Author: John Griggs
Publisher: Mel Bay Publications
ISBN: 1619116790
Category : Music
Languages : en
Pages : 49
Get Book Here
Book Description
Brazilian guitar virtuoso Carlos Barbosa-Lima and guitarist/ instructor John Griggs present this collection of short pieces by various Classical composers, plus a few of their own original compositions. Beginning to intermediate in difficulty, each piece has been meticulously set for solo guitar in standard notation and tablature. Selections include works by Handel, Purcell, Jeremiah Clark, Corelli, Scarlatti,Pachelbel, Zipoli, Mozart, Telemann, and J.S. Bach. The online audio offers performances of all 30 pieces by Carlos Barbosa-Lima. A fine addition to any classic guitarist's library! Includes access to online audio.
Author: El McMeen
Publisher: Mel Bay Publications
ISBN: 1513476890
Category : Music
Languages : en
Pages : 57
Get Book Here
Book Description
The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar! In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: "Che Gelida Manina" from Puccini's "La Boheme" and "My Heart at Thy Sweet Voice" (“Mon Coeur S'ouvre à ta Voix”) from "Samson and Delilah" by Camille Saint-Saëns. Sandy's contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandy's gift for chordal subtleties and innovation. Each piece is in either standard tuning (EADGBE) or Drop D tuning (DADGBE). Written in standard notation and tablature with computer generated audio files of each arrangement.
Author: Wissam Abboud
Publisher: Mel Bay Publications
ISBN: 1619119307
Category : Music
Languages : en
Pages : 73
Get Book Here
Book Description
Mastering the Classical Guitar Book 2A is the third book in a progressive method series that uses a wide variety of music and educational material to provide a solid technical foundation for classical guitar students while revealing the full range of the instrument’s potential and repertoire. This book is appropriate for students who have completed Books 1A and 1B and can read standard notation in the first and second positions. The book is written in four broad sections: Progressive Studies and Pieces, Technical Exercises, Chords and Chord Progressions, and Rhythmic Reading. Tips on how to integrate the four sections are given throughout the book. Mastering the Classical Guitar Book 2A focuses on the concepts of melody and accompaniment by introducing cue-sized notation that helps the student understand the structure of the piece and emphasize the melody. Concepts introduced in this particular volume include: tuning the guitar, notes on the first string, musical forms, dotted eighth notes, guitar and nail care, and the use of the barré technique to implement moveable chord shapes. Teachers will welcome the generous number of attractive intermediate-level recital pieces by Carulli, Carcassi, Giuliani, Paganini, and others. Written in standard notation only. Includes access to online audio.
Author: Wissam Abboud
Publisher: Mel Bay Publications
ISBN: 1619118513
Category : Music
Languages : en
Pages : 73
Get Book Here
Book Description
Mastering the Classical Guitar, Book 1A is the first in a progressive series using a wide variety of musical repertoire and educational material to provide a solid technical foundation for classical guitar students, exposing the full range of the instrument’s potential and repertoire. Book 1A is most appropriate for students with no prior knowledge of the guitar or music theory, or for those who simply want a fresh start with the classic guitar. It is written in three broad sections: Progressive Studies and Pieces, Technical Exercises and Rhythmic Reading. Tips on how to integrate the three sections are provided throughout the book. Every chapter begins with exercises written specifically to improve a certain aspect of one’s playing, followed by various examples from the classical music repertoire and traditional songs from various cultures. While every aspect of classical guitar technique is clearly described and illustrated, students using this book would still benefit from the advice and constructive feedback of a competent teacher. Consequently, teachers will find opportunities to assert their individual teaching perspectives within this method, making it a perfect road map for the instructor and student’s musical journey. Written in standard notation only, Mastering the Classical Guitar, Book 1A comes with extensive online audio examples. Fingering is kept to a minimum to encourage effective sight reading, allowing teachers and students to annotate their own ideas about digitation and contribute to their own learning process. Includes access to online audio.
Author:
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 654
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Guitar music
Languages : en
Pages : 376
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 644
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 1102
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 168
Get Book Here
Book Description
Author: James F. Maroney
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 160
Get Book Here
Book Description
In the late 19th century, Spanish guitar maker Antonio de Torres established a standard size and form for the classical guitar; in the early 20th century, musicians developed advanced playing techniques that contemporary recitalists refined. By the late 1940s, composers had begun to compose music specifically for the classical guitar, and in the past fifty years there have been over 550 pieces composed expressly for the duo of classical guitar and solo voice. This work provides for the first time an annotated catalog of such compositions. Each entry includes the composer; title; language in which the work is to be sung; dates of composition and copyright; publisher and catalog number; author and text source; voice type required to sing the song as indicated by the score; range and tessitura; and difficulty of the piece for the singer. The annotations touch on additional matters such as whether the piece is part of a song cycle or a collection, and its duration.
