Captives & Cousins (Volume 2 of 2) (EasyRead Super Large 20pt Edition) PDF Download
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Author:
Publisher: ReadHowYouWant.com
ISBN: 145871988X
Category :
Languages : en
Pages : 566
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Book Description
Author:
Publisher: ReadHowYouWant.com
ISBN: 145871988X
Category :
Languages : en
Pages : 566
Get Book Here
Book Description
Author:
Publisher: ReadHowYouWant.com
ISBN: 1458715477
Category :
Languages : en
Pages : 382
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Book Description
Author:
Publisher: ReadHowYouWant.com
ISBN: 1442997710
Category :
Languages : en
Pages : 510
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Book Description
Author:
Publisher: ReadHowYouWant.com
ISBN: 1554801974
Category :
Languages : en
Pages : 334
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Book Description
Author:
Publisher: ReadHowYouWant.com
ISBN: 1458729656
Category :
Languages : en
Pages : 342
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Book Description
Author: Wilkie Collins
Publisher: ReadHowYouWant.com
ISBN: 1427063370
Category :
Languages : en
Pages : 478
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Book Description
Author: Lisa Robertson
Publisher: Coach House Books
ISBN: 1770564802
Category : Poetry
Languages : en
Pages : 122
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Book Description
Recite your poem to your aunt. I threw myself to the ground. Where were you in the night? In a school among the pines. What was the meaning of the dream? Organs, hormones, toxins, lesions: what is a body? In 3 Summers, Lisa Robertson takes up her earlier concerns with form and literary precedent, and turns toward the timeliness of embodiment. What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The 10 poem-sequences in 3 Summers inflect a history of textual voices — Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras — in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time — embodied here in Lisa Robertson’s forceful cadences — can tell. "Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully."—The New York Times "Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture."— The Village Voice Lisa Robertson's books include Cinema of the Present, Debbie: An Epic, The Men, The Weather, R's Boat and Occasional Works and Seven Walks from the Office for Soft Architecture. Lisa Robertson's Magenta Soul Whip was named one of The New York Times' 100 Notable Books. She lives in France.
Author: Sean Bonney
Publisher:
ISBN: 9781910392157
Category : Epistolary poetry, English
Languages : en
Pages : 0
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Book Description
Sean Bonney offers a user's report on the end of the world, a treatise against Tory terror, a proposal for a new zodiac, a defence of poetry and a hex against the devourers of planet Earth. The letters and fierce epistolary poems provide a vivid account of the sheer panic and brutality of the austerity years.
Author: Sean Bonney
Publisher:
ISBN: 9780956817662
Category :
Languages : en
Pages : 65
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Book Description
Author: Sam Riviere
Publisher: Faber & Faber
ISBN: 0571321445
Category : Poetry
Languages : en
Pages : 109
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Book Description
The 72 poems in Kim Kardashian's Marriage mark out equally sharpened lines of public and private engagement. Kim Kardashian's 2011 marriage lasted for 72 days, and was seen by some as illustrative of celebrity life as a performance, as spectacle. Whatever the truth of this (and Kardashian's own statements refute it), Sam Riviere has used the furor as a point of ignition, deploying terms from Kardashian's make-up regimen to explore surfaces and self-consciousness, presentation and obfuscation. His pursuit is toward a form of zero-privacy akin, perhaps, to Kardashian's own life, that eschews a dependence upon confessional modes of writing to explore what kind of meaning lies in impersonal methods of creation. The poems have been produced by harvesting and manipulating the results of search engines to create a poetry of part-collage, part-improvisation. The effect is as refractive as it is reflective, and disturbs the slant on biography through a bricolage of recycled and cross-referenced language, until we are left with a pixellation of the first person.
