they in their manner of building, and the most thoroughly consistent and individual types were in the main confined to the environment of their birth. A notable exception is found in Brittany, where is apparent a generous admixture of style which does not occur in the churches of the first rank; referring to the imposing structures of the Isle de France and its immediate vicinity. The "Grand Cathedrals" of this region are, perhaps, most strongly impressed upon the mind of whoever takes something more than a superficial interest in the subject as the type which embodies the loftiest principles of Gothic forms, and, as such, they are perhaps best remembered by that very considerable body of persons known as intelligent observers. The strongest influences at work in the north from the twelfth century onward have been in favour of the Gothic or pointed styles, whilst, in the south, civic and ecclesiastical architecture alike were of a manifest Byzantine or Romanesque tendency. No better illustration of this is possible than to recall the fact that, when the builders of the fifteenth century undertook to complete that astoundingly impressive choir at Beauvais, they sought to rival in size and magnificence its namesake at Rome, which, under the care of the Pontiff himself, was then being projected. Thus it was that this thoroughly Gothic structure of the north was to stand forth as the indicator of local influences, as contrasted with the Italian design and plans of the St. Peter's of the south. A discussion of the merits of any territorial claims as to the inception of what is commonly known as Gothic architecture, under which name, for the want of a more familiar term, it shall be referred to herein, is quite apart from the purport of this volume, and, as such, it were best ignored. The statement, however, may be made that it would seem clearly to be the development of a northern influence which first took shape after a definite form in a region safely comprehended as lying within the confines of northeastern France, the Netherlands, and the northern Rhine Provinces. Much has been written on this debatable subject and doubtless will continue to be, either as an arrow shot into the air by some wary pedant, or an equally unconvincing statement, without proof, of some mere follower in the footsteps of an illustrious, but behind the times, expert. It matters not, as a mere detail, whether it was brought from the East in imperfect form by the Crusaders, and only received its development at the hands of some ingenious northerner, or not. Its development was certainly rapid and sure in the great group which we know to-day in northern France, and, if proof were wanted, the existing records in stone ought to be sufficiently convincing to point out the fact that here Mediæval Gothic architecture received its first and most perfect development. The Primaire: the development of the style finding its best example at Paris. The Secondaire: the Perfectionnement at Reims, and its Apogee at Amiens. The Tertiaire: practically the beginning of the decadence, in St. Ouen at Rouen, only a shade removed from the debasement which soon followed. As to the merits or demerits of the contemporary structures of other nations, that also would be obviously of comparative unimportance herein except so far as a comparison might once and again be made to accentuate values.
Author: David Macaulay
Publisher: Houghton Mifflin Harcourt
ISBN: 9780395316689
Category : Architecture
Languages : en
Pages : 118
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Book Description
This richly illustrated book shows the intricate step-by-step process of an imaginary cathedral's growth.
Author: Thomas Francis Bumpus
Publisher:
ISBN:
Category : Cathedrals
Languages : en
Pages : 520
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Author: Milburg F Mansfield
Publisher: BoD - Books on Demand
ISBN:
Category : Travel
Languages : en
Pages : 88
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Book Description
As of my last knowledge update in January 2022, I don't have specific information about a book titled "The Cathedrals of Northern France" by M. F. Mansfield. It's possible that the book may be a less widely known or niche publication. If "The Cathedrals of Northern France" by M. F. Mansfield is a real or upcoming book, or if there are variations in the title or author's name, I recommend checking more recent sources such as online bookstores, library catalogs, or the publisher's website for the latest information. Books about the cathedrals of Northern France could cover a range of topics, including their architectural features, history, and cultural significance. If you are interested in this subject, you may also explore other well-known works on French cathedrals and architecture.
Author: George Wharton Edwards
Publisher: Good Press
ISBN:
Category : Travel
Languages : en
Pages : 214
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Book Description
"Vanished Halls and Cathedrals of France" by George Wharton Edwards. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Milburg F Mansfield
Publisher: BoD - Books on Demand
ISBN:
Category : Travel
Languages : en
Pages : 138
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Book Description
TOO often—it is a half-acknowledged delusion, however—one meets with what appears to be a theory: that a book of travel must necessarily be a series of dull, discursive, and entirely uncorroborated opinions of one who may not be even an intelligent observer. This is mere intellectual pretence. Even a humble author—so long as he be an honest one—may well be allowed to claim with Mr. Howells the right to be serious, or the reverse, "with his material as he finds it;" and that "something personally experienced can only be realized on the spot where it was lived." This, says he, is "the prime use of travel, and the attempt to create the reader a partner in the enterprise" ... must be the excuse, then, for putting one's observations on paper. He rightly says, too, that nothing of perilous adventure is to-day any more like to happen "in Florence than in Fitchburg." A "literary tour," a "cathedral tour," or an "architectural tour," requires a formula wherein the author must be wary of making questionable estimates; but he may, with regard to generalities,—or details, for that matter,—state his opinion plainly; but he should state also his reasons. With respect to church architecture no average reader, any more than the average observer, willingly enters the arena of intellectual combat, but rather is satisfied—as he should be, unless he is a Freeman, a Gonse, or a Corroyer—with an ampler radius which shall command even a juster, though no less truthful, view.
Author: Milburg Mansfield
Publisher: Litres
ISBN: 5040479328
Category : Fiction
Languages : en
Pages : 290
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Book Description
