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ISBN: 9782014451528
Category :
Languages : fr
Pages :
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Catalogue de portraits, plans et pieces historiques relatifs a Paris, oeuvre de Israel Silvestre, dont la vente... aura lieu Hotel des commissaires-priseurs, rue Drouot... le vendredi 18 mai 1883... / Me Maurice Delestre, commissaire-priseur; [expert] M. Clement, marchand d'estampes de la Bibliotheque nationale Date de l'edition originale: 1883 Sujet de l'ouvrage: Silvestre, Israel (1621-1691) -- Oeuvres -- Gravure -- Catalogues [Vente. Art. 1883-05-18. Paris]Reference bibliographique: Lugt, 43039Appartient a l'ensemble documentaire: VenteEST2 Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Author:
Publisher:
ISBN: 9782014451528
Category :
Languages : fr
Pages :
Get Book Here
Book Description
Catalogue de portraits, plans et pieces historiques relatifs a Paris, oeuvre de Israel Silvestre, dont la vente... aura lieu Hotel des commissaires-priseurs, rue Drouot... le vendredi 18 mai 1883... / Me Maurice Delestre, commissaire-priseur; [expert] M. Clement, marchand d'estampes de la Bibliotheque nationale Date de l'edition originale: 1883 Sujet de l'ouvrage: Silvestre, Israel (1621-1691) -- Oeuvres -- Gravure -- Catalogues [Vente. Art. 1883-05-18. Paris]Reference bibliographique: Lugt, 43039Appartient a l'ensemble documentaire: VenteEST2 Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892361433
Category : Art
Languages : en
Pages : 207
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Book Description
The J. Paul Getty Museum Journal 16 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, drawings, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 16 includes articles written by Richard A. Gergel, Lee Johnson, Myra D. Orth, Barbra Anderson, Louise Lippincott, Leonard Amico, Peggy Fogelman, Peter Fusco, Gerd Spitzer, and Clare Le Corbeiller.
Author: Meyer Schapiro
Publisher: New York : G. Braziller, 1978, 1979 printing.
ISBN: 9780807608999
Category : Art
Languages : en
Pages : 370
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Book Description
Author: David Thomson
Publisher: Univ of California Press
ISBN: 9780520053595
Category : Art
Languages : en
Pages : 220
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Book Description
In the modern literature on Renaissance art and architecture, Paris has often been considered the Cinderella of the European capitals. The prestigious buildings that were erected soon after Franois I decided in 1528 to make Paris his residence have long since been lost. Thomson, however, restores this fascinating chapter of architectural history in his careful synthesis of documentary and technical sources. In the modern literature on Renaissance art and architecture, Paris has often been considered the Cinderella of the European capitals. The prestigious buildings that were erected soon after Franois I decided in 1528 to make Paris his residence have long since been lost. Thomson, however, restores this fascinating chapter of architectural history in his careful synthesis of documentary and technical sources.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN: 9780300193305
Category : Painting
Languages : en
Pages : 0
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Author: Timothy Mitchell
Publisher: Univ of California Press
ISBN: 0520911660
Category : History
Languages : en
Pages : 237
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Book Description
Extending deconstructive theory to historical and political analysis, Timothy Mitchell examines the peculiarity of Western conceptions of order and truth through a re-reading of Europe's colonial encounter with nineteenth-century Egypt.
Author: Charles Victor Langlois
Publisher:
ISBN:
Category : Historiography
Languages : en
Pages : 392
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Book Description
Author: J. Lewine
Publisher:
ISBN:
Category : Art
Languages : fr
Pages : 722
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Book Description
Author: Edward W. Said
Publisher: Vintage
ISBN: 0804153868
Category : Social Science
Languages : en
Pages : 434
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Book Description
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.
Author: Monique Bellan
Publisher: Ergon
ISBN: 9783956505270
Category : Art
Languages : en
Pages : 310
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Book Description
This volume discusses the emergence and role of the art salon in the Arab region in the nineteenth and twentieth centuries, focusing on Algeria, Tunisia, Egypt, Lebanon and Iraq. Institutional forms of exhibiting and teaching art emerged in the Middle East and North Africa in late colonial and early post-colonial contexts. The book examines how the salon had an impact on the formation of taste and on debates on art, and discusses the transfers and cultural interactions between the Middle East, North Africa and Europe. Following the institutional model of the Paris salons, art salons emerged in Algiers, Tunis and Cairo starting in the late 1880s. In Beirut, the salon tradition reached its peak only after independence in the mid-twentieth century. Baghdad never had a formal salon, but alternative spaces and exhibition formats developed in Iraq from the late 1940s onwards. As in Paris, the salons in the region often defined the criteria of artistic production and public taste. The impact of the salon also lay in its ability to convey particular values, attitudes and aspirations. At the same time, the values and attitudes promoted by the salon as well as the salon itself were often subject to debate, which led to the creation of counter-salons or alternative exhibition practices. The art salon helps us to understand changes in the art systems of these countries, including the development of art schools, exhibition spaces and artist societies, and gives insight into the power dynamics at play. It also highlights networks and circulations between the Arab region and Europe.
