Author: Indian Museum
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 0
Book Description
Catalogue and Hand-book of the Archaeological Collections in the Indian Museum: Asoka and Indo-Scythian galleries.-Pt. 2. Gupta and Inscription galleries
Author: Indian Museum
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 0
Book Description
Monuments, Objects, Histories
Author: Tapati Guha-Thakurta
Publisher: Columbia University Press
ISBN: 0231503512
Category : Art
Languages : en
Pages : 431
Book Description
Art history as it is largely practiced in Asia as well as in the West is a western invention. In India, works of art-sculptures, monuments, paintings-were first viewed under colonial rule as archaeological antiquities, later as architectural relics, and by the mid-20th century as works of art within an elaborate art-historical classification. Tied to these views were narratives in which the works figured, respectively, as sources from which to recover India's history, markers of a lost, antique civilization, and symbols of a nation's unique aesthetic, reflecting the progression from colonialism to nationalism. The nationalist canon continues to dominate the image of Indian art in India and abroad, and yet its uncritical acceptance of the discipline's western orthodoxies remains unquestioned, the original motives and means of creation unexplored. The book examines the role of art and art history from both an insider and outsider point of view, always revealing how the demands of nationalism have shaped the concept and meaning of art in India. The author shows how western custodianship of Indian "antiquities" structured a historical interpretation of art; how indigenous Bengali scholarship in the late 19th and early 20th centuries attempted to bring Indian art into the nationalist sphere; how the importance of art as a representation of national culture crystallized in the period after Independence; and how cultural and religious clashes in modern India have resulted in conflicting "histories" and interpretations of Indian art. In particular, the author uses the depiction of Hindu goddesses to elicit conflicting scenarios of condemnation and celebration, both of which have at their core the threat and lure of the female form, which has been constructed and narrativized in art history. Monuments, Objects, Histories is a critical survey of the practices of archaeology, art history, and museums in nineteenth- and twentieth-century India. The essays gathered here look at the processes of the production of lost pasts in modern India: pasts that come to be imagined around a growing corpus of monuments, archaeological relics, and art objects. They map the scholarly and institutional authority that emerged around such structures and artifacts, making of them not only the chosen objects of art and archaeology but also the prime signifiers of the nation's civilization and antiquity. The close imbrication of the "colonial" and the "national" in the making of India's archaeological and art historical pasts and their combined legacy for the postcolonial present form one of the key themes of the book. Monuments, Objects, Histories offers both an insider's and an outsider's perspective on the growth of these scholarly fields and their institutional apparatus, analyzing the ways they have constituted and recast their objects of study. The book moves from a period that saw the consolidation of western expertise and custodianship of India's "antiquities," to the projection over the twentieth century of varying regional, nativist, and national claims around the country's architectural and artistic inheritance, into a current period that has pitched these objects and fields within a highly contentious politics of nationhood. Monuments, Objects, Histories traces the framing of an official national canon of Indian art through these different periods, showing how the workings of disciplines and institutions have been tied to the pervasive authority of the nation. At the same time, it addresses the radical reconfiguration in recent times of the meaning and scope of the "national," leading to the kinds of exclusions and chauvinisms that lie at the root of the current endangerment of these disciplines and the monuments and art objects they encompass.
Publisher: Columbia University Press
ISBN: 0231503512
Category : Art
Languages : en
Pages : 431
Book Description
Art history as it is largely practiced in Asia as well as in the West is a western invention. In India, works of art-sculptures, monuments, paintings-were first viewed under colonial rule as archaeological antiquities, later as architectural relics, and by the mid-20th century as works of art within an elaborate art-historical classification. Tied to these views were narratives in which the works figured, respectively, as sources from which to recover India's history, markers of a lost, antique civilization, and symbols of a nation's unique aesthetic, reflecting the progression from colonialism to nationalism. The nationalist canon continues to dominate the image of Indian art in India and abroad, and yet its uncritical acceptance of the discipline's western orthodoxies remains unquestioned, the original motives and means of creation unexplored. The book examines the role of art and art history from both an insider and outsider point of view, always revealing how the demands of nationalism have shaped the concept and meaning of art in India. The author shows how western custodianship of Indian "antiquities" structured a historical interpretation of art; how indigenous Bengali scholarship in the late 19th and early 20th centuries attempted to bring Indian art into the nationalist sphere; how the importance of art as a representation of national culture crystallized in the period after Independence; and how cultural and religious clashes in modern India have resulted in conflicting "histories" and interpretations of Indian art. In particular, the author uses the depiction of Hindu goddesses to elicit conflicting scenarios of condemnation and celebration, both of which have at their core the threat and lure of the female form, which has been constructed and narrativized in art history. Monuments, Objects, Histories is a critical survey of the practices of archaeology, art history, and museums in nineteenth- and twentieth-century India. The essays gathered here look at the processes of the production of lost pasts in modern India: pasts that come to be imagined around a growing corpus of monuments, archaeological relics, and art objects. They map the scholarly and institutional authority that emerged around such structures and artifacts, making of them not only the chosen objects of art and archaeology but also the prime signifiers of the nation's civilization and antiquity. The close imbrication of the "colonial" and the "national" in the making of India's archaeological and art historical pasts and their combined legacy for the postcolonial present form one of the key themes of the book. Monuments, Objects, Histories offers both an insider's and an outsider's perspective on the growth of these scholarly fields and their institutional apparatus, analyzing the ways they have constituted and recast their objects of study. The book moves from a period that saw the consolidation of western expertise and custodianship of India's "antiquities," to the projection over the twentieth century of varying regional, nativist, and national claims around the country's architectural and artistic inheritance, into a current period that has pitched these objects and fields within a highly contentious politics of nationhood. Monuments, Objects, Histories traces the framing of an official national canon of Indian art through these different periods, showing how the workings of disciplines and institutions have been tied to the pervasive authority of the nation. At the same time, it addresses the radical reconfiguration in recent times of the meaning and scope of the "national," leading to the kinds of exclusions and chauvinisms that lie at the root of the current endangerment of these disciplines and the monuments and art objects they encompass.
Asoka and Indo-Scythian galleries.-Pt. 2. Gupta and Inscription galleries
Author: Indian Museum
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 326
Book Description
Catalogue of Indian Museum Publications, 1867-1989
Author: Indian Museum
Publisher:
ISBN:
Category : India
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : India
Languages : en
Pages : 60
Book Description
Catalogue and Hand-book of the Archaeological Collections in the Indian Museum: Asoka and Indo-Scythian Galleries
Author: Indian Museum
Publisher:
ISBN:
Category : India
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category : India
Languages : en
Pages : 328
Book Description
Early Writings on India
Author: H.K. Kaul
Publisher: Routledge
ISBN: 1351867172
Category : History
Languages : en
Pages : 449
Book Description
This book, first published in 1975, is a comprehensive list of all the books on India, written in English before 1900. It is an invaluable reference source on India of the eighteenth and nineteenth centuries. Apart from the work of professional writers, there are the writings of a cross-section of society from soldiers to scientists. We find dictionaries of obscure dialects written by government officials, descriptions of their travels by visiting clerics, homely details of everyday life by housewives, as well as technical and scientific works written by scholars.
Publisher: Routledge
ISBN: 1351867172
Category : History
Languages : en
Pages : 449
Book Description
This book, first published in 1975, is a comprehensive list of all the books on India, written in English before 1900. It is an invaluable reference source on India of the eighteenth and nineteenth centuries. Apart from the work of professional writers, there are the writings of a cross-section of society from soldiers to scientists. We find dictionaries of obscure dialects written by government officials, descriptions of their travels by visiting clerics, homely details of everyday life by housewives, as well as technical and scientific works written by scholars.
Catalogue of the Library of the Royal Asiatic Society of Great Britain and Ireland, 1893
Author: Royal Asiatic society of Great Britain and Ireland, London. Library
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 556
Book Description
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 556
Book Description
Glory of India
Author:
Publisher:
ISBN:
Category : India
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category : India
Languages : en
Pages : 240
Book Description
Annual Report
Author: Archaeological Survey of India
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 374
Book Description
1902/03 includes list: Archaeological reports published under official authority.
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 374
Book Description
1902/03 includes list: Archaeological reports published under official authority.
A Guide to Reference Materials on India
Author: N. N. Gidwani
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 864
Book Description
Annotated bibliography on India; includes periodicals.
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 864
Book Description
Annotated bibliography on India; includes periodicals.