Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 850
Book Description
American Journal of Archaeology and of the History of the Fine Arts
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 850
Book Description
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 850
Book Description
The Rise of Heritage
Author: Astrid Swenson
Publisher: Cambridge University Press
ISBN: 0521117623
Category : History
Languages : en
Pages : 433
Book Description
A richly illustrated book exploring the origins of the modern fascination for heritage, comparing preservation in France, Germany and England.
Publisher: Cambridge University Press
ISBN: 0521117623
Category : History
Languages : en
Pages : 433
Book Description
A richly illustrated book exploring the origins of the modern fascination for heritage, comparing preservation in France, Germany and England.
The Architectural Review
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 656
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 656
Book Description
Plaster Monuments
Author: Mari Lending
Publisher: Princeton University Press
ISBN: 0691239622
Category : Architecture
Languages : en
Pages : 296
Book Description
We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963. Drawing from a broad archive of models, exhibitions, catalogues, and writings from architects, explorers, archaeologists, curators, novelists, and artists, Plaster Monuments tells the fascinating story of a premodernist aesthetic and presents a new way of thinking about history’s artifacts.
Publisher: Princeton University Press
ISBN: 0691239622
Category : Architecture
Languages : en
Pages : 296
Book Description
We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963. Drawing from a broad archive of models, exhibitions, catalogues, and writings from architects, explorers, archaeologists, curators, novelists, and artists, Plaster Monuments tells the fascinating story of a premodernist aesthetic and presents a new way of thinking about history’s artifacts.
American Journal of Archaeology
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 592
Book Description
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 592
Book Description
The National Union Catalog, Pre-1956 Imprints
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 744
Book Description
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 744
Book Description
Reflections
Author: Sarah Buxton
Publisher: Cambridge Scholars Publishing
ISBN: 1527563219
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
Mirroring, doubling, imitation, parody, intertextuality. The contributors to this volume — all postgraduate researchers at the time of writing — engage with some of these familiar words to produce articles that deal with the concept of “reflections” in literary and visual culture. Ranging from Italian Golden Age theatre to contemporary French literature and from Cuban film to German fiction, the twelve essays in this volume provide a fresh look at Modern Language Studies, highlighting in particular, the interdisciplinary nature of this field. On one level, the volume speaks to those exploring Modern Language Studies for the first time, for example, undergraduate students, who seek a greater understanding of the dialogue between language and culture. However, the individual essays also have the potential to attract experienced scholars either looking for new knowledge on specialist subjects, or ways of approaching research in Modern Languages. Through its central theme, Reflections: New Perspectives in Modern Languages and Cultures makes some suggestions about the way forward for Modern Language Studies.
Publisher: Cambridge Scholars Publishing
ISBN: 1527563219
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
Mirroring, doubling, imitation, parody, intertextuality. The contributors to this volume — all postgraduate researchers at the time of writing — engage with some of these familiar words to produce articles that deal with the concept of “reflections” in literary and visual culture. Ranging from Italian Golden Age theatre to contemporary French literature and from Cuban film to German fiction, the twelve essays in this volume provide a fresh look at Modern Language Studies, highlighting in particular, the interdisciplinary nature of this field. On one level, the volume speaks to those exploring Modern Language Studies for the first time, for example, undergraduate students, who seek a greater understanding of the dialogue between language and culture. However, the individual essays also have the potential to attract experienced scholars either looking for new knowledge on specialist subjects, or ways of approaching research in Modern Languages. Through its central theme, Reflections: New Perspectives in Modern Languages and Cultures makes some suggestions about the way forward for Modern Language Studies.
The Library of Congress Author Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 616
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 616
Book Description
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 872
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 872
Book Description
Angkor Wat – A Transcultural History of Heritage
Author: Michael Falser
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110335840
Category : Art
Languages : en
Pages : 1170
Book Description
This book unravels the formation of the modern concept of cultural heritage by charting its colonial, postcolonial-nationalist and global trajectories. By bringing to light many unresearched dimensions of the twelfth-century Cambodian temple of Angkor Wat during its modern history, the study argues for a conceptual, connected history that unfolded within the transcultural interstices of European and Asian projects. With more than 1,400 black-and-white and colour illustrations of historic photographs, architectural plans and samples of public media, the monograph discusses the multiple lives of Angkor Wat over a 150-year-long period from the 1860s to the 2010s. Volume 1 (Angkor in France) reconceptualises the Orientalist, French-colonial ‘discovery’ of the temple in the nineteenth century and brings to light the manifold strategies at play in its physical representations as plaster cast substitutes in museums and as hybrid pavilions in universal and colonial exhibitions in Marseille and Paris from 1867 to 1937. Volume 2 (Angkor in Cambodia) covers, for the first time in this depth, the various on-site restoration efforts inside the ‘Archaeological Park of Angkor’ from 1907 until 1970, and the temple’s gradual canonisation as a symbol of national identity during Cambodia’s troublesome decolonisation (1953–89), from independence to Khmer Rouge terror and Vietnamese occupation, and, finally, as a global icon of UNESCO World Heritage since 1992 until today. Congratulations to our author Michael Falser who received the prestigious 2021 ICAS Book Prize in the "Ground Breaking Subject Matter" category.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110335840
Category : Art
Languages : en
Pages : 1170
Book Description
This book unravels the formation of the modern concept of cultural heritage by charting its colonial, postcolonial-nationalist and global trajectories. By bringing to light many unresearched dimensions of the twelfth-century Cambodian temple of Angkor Wat during its modern history, the study argues for a conceptual, connected history that unfolded within the transcultural interstices of European and Asian projects. With more than 1,400 black-and-white and colour illustrations of historic photographs, architectural plans and samples of public media, the monograph discusses the multiple lives of Angkor Wat over a 150-year-long period from the 1860s to the 2010s. Volume 1 (Angkor in France) reconceptualises the Orientalist, French-colonial ‘discovery’ of the temple in the nineteenth century and brings to light the manifold strategies at play in its physical representations as plaster cast substitutes in museums and as hybrid pavilions in universal and colonial exhibitions in Marseille and Paris from 1867 to 1937. Volume 2 (Angkor in Cambodia) covers, for the first time in this depth, the various on-site restoration efforts inside the ‘Archaeological Park of Angkor’ from 1907 until 1970, and the temple’s gradual canonisation as a symbol of national identity during Cambodia’s troublesome decolonisation (1953–89), from independence to Khmer Rouge terror and Vietnamese occupation, and, finally, as a global icon of UNESCO World Heritage since 1992 until today. Congratulations to our author Michael Falser who received the prestigious 2021 ICAS Book Prize in the "Ground Breaking Subject Matter" category.