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Author: Sotheby Parke Bernet & Co
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 746
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Book Description
Author: Sotheby Parke Bernet & Co
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 746
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 100
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Book Description
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1230
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Book Description
Author: Georges Bataille
Publisher: Amok Books
ISBN:
Category : History
Languages : en
Pages : 296
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Book Description
Written by France's famous connoisseur of transgression - the man the surrealist Andre Breton labelled an 'Excremental philosopher' - THE TRIALS OF GILLES DE RAIS is the best thing now available in English on one of the most bizarre figures in European history.' - New York Times Book Review'
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892362049
Category : Art
Languages : en
Pages : 273
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Book Description
Presented at a symposium held in 1990 to celebrate the Getty Museum's acquisition of the only known illuminated copy of The Visions of Tondal, twenty essays address the celebrated bibliophilic activity of Margaret of York; the career of Simon Marmion, a favorite artist of the Burgundian court; and The Visions of Tondal in relation to illustrated visions of the Middle Ages. Contributors include Maryan Ainsworth, Wim Blockmans, Walter Cahn, Albert Derolez, Peter Dinzelbacher, Rainald Grosshans, Sandra Hindman, Martin Lowry, Nigel Morgan, and Nigel Palmer.
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 606
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Book Description
Author: Tom Stammers
Publisher: Cambridge University Press
ISBN: 1108478840
Category : Art
Languages : en
Pages : 375
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Book Description
Offers a broad and vivid overview of the culture of collecting in France over the long nineteenth-century.
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892361433
Category : Art
Languages : en
Pages : 207
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Book Description
The J. Paul Getty Museum Journal 16 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, drawings, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 16 includes articles written by Richard A. Gergel, Lee Johnson, Myra D. Orth, Barbra Anderson, Louise Lippincott, Leonard Amico, Peggy Fogelman, Peter Fusco, Gerd Spitzer, and Clare Le Corbeiller.
Author: Anne Dawson Hedeman
Publisher:
ISBN: 9780520070691
Category : ART
Languages : en
Pages : 338
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Book Description
"A treasure trove of new and useful material, which will be invaluable to scholars working in medieval history."--Elizabeth Brown, City University of New York
Author: Craig B. Brush
Publisher: Springer Science & Business Media
ISBN: 9401196761
Category : History
Languages : en
Pages : 370
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Book Description
It is traditional in the literature on Pierre Bayle to make some refer ene e to iVlontaigne as one of the masters of skepticism in whose tracks he follows, albeit hardly so eloselyas Charron had. Time and again critics feel the need to mention Montaigne and Bayle in the same context, sometimes to contrast their brands of Pyrrhonism, more often to explain similarities in their ideas and methods, which have frequent ly been regarded as important steps in the gradual evolution of un Christian, even anti-Christian, thought. Their names were already associated during Bayle's life, for example, in the mediocre work by Dom Alexis Gaudin, La Distinction et la Nature du Bien et du MaI, Traite ou l'on combat l'erreur des Manicheens, les sentimens de Jvfontaigne & de Charron, & ceux de J. Vfonsieur Bayle. In the nineteen th century, the author of the Dictionnaire historique et critique wa~ generally elassified as a skeptic; and his name was inevi tably linked with the essayist's. In his Port-Royal, Sainte-Beuve pictured Bayle as one of the avowed skeptics in Montaigne's funeral cortege and spoke of both men as "d'autant pIus fourbes qu'ils ne le sont pas toujours." His later works show that he revised his opinion on each somewhat, l but in this he was unusual for his century.
