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Author: Robert C. Harvey
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 80
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Book Description
The cartoons in this collection capture the flavor of American life in the '20s but, while the cartoons reflect the tenor of the times, they are not a mirror image but a refraction, an image distorted by the attitudes of the times toward contemporary events. Women, for instance, are not depicted as responsible citizens, newly enfranchised. Instead, they seem vain, fickle, trivial, and wholly incapable of rational thought or practical enterprise. This is not an accurate portrayal of women at the time, but a reflection of the times: women are ridiculed and made to seem silly precisely because they were suddenly more visible in society. As new arrivals, they are held up to examination: the stereotypes of ages are juxtaposed against this new visibility, and the comedy arises because the stereotypes are so obviously unsuited for the new social role women had taken on. This collection also represents the state of magazine cartooning in the early '20s. Although many cartoons were chosen because they reflect their times, others were included because of their timeless humor, and still others because their satirical thrust (tackling issues such as the environment and censorship) makes them astonishingly contemporary still.
Author: Robert C. Harvey
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 80
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Book Description
The cartoons in this collection capture the flavor of American life in the '20s but, while the cartoons reflect the tenor of the times, they are not a mirror image but a refraction, an image distorted by the attitudes of the times toward contemporary events. Women, for instance, are not depicted as responsible citizens, newly enfranchised. Instead, they seem vain, fickle, trivial, and wholly incapable of rational thought or practical enterprise. This is not an accurate portrayal of women at the time, but a reflection of the times: women are ridiculed and made to seem silly precisely because they were suddenly more visible in society. As new arrivals, they are held up to examination: the stereotypes of ages are juxtaposed against this new visibility, and the comedy arises because the stereotypes are so obviously unsuited for the new social role women had taken on. This collection also represents the state of magazine cartooning in the early '20s. Although many cartoons were chosen because they reflect their times, others were included because of their timeless humor, and still others because their satirical thrust (tackling issues such as the environment and censorship) makes them astonishingly contemporary still.
Author: R. C. Harvey
Publisher:
ISBN:
Category : Comic books, strips, etc
Languages : en
Pages :
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Book Description
Author: Robert C. Harvey
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages :
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Book Description
Author: Rollin Kirby
Publisher: Legare Street Press
ISBN: 9781022889903
Category :
Languages : en
Pages : 0
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Book Description
Experience the roaring twenties through the eyes of Rollin Kirby's witty and satirical cartoons. From flappers to prohibition, Kirby captures the essence of the era in this delightful cartoon history. Perfect for history buffs and cartoon lovers alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Liza Donnelly
Publisher: Rowman & Littlefield
ISBN: 1633886875
Category : Humor
Languages : en
Pages : 257
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Book Description
It’s no secret that most New Yorker readers flip through the magazine to look at the cartoons before they ever lay eyes on a word of the text. But what isn’t generally known is that over the decades a growing cadre of women artists have contributed to the witty, memorable cartoons that readers look forward to each week. Now Liza Donnelly, herself a renowned cartoonist with the New Yorker for more than twenty years, has written this wonderful, in-depth celebration of women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, VeryFunny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist’s art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years. Very Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. This book is history of the women of the past who drew cartoons and a celebration of the recent explosion of new talent from cartoonists who are women. Donnelly interviewed many of the living female cartoonists and some of their male counterparts: Roz Chast, Liana Finck, Amy Hwang, Victoria Roberts, Sam Gross, Lee Lorenz, Michael Maslin, Frank Modell, Bob Weber, as well as editors and writers such as David Remnick, Roger Angell, Lee Lorenz, Harriet Walden (legendary editor Harold Ross’s secretary). The New Yorker Senior Editor David Remnick and Cartoon Editor Emma Allen contributed an insightful foreword. Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Very Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America’s greatest magazine.
Author: Thomas Streissguth
Publisher: Infobase Publishing
ISBN: 1438108877
Category : History
Languages : en
Pages : 513
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Book Description
Covers the social, political, and economic history of the 1920s, including developments in science, from astrophysics to laboratory science to discoveries and inventions; the creation of new professional sports leagues; the labor union movement; censorship, and writers, artists, and moviemakers. This volume captures the complexities of the 1920s.
Author: Trina Robbins
Publisher: Fantagraphics Books
ISBN: 1683963237
Category : Comics & Graphic Novels
Languages : en
Pages : 170
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Book Description
Fantagraphics celebrates The Flapper Queens, a gorgeous collection of full-color comic strips. In addition to featuring the more well-known cartoonists of the era, such as Ethel Hays, Nell Brinkley, and Virginia Huget, Eisner award-winning Trina Robbins introduces you to Eleanor Schorer, who started her career in the teens as a flowery art nouveau Nell Brinkley imitator but, by the '20s, was drawing bold and outrageous art deco illustrations; Edith Stevens, who chronicled the fashion trends, hairstyles, and social manners of the '20s and '30s in the pages of The Boston Globe; and Virginia Huget, possibly the flappiest of the Flapper Queens, whose girls, with their angular elbows and knees, seemed to always exist in a euphoric state of Charleston.
Author: Christopher P. Lehman
Publisher: McFarland
ISBN: 0786451424
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
In the first four years of U.S. involvement in the Vietnam War (1961-64), Hollywood did not dramatize the current military conflict but rather romanticized earlier ones. Cartoons reflected only previous trends in U.S. culture, and animators comically but patriotically remembered the Revolutionary War, the Civil War, and both World Wars. In the early years of military escalation in Vietnam, Hollywood was simply not ready to illustrate America's contemporary radicalism and race relations in live-action or animated films. But this trend changed when US participation dramatically increased between 1965 and 1968. In the year of the Tet Offensive and the killings of the Rev. Martin Luther King, Jr., and Senator Robert Kennedy, the violence of the Vietnam War era caught up with animators. This book discusses the evolution of U.S. animation from militaristic and violent to liberal and pacifist and the role of the Vietnam War in this development. The book chronologically documents theatrical and television cartoon studios' changing responses to U.S. participation in the Vietnam War between 1961 and 1973, using as evidence the array of artistic commentary about the federal government, the armed forces, the draft, peace negotiations, the counterculture movement, racial issues, and pacifism produced during this period. The study further reveals the extent to which cartoon violence served as a barometer of national sentiment on Vietnam. When many Americans supported the war in the 1960s, scenes of bombings and gunfire were prevalent in animated films. As Americans began to favor withdrawal, militaristic images disappeared from the cartoon. Soon animated cartoons would serve as enlightening artifacts of Vietnam War-era ideology. In addition to the assessment of primary film materials, this book draws upon interviews with people involved in the production Vietnam-era films. Film critics responding in their newspaper columns to the era's innovative cartoon sociopolitical commentary also serve as invaluable references. Three informative appendices contribute to the work.
Author: Nathan Miller
Publisher: Simon and Schuster
ISBN: 143913104X
Category : History
Languages : en
Pages : 452
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Book Description
"To an astonishing extent, the 1920s resemble our own era, at the turn of the twenty-first century; in many ways that decade was a precursor of modern excesses....Much of what we consider contemporary actually began in the Twenties." -- from the Introduction The images of the 1920s have been indelibly imprinted on the American imagination: jazz, bootleggers, flappers, talkies, the Model T Ford, Babe Ruth, Charles Lindbergh's history-making flight over the Atlantic. But it was also the era of the hard-won vote for women, racial injustice, censorship, widespread social conflict, and the birth of organized crime. Bookended by the easy living of the Jazz Age, when the booze and money flowed seemingly without end, and the crash of '29 that led to breadlines and a level of human suffering not seen since World War I, New World Coming is a lively, entertaining, and all-encompassing chronological account of an age that defined America. Chronicling what he views as the most consequential decade of the past century, Nathan Miller -- an award-winning journalist and five-time Pulitzer nominee -- paints a vivid portrait of the 1920s, focusing on the men and women who shaped that extraordinary time, including, ironically, three of America's most conservative presidents: Harding, Coolidge, and Hoover. In the Twenties, the American people soared higher and fell lower than they ever had before. As unprecedented economic prosperity and sweeping social change dazzled the public, the sensibilities and restrictions of the nineteenth century vanished, and many of the institutions, ideas, and preoccupations of our own age emerged. With scandal, sex, and crime the lifeblood of the tabloids, the contemporary culture of celebrity and sensationalism took root and journalism became popular entertainment. By discarding Victorian idealism and embracing twentieth-century skepticism, America became, for the first time, thoroughly modernized. There is hardly a dimension of our present world, from government to popular culture, that doesn't trace its roots to the 1920s, and few decades are more intriguing or significant today. The first comprehensive view of the era since Only Yesterday, Frederick Lewis Allen's 1931 classic, New World Coming reveals this remarkable age from the vantage point of nearly a century later. It's all here -- the images and the icons, the celebrities and the legends -- in a book that will resonate with history readers, 1920s aficionados, and Americans everywhere.
Author: Carole Marsh
Publisher: Primary Sources
ISBN: 9780635131638
Category : Juvenile Nonfiction
Languages : en
Pages : 20
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Book Description
The Primary Sources series is the winner of the 2015 Academics' Choice Awards for the 2015 Smart Book Award in recognition of mind-building excellence. The Roaring Twenties (American Culture in the 1920s) Primary Sources is a pack of 20 primary source documents and is printed on sturdy 8.5" X 11" cardstock.
