Catalogue of an Exhibition of English Watercolour Drawings (1750-1850).

Catalogue of an Exhibition of English Watercolour Drawings (1750-1850). PDF Author: Sabin Galleries Ltd
Publisher:
ISBN:
Category : Water colors, English
Languages : en
Pages : 32

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Catalogue of an Exhibition of English Watercolour Drawings (1750-1850).

Catalogue of an Exhibition of English Watercolour Drawings (1750-1850). PDF Author: Sabin Galleries Ltd
Publisher:
ISBN:
Category : Water colors, English
Languages : en
Pages : 32

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Catalogue of Exhibition of English Watercolour Drawings, 1750-1850. (Autumn Exhibition, 1938.).

Catalogue of Exhibition of English Watercolour Drawings, 1750-1850. (Autumn Exhibition, 1938.). PDF Author: Frank T. Sabin
Publisher:
ISBN:
Category :
Languages : en
Pages : 31

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Exhibition of English Watercolour and Drawings. 1750-1950

Exhibition of English Watercolour and Drawings. 1750-1950 PDF Author: Ruskin Gallery (Stratford-upon-Avon)
Publisher:
ISBN:
Category :
Languages : en
Pages : 8

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British Watercolours, 1750 to 1850

British Watercolours, 1750 to 1850 PDF Author: Andrew Wilton
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : en
Pages : 216

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Book Description
William Blake, John Constable, and Joseph Mallord William Turner are among the ten British watercolorists whose works are analyzed and reproduced in color and black and white.

The Spooner Collection of British Watercolours at the Courtauld Institute Gallery

The Spooner Collection of British Watercolours at the Courtauld Institute Gallery PDF Author: Michael Broughton
Publisher: Paul Holberton Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 288

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The Spooner Collection of watercolours is one of the finest of its kind, featuring all the leading artists of the period 1750 - 1850. Notable among them are watercolours of the Lake District by John White Abbott, and rural scenes by several artists - Gainsborough, Turner, Cozens, Rowlandson, Francis Towne, Samuel Palmer. Architecture dominates the setting, in works by Girtin, Cotman and Sandby. The essays accompanying the catalogue discuss outdoor painting and the role of memory in watercolour painting, the connoisseurship, and attitudes towards watercolours; and give a brief biography of William Wycliffe Spooner himself. This complete catalogue of the collection, bequeathed by Spooner to the Courtauld Institute, is published on the occasion of a touring exhibition of select works from the collection, showing at The Worsworth Trust, Grasmere; The Huntingdon Library, California; and the Courtauld Institute Gallery, London, 2005 - 2006.

Exhibition of Old English Watercolours, 1750-1850

Exhibition of Old English Watercolours, 1750-1850 PDF Author: Lincoln Gallery
Publisher:
ISBN:
Category : Watercolor painting
Languages : en
Pages : 4

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Exhibition of English Watercolours and Drawings 1750-1950

Exhibition of English Watercolours and Drawings 1750-1950 PDF Author: Ruskin Gallery (Stratford-Upon-Avon)
Publisher:
ISBN:
Category :
Languages : en
Pages : 12

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"The Most Beautiful Art of England"

Author: Friends of the Whitworth
Publisher:
ISBN:
Category : Watercolor painting
Languages : en
Pages : 118

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The Great Age of British Watercolours, 1750-1880

The Great Age of British Watercolours, 1750-1880 PDF Author: Andrew Wilton
Publisher: Te Neues Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 348

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"The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad." "In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland." "During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leading Victorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

British Landscape Watercolours, 1750-1850

British Landscape Watercolours, 1750-1850 PDF Author: Jane Munro
Publisher: A&C Black
ISBN:
Category : Art
Languages : en
Pages : 170

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