Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
Book Description
The International Cyclopedia of Music and Musicians
Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
Book Description
The Acquisition of Books by Chetham's Library, 1655-1700
Author: Matthew Yeo
Publisher: BRILL
ISBN: 9004210202
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
Chetham's Library, Manchester, was founded in 1655 by the bequest of the Manchester merchant, Humphrey Chetham (1580-1653). Drawing on recent debates about the methods of book history, this book is a detailed study of the way in which an early modern provincial library was created, stocked with books and administered. Using extensive archival research into the Library's acquisitions and the trade in books and ideas in the later seventeenth century, Yeo examines the motivations behind the Library's foundation, the beliefs of those responsible for the selection of books and the Library's relationship with the London bookseller Robert Littlebury. The result is a refreshing reinterpretation of provincial intellectual culture and the workings of the early modern trade in books and ideas.
Publisher: BRILL
ISBN: 9004210202
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
Chetham's Library, Manchester, was founded in 1655 by the bequest of the Manchester merchant, Humphrey Chetham (1580-1653). Drawing on recent debates about the methods of book history, this book is a detailed study of the way in which an early modern provincial library was created, stocked with books and administered. Using extensive archival research into the Library's acquisitions and the trade in books and ideas in the later seventeenth century, Yeo examines the motivations behind the Library's foundation, the beliefs of those responsible for the selection of books and the Library's relationship with the London bookseller Robert Littlebury. The result is a refreshing reinterpretation of provincial intellectual culture and the workings of the early modern trade in books and ideas.
Catalogue of Manuscript Music in the British Museum
Author: British Museum. Department of Manuscripts
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 592
Book Description
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 592
Book Description
The International Cyclopedia of Music and Musicians
Author: Oscar Thompson
Publisher: New York : Dodd, Mead
ISBN:
Category : Music
Languages : en
Pages : 2634
Book Description
Since its publication in 1938, this encyclopedia has been recognized as the outstanding single-volume book in scope, depth, and detail. It is widely considered to be the major encyclopedia of musical knowledge. In each subsequent edition over the years, existing topics were brought up-to-date and new topics were introduced. The changes in this 11th edition, both revision and extension, are contained in an addenda at the rear of the volume. This section is the chronicle of approximately 10 years, 1975-1985, the period separating the 11th edition from the previous one. Much of the material in this new Addenda section deals with topics entirely new to the Cyclopedia, such as persons, places, organizations, and compositional styles, among others. International in scope, this is the most modern reference available for all music lovers. ISBN 0-396-08412-5: $69.95 (For use only in the library).
Publisher: New York : Dodd, Mead
ISBN:
Category : Music
Languages : en
Pages : 2634
Book Description
Since its publication in 1938, this encyclopedia has been recognized as the outstanding single-volume book in scope, depth, and detail. It is widely considered to be the major encyclopedia of musical knowledge. In each subsequent edition over the years, existing topics were brought up-to-date and new topics were introduced. The changes in this 11th edition, both revision and extension, are contained in an addenda at the rear of the volume. This section is the chronicle of approximately 10 years, 1975-1985, the period separating the 11th edition from the previous one. Much of the material in this new Addenda section deals with topics entirely new to the Cyclopedia, such as persons, places, organizations, and compositional styles, among others. International in scope, this is the most modern reference available for all music lovers. ISBN 0-396-08412-5: $69.95 (For use only in the library).
Manuscript Inscriptions in Early English Printed Music
Author: Dr David Greer
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472445899
Category : Music
Languages : en
Pages : 227
Book Description
Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of … T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472445899
Category : Music
Languages : en
Pages : 227
Book Description
Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of … T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.
Catalogue of the Central Library
Author: Sheffield. Free public libraries and museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 222
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 222
Book Description
Classified Catalogue
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category :
Languages : en
Pages : 1308
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1308
Book Description
Grove's Dictionary of Music and Musicians
Author: Sir George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 876
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 876
Book Description
Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Associations, institutions, etc
Languages : en
Pages : 584
Book Description
Publisher:
ISBN:
Category : Associations, institutions, etc
Languages : en
Pages : 584
Book Description
Classified Catalogue of the Carnegie Library of Pittsburgh. 1907-1911
Author:
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 892
Book Description
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 892
Book Description