Catálogo del nuevo cine argentino PDF Download
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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : es
Pages : 230
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : es
Pages : 230
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Book Description
Author: Daniel López
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 312
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 140
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Book Description
Author: Timothy Barnard
Publisher: University of Texas Press
ISBN: 0292792107
Category : Performing Arts
Languages : en
Pages : 635
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Book Description
Originally issued in hardcover in 1996 by Garland Publishing, this important reference work is now available in paperback for a wider audience. A distinguished team of contributors has compiled entries on 140 significant South American feature films from the silent era until 1994. The entries discuss each film's subject matter, critical reception, and social and political contexts, as well as its production, distribution, and exhibition history, including technical credits. The entries are grouped by country and arranged chronologically. Both fiction and documentary films (some no longer in existence) are included, as well as extensive title, name, and subject indexes and glossaries of film and foreign terms.
Author: Tamara Leah Falicov
Publisher: Wallflower Press
ISBN: 9781904764922
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
This text explores the cultural politics of over 60 years of filmmaking in Argentina. The author explores how national culture on film has been shaped, articulated and debated through the lens of state policy and the dynamics of the global film market.
Author: Daniel López
Publisher:
ISBN: 9789509911338
Category : Motion pictures
Languages : en
Pages : 198
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Book Description
Author: Daniel López
Publisher:
ISBN:
Category : Motion pictures
Languages : es
Pages : 228
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Book Description
Author: David William Foster
Publisher: University of Missouri Press
ISBN: 9780826208606
Category : Performing Arts
Languages : en
Pages : 188
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Book Description
"Foster discusses ten Argentine films, including Kiss of the Spider Woman, The Official Story, and Man Facing Southeast to examine the transformation of social topics into motion pictures and the relationship between commercial filmmaking strategies and Argentine redemocratization."--Publishers website.
Author: Nicolás Prividera
Publisher:
ISBN: 9789874502346
Category : Argentina
Languages : es
Pages : 401
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Book Description
Author: Jessica L. Stites Mor
Publisher: University of Pittsburgh Press
ISBN: 0822977974
Category : History
Languages : en
Pages : 279
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Book Description
In Transition Cinema, Jessica Stites Mor documents the critical role filmmakers, the film industry, and state regulators played in Argentina's volatile and unfinished transition from dictatorship to democracy. She shows how, during periods of both military repression and civilian rule, the state moved to control political film production and its content, distribution, and exhibition. She also reveals the strategies that the industry, independent filmmakers, and film activists employed to comply with or circumvent these regulations. Stites Mor traces three distinct generations of transition cinema, each defined by a seminal event that shifted the political economy of national filmmaking. The first generation of filmmakers witnessed and participated in civil uprisings, such as the Cordobazo in 1969, and faced waves of repression, violence, and censorship. This generation gave rise to vibrant underground exhibitions and film clubs and eventually became symbolically linked to the Peronist Left and radical militancy. Following the 1983 return to civilian rule, a second generation of political filmmakers emerged at the center of public debates, when Buenos Aires became the locus for state-level cultural programs to address human rights and collective memory. Building on that legacy, a third generation of filmmakers explored new modes of activist and political filmmaking aided by digital technology. They pioneered new genres such as the street phenomenon of cine piquetero and introduced resistance politics and social movements into highly visible public spaces. In this captivating work, Stites Mor examines how social movements, political actors, filmmakers, and government and industry institutions, all became deeply enmeshed in the project of Argentina's transition cinema. She demonstrates how film emerged as the chronicler of political struggles in a dialogue with the past, present, and future, whose message transcended both cultural and national borders.
