Catalogue of the Greek and Etruscan Vases and of the Greek and Roman Lamps in the Nicholson Museum, University of Sydney PDF Download
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Author: Louisa Macdonald
Publisher:
ISBN:
Category : Lamps
Languages : en
Pages : 60
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Book Description
Author: Louisa Macdonald
Publisher:
ISBN:
Category : Lamps
Languages : en
Pages : 60
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Book Description
Author: New South Wales Free Public Library, Sydney
Publisher:
ISBN:
Category :
Languages : en
Pages : 1142
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Author: Public Library of New South Wales
Publisher:
ISBN:
Category : Australia
Languages : en
Pages : 1146
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Author: Public Library of New South Wales. Reference Dept
Publisher:
ISBN:
Category :
Languages : en
Pages : 1140
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Book Description
Author: Louisa MacDonald
Publisher: Wentworth Press
ISBN: 9781361128220
Category : Art
Languages : en
Pages : 56
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Author: Louisa MacDonald
Publisher:
ISBN: 9781332325092
Category : Crafts & Hobbies
Languages : en
Pages : 62
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Book Description
Excerpt from Catalogue of the Greek and Etruscan Vases and of the Greek and Roman Lamps: In the Nicholson Museum, University of Sydney The Collection were presented to the University of Sydney by Sir Charles Nicholson, formerly Chancellor of the University. They were found, probably, in different parts of Italy, but the exact locality has been noted only in a few instances. In earlier days vases such as we have here were known as Etruscan vases, because Etruria was the first country where they were found in great abundance. Their true name is Greek Vases, and only a very few can be strictly called Etruscan. In our collection the Etruscan vases proper are 45 and 46, and possibly some of the early black incised and the late black stamped ware may have been made by Etruscan potters. Greek vases have been found, generally, in tombs, and one class in particular, the white Athenian Lehythoi were produced solely for funeral purposes. But painted clay vases were used constantly in ordinary Greek life, as, indeed, we can see from the shapes adapted to their different purposes the skyphos, the kylixy and the cantharos, for drinking cups; the aryballos, for holding oil or perfume; the crater, or mixing bowl the lekyihos, for pouring oil; the otnochoe, for wine and so on. The examination of Greek decorated pottery shows a successive development through many stages. Between the 7th and 3rd centuries, B. C., when the art of vase painting ceased, the history can be clearly traced: and, though the dates cannot be fixed more than approximately, from the fact that the different styles of colour and design overlap each other, there is no difference of opinion among authorities as to the period within a few years to which any vase or class of vases belongs. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Basil Lanneau Gildersleeve
Publisher:
ISBN:
Category : Classical philology
Languages : en
Pages : 574
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Book Description
Each number includes "Reviews and book notices."
Author: Jennifer M. Webb
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 204
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Author: Society of Biblical Archæology (London, England)
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 442
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Author: David Murray
Publisher: Taylor & Francis
ISBN: 1040130070
Category : Philosophy
Languages : en
Pages : 501
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Book Description
Museums and collecting is now a major area of cultural studies. This selected group of key texts opens the investigation and appreciation of museum history. Edward Edwards, chief pioneer of municipal public libraries, chronicles the founders and early donors to the British Museum. Greenwood and Murray provide informative pictures of the early history of the museum movement. Sir William Flower, Director of the British Museum (Natural History), takes a pioneering philosophical approach to the sphere of natural history in relation to museums. Similarly, Acland and Ruskin discuss and explore the relationships of art and architecture to museums.
