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Author: Dan Hassler-Forest
Publisher: John Hunt Publishing
ISBN: 1780991800
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
In the same way that Stallone and Schwarzenegger played film heroes who came to embody the values of Ronald Reagans aggressive conservative agenda in the 1980s, the 21st-century film narratives of Batman, Spider-Man and Superman reflect the policies of the Bush Doctrine after 9/11. This book offers a groundbreaking study of the relationship that exists between post-9/11 American politics and the contemporary superhero movie phenomenon. No other Hollywood subgenre was as consistently popular during the George W. Bush presidency, as films such as Spider-Man, Superman Returns, Iron Man, and The Dark Knight embodied the key contradictions that inform the cultural and political life of the post-9/11 years. By combining in-depth analyses of numerous major superhero films from this era with astute readings of contemporary critical theory, this book offers accessible and academically potent insight into the complex interplay between politics, ideology, and entertainment in the 21st century. ,
Author: Dan Hassler-Forest
Publisher: John Hunt Publishing
ISBN: 1780991800
Category : Literary Criticism
Languages : en
Pages : 288
Get Book Here
Book Description
In the same way that Stallone and Schwarzenegger played film heroes who came to embody the values of Ronald Reagans aggressive conservative agenda in the 1980s, the 21st-century film narratives of Batman, Spider-Man and Superman reflect the policies of the Bush Doctrine after 9/11. This book offers a groundbreaking study of the relationship that exists between post-9/11 American politics and the contemporary superhero movie phenomenon. No other Hollywood subgenre was as consistently popular during the George W. Bush presidency, as films such as Spider-Man, Superman Returns, Iron Man, and The Dark Knight embodied the key contradictions that inform the cultural and political life of the post-9/11 years. By combining in-depth analyses of numerous major superhero films from this era with astute readings of contemporary critical theory, this book offers accessible and academically potent insight into the complex interplay between politics, ideology, and entertainment in the 21st century. ,
Author: Dan Hassler-Forest
Publisher: John Hunt Publishing
ISBN: 1780991797
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
The blockbuster superhero movie: popular entertainment or capitalist propaganda? This book investigates the 21st-century superhero's underlying political agenda.
Author: Jesse Russell
Publisher: Rowman & Littlefield
ISBN: 1666906204
Category : Literary Criticism
Languages : en
Pages : 173
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Book Description
Throughout his films, Christopher Nolan champions the Anglo-American Neo-Liberal world order. Nestled within this order, his characters are free to undergo their ludic creation of little worlds of selfhood.
Author: Nickie D. Phillips
Publisher: NYU Press
ISBN: 0814764525
Category : Social Science
Languages : en
Pages : 298
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Book Description
Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes’ calculations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero’s character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way.
Author: Andrew Hoberek
Publisher: Rutgers University Press
ISBN: 0813572967
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
Alan Moore and Dave Gibbons’s Watchmen has been widely hailed as a landmark in the development of the graphic novel. It was not only aesthetically groundbreaking but also anticipated future developments in politics, literature, and intellectual property. Demonstrating a keen eye for historical detail, Considering Watchmen gives readers a new appreciation of just how radical Moore and Gibbons’s blend of gritty realism and formal experimentation was back in 1986. The book also considers Watchmen’s place in the history of the comics industry, reading the graphic novel’s playful critique of superhero marketing alongside Alan Moore’s public statements about the rights to the franchise. Andrew Hoberek examines how Moore and Gibbons engaged with the emerging discourses of neoconservatism and neoliberal capitalism, ideologies that have only become more prominent in subsequent years. Watchmen’s influences on the superhero comic and graphic novel are undeniable, but Hoberek reveals how it has also had profound effects on literature as a whole. He suggests that Watchmen not only proved that superhero comics could rise to the status of literature—it also helped to inspire a generation of writers who are redefining the boundaries of the literary, from Jonathan Lethem to Junot Díaz. Hoberek delivers insight and analysis worthy of satisfying serious readers of the genre while shedding new light on Watchmen as both an artistic accomplishment and a book of ideas.
Author: Joyce Goggin
Publisher: McFarland
ISBN: 0786457619
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
These 15 essays investigate comic books and graphic novels, beginning with the early development of these media. The essays also place the work in a cultural context, addressing theory and terminology, adaptations of comic books, the superhero genre, and comic books and graphic novels that deal with history and nonfiction. By addressing the topic from a wide range of perspectives, the book offers readers a nuanced and comprehensive picture of current scholarship in the subject area.
Author: Grant Morrison
Publisher: Random House
ISBN: 0099546671
Category : Science fiction comic books, strips, etc
Languages : en
Pages : 477
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Book Description
Beginning with Schuster and Seigel's adolescent creation of Superman in 1938, Grant Morrison charts the history of the superheroes to their modern, multiplex incarnations.
Author: Joseph Zornado
Publisher: Springer Nature
ISBN: 3030854582
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
This book analyzes the cinematic superhero as social practice. The study’s critical context brings together psychoanalysis and restorative and reflective nostalgia as a way of understanding the ideological function of superhero fantasy. It explores the origins of cinematic superhero fantasy from antecedents in myth and religion, to twentieth-century comic book, to the cinematic breakthrough with Superman (1978). The authors then focus on Spider-Man as reflective response to Superman’s restorative nostalgia, and read MCU’s overarching narrative from Iron Man to End Game in terms of the concurrent social, political, and environmental conditions as a world in crisis. Zornado and Reilly take up Wonder Woman and Black Panther as self-conscious attempts to reflect on gender and race in restorative superhero fantasy, and explore Christopher Nolan’s Dark Knight trilogy as a meditation on the need for authoritarian fascism. The book concludes with Logan, Wonder Woman 1984, and Amazon Prime’s The Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon.
Author: Mark Russell
Publisher: DC Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 26
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Book Description
Who you gonna call? One-Star Squadron! Meet DC’s superhero team where heroism meets capitalism. This ragtag group of heroes led by Red Tornado is here to provide service with a smile. All you must do is send a request via their on-demand hero app and they’ll answer any call. Whether it’s a children’s birthday party or an alien invasion, no job is too small or too big! Brought to you by Eisner nominee Mark Russell (The Flintstones, Wonder Twins, Exit Stage Left: The Snagglepuss Chronicles) and Eisner winner Steve Lieber (Superman’s Pal Jimmy Olsen), you’ll want to invest early in this one-of-a-kind miniseries that promises a story filled with heart, heroism, and humor.
Author: Chris York
Publisher: McFarland
ISBN: 0786489472
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
Conventional wisdom holds that comic books of the post-World War II era are poorly drawn and poorly written publications, notable only for the furor they raised. Contributors to this thoughtful collection, however, demonstrate that these comics constitute complex cultural documents that create a dialogue between mainstream values and alternative beliefs that question or complicate the grand narratives of the era. Close analysis of individual titles, including EC comics, Superman, romance comics, and other, more obscure works, reveals the ways Cold War culture--from atomic anxieties and the nuclear family to communist hysteria and social inequalities--manifests itself in the comic books of the era. By illuminating the complexities of mid-century graphic novels, this study demonstrates that postwar popular culture was far from monolithic in its representation of American values and beliefs.
