Author: Johann Sebastian Bach
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Cantata No.182 "Himmelskonig, Sei Willkommen."
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Cantata no. 182 "Himmelskönig, sei willkommen" (King of Heaven, ever welcome).
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Cantata No. 182 -- Himmelskönig, sei willkommen (King of Heaven, Welcome)
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457484155
Category : Music
Languages : en
Pages : 52
Book Description
A choral worship cantata for SATB with ATB Soli composed by Johann Sebastian Bach.
Publisher: Alfred Music
ISBN: 9781457484155
Category : Music
Languages : en
Pages : 52
Book Description
A choral worship cantata for SATB with ATB Soli composed by Johann Sebastian Bach.
Cantata No. 182
Author: J. S. Bach
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
Book Description
Cantata No 182
Author: J. S. Bach
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Himmelskönig, sei willkommen
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Cantatas, Sacred
Languages : de
Pages : 64
Book Description
Publisher:
ISBN:
Category : Cantatas, Sacred
Languages : de
Pages : 64
Book Description
Himmelskonig, sei willkommen
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Cantatas, Sacred
Languages : en
Pages : 66
Book Description
Publisher:
ISBN:
Category : Cantatas, Sacred
Languages : en
Pages : 66
Book Description
The Travel Diaries of Peter Pears, 1936-1978
Author: Peter Pears
Publisher: Boydell & Brewer
ISBN: 9780851157412
Category : Biography & Autobiography
Languages : en
Pages : 280
Book Description
PETER PEARS's reputation as an outstanding and distinctive tenor is grounded in his interpretations of Benjamin Britten's works; their partnership of thirty years significantly shaped and defined musical developments not only in England but on a broader plane. Throughout their busy professional lives they travelled extensively, on concert tours and on holiday, finding fresh stimulus in change. Pear's twelve travel diaries, brought together in this volume, record much of that travel and provide valuable contextual material on the musical development of both Pears and Britten. The first diary dates from 1936, the year before his friendship with Britten began, when he went on tour to North America with the New English Singers. Other diaries record the five-month tour to the Far East and the important encounters (especially for Britten) with the gamelan music of Bali and the Japanese Noh theatre; visits to Russia as guests of Mstislav Rostropovich and his wife Galina Vishnevskaya, where they met significant figures from Russian musical life; and attendance at the Ansbach Bach Festival when Pears was at the height of his career. Also recorded are holidays in the Caribbean and Italy, a concert tour through the north of England, and accounts of the rehearsals and performances of the New York premieres of Billy Budd and Death in Venice.
Publisher: Boydell & Brewer
ISBN: 9780851157412
Category : Biography & Autobiography
Languages : en
Pages : 280
Book Description
PETER PEARS's reputation as an outstanding and distinctive tenor is grounded in his interpretations of Benjamin Britten's works; their partnership of thirty years significantly shaped and defined musical developments not only in England but on a broader plane. Throughout their busy professional lives they travelled extensively, on concert tours and on holiday, finding fresh stimulus in change. Pear's twelve travel diaries, brought together in this volume, record much of that travel and provide valuable contextual material on the musical development of both Pears and Britten. The first diary dates from 1936, the year before his friendship with Britten began, when he went on tour to North America with the New English Singers. Other diaries record the five-month tour to the Far East and the important encounters (especially for Britten) with the gamelan music of Bali and the Japanese Noh theatre; visits to Russia as guests of Mstislav Rostropovich and his wife Galina Vishnevskaya, where they met significant figures from Russian musical life; and attendance at the Ansbach Bach Festival when Pears was at the height of his career. Also recorded are holidays in the Caribbean and Italy, a concert tour through the north of England, and accounts of the rehearsals and performances of the New York premieres of Billy Budd and Death in Venice.
Tears into Wine
Author: Eric Chafe
Publisher: Oxford University Press
ISBN: 0190272961
Category : Music
Languages : en
Pages : 632
Book Description
In 1714, the 29 year-old Johann Sebastian Bach was promoted to the position of concertmaster at the ducal court of Weimar. This post required him for the first time in his already established career to produce a regular stream of church cantatas-one cantata every four weeks. Among the most significant works of this period is Ich hatte viel Bekümmernis in meinem Herzen (Cantata 21). Generally known in English as "I had much affliction," Cantata 21 draws from several psalms and the Book of Revelations and offers a depiction of the spiritual ascent of the soul from intense tribulation to joy and exaltation. Although widely performed and loved by musicians, Cantata 21 has endured much criticism from scholars and critics who claim that the piece lacks organizational clarity and stylistic coherence. In Tears into Wine, renowned Bach scholar Eric Chafe challenges the scholarly consensus, arguing that Cantata 21 is an exceptionally carefully designed work, and that it displays a convergence of musical structure and theological purpose that is paradigmatic of Bach's sacred work as a whole. Drawing on a wide range of Lutheran theological writing, Chafe shows that Cantata 21 reaches beyond the scope of the individual liturgical occasion to voice a breadth of meaning that encompasses much of the core of Lutheran thought. Chafe artfully demonstrates that instead of simply presenting a musical depiction of the soul's journey from sorrow to bliss, Cantata 21 expresses the various stages of God's revelation and their impact on the believing soul. As a result, Chafe reveals that Cantata 21 has a formal design that mirrors Lutheran belief in unfolding revelation, with the final movement representing the work's "crown"--the goal toward which all of the earlier movements are directed. Complete with full text translations of the cantata and the liturgical readings that would have accompanied it at the first performance, Tears into Wine is a monumental book that is ideally suited for Bach scholars and students, as well as those generally interested in the relationship between theology and music.
Publisher: Oxford University Press
ISBN: 0190272961
Category : Music
Languages : en
Pages : 632
Book Description
In 1714, the 29 year-old Johann Sebastian Bach was promoted to the position of concertmaster at the ducal court of Weimar. This post required him for the first time in his already established career to produce a regular stream of church cantatas-one cantata every four weeks. Among the most significant works of this period is Ich hatte viel Bekümmernis in meinem Herzen (Cantata 21). Generally known in English as "I had much affliction," Cantata 21 draws from several psalms and the Book of Revelations and offers a depiction of the spiritual ascent of the soul from intense tribulation to joy and exaltation. Although widely performed and loved by musicians, Cantata 21 has endured much criticism from scholars and critics who claim that the piece lacks organizational clarity and stylistic coherence. In Tears into Wine, renowned Bach scholar Eric Chafe challenges the scholarly consensus, arguing that Cantata 21 is an exceptionally carefully designed work, and that it displays a convergence of musical structure and theological purpose that is paradigmatic of Bach's sacred work as a whole. Drawing on a wide range of Lutheran theological writing, Chafe shows that Cantata 21 reaches beyond the scope of the individual liturgical occasion to voice a breadth of meaning that encompasses much of the core of Lutheran thought. Chafe artfully demonstrates that instead of simply presenting a musical depiction of the soul's journey from sorrow to bliss, Cantata 21 expresses the various stages of God's revelation and their impact on the believing soul. As a result, Chafe reveals that Cantata 21 has a formal design that mirrors Lutheran belief in unfolding revelation, with the final movement representing the work's "crown"--the goal toward which all of the earlier movements are directed. Complete with full text translations of the cantata and the liturgical readings that would have accompanied it at the first performance, Tears into Wine is a monumental book that is ideally suited for Bach scholars and students, as well as those generally interested in the relationship between theology and music.
Johann Sebastian Bach
Author: Christoph Wolff
Publisher: Oxford University Press, USA
ISBN: 9780199248841
Category : Biography & Autobiography
Languages : en
Pages : 644
Book Description
Now available in paperback, this landmark biography was first published in 2000 to mark the 250th anniversary of J. S. Bach's death. Written by a leading Bach scholar, this book presents a new picture of the composer. Christoph Wolff demonstrates the intimate connection between Bach's life and his music, showing how the composer's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher.
Publisher: Oxford University Press, USA
ISBN: 9780199248841
Category : Biography & Autobiography
Languages : en
Pages : 644
Book Description
Now available in paperback, this landmark biography was first published in 2000 to mark the 250th anniversary of J. S. Bach's death. Written by a leading Bach scholar, this book presents a new picture of the composer. Christoph Wolff demonstrates the intimate connection between Bach's life and his music, showing how the composer's superb inventiveness pervaded his career as a musician, composer, performer, scholar, and teacher.