The National Union Catalog, Pre-1956 Imprints PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The National Union Catalog, Pre-1956 Imprints PDF full book. Access full book title The National Union Catalog, Pre-1956 Imprints by . Download full books in PDF and EPUB format.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 710
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 710
Get Book Here
Book Description
Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Get Book Here
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author: Meyer Schapiro
Publisher: New York : G. Braziller, 1978, 1979 printing.
ISBN: 9780807608999
Category : Art
Languages : en
Pages : 370
Get Book Here
Book Description
Author: James Patty
Publisher: University Press of Kentucky
ISBN: 0813171938
Category : Literary Criticism
Languages : en
Pages : 282
Get Book Here
Book Description
" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.
Author: Raymond Cogniat
Publisher:
ISBN: 9789070061494
Category : Painters
Languages : en
Pages : 94
Get Book Here
Book Description
Author: Meyer Schapiro
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 366
Get Book Here
Book Description
Presents a revision of the late Columbia University art historian's lectures given at Indiana University in 1961.
Author: Sir Tollemache Sinclair
Publisher:
ISBN:
Category : English poetry
Languages : fr
Pages : 1288
Get Book Here
Book Description
Author: Alisa Luxenberg
Publisher: Routledge
ISBN:
Category : Art
Languages : en
Pages : 324
Get Book Here
Book Description
Alisa Luxenberg examines the Galerie Espagnole, a collection of Spanish paintings exhibited in the Louvre from 1838 to 1848, in conjunction with the contemporaneous Museo Nacional in Madrid, from a new and critical focus on political and cultural discourse. She analyzes the visual and critical reception of the two collections, their intersection with contemporary debates about aesthetics and patrimony, the role of the art museum, and national and international politics.
Author: Seymour Slive
Publisher: Springer Science & Business Media
ISBN: 9401508380
Category : Art
Languages : en
Pages : 278
Get Book Here
Book Description
My greatest debt in the writing of this book is to my teacher Dr. Ulrich Middeldorf, who taught me the methodology of research in art history, and who guided my studies of art theory and criticism. This study, which in an earlier form was accepted as a doctoral dissertation by the University of Chicago, was begun under Dr. Middeldorf's guidance, and during all stages of its preparation I benefited from his invaluable suggestions and criticism. A United States Government Grant enabled me to complete my researches on Rembrandt in the Netherlands, where I studied at the Rijksuniversiteit te Utrecht with Dr. J.G. van Gelder, who was particularly generous with his knowledge and time. He read the manuscript and proofs, and offered numerous suggestions and additions which have been of great benefit to me. Special acknowledgement is made to the Kunsthistorisch lnstituut der Rijksuniversiteit te Utrecht for generously finding a place for this study in the Utrechtse Bij dragen tot de Kunstgeschiedenis. I am also much indebted to Dr. H. Schulte Nordholt of the Kunsthistorisch lnstituut for his valuable advice and his help inseeing the book through the press.
Author: Michael Fried
Publisher: University of Chicago Press
ISBN: 9780226262154
Category : Art
Languages : en
Pages : 416
Get Book Here
Book Description
"'This book,' Michael Fried's work opens, 'was written not so much chapter by chapter as painting by painting over a span of roughly ten years.' Courbet's Realism is a magnificent work and its very first sentence brings us up against the qualities of mind of its author, qualities that make it as impressive as it is. It allows us to reconstruct the keen eye, the commitment to perception, the gift of rapt concentration, the conviction that great paintings are not necessarily understood easily, and the further conviction that a great painter deserves to get from us as good as he gives. By drawing on these qualities, Fried achieves something out of reach for all but a handful of his colleagues. In his writing, art history takes on some of the character of art itself. It is driven by the same stubborn resolve to open our eyes."—Richard Wollheim, San Francisco Review of Books Courbet's Realism is clearly a major contribution to the highly active field of Courbet studies. . . . But to contribute here and now is necessarily also to contribute to central debates about art history itself, and so the book is also—I hesitate to say 'more importantly,' because of the way object and method are woven together in it—a major contribution to current attempts to rethink the foundations and objects of art history. . . . It will not be an easy book to come to terms with; for all its engagement with contemporary literary theory and related developments, it is not an application of anything, and its deeply thought-through arguments will not fall easily in line with the emerging shapes of the various 'new art histories' that tap many of the same theoretical resources. At this moment, there may be nothing more valuable than such a work."—Stephen Melville, Art History
