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Author:
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ISBN:
Category : Art, Chinese
Languages : en
Pages : 120
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Book Description
Author:
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 120
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Book Description
Author: Östasiatiska museet
Publisher:
ISBN:
Category : China
Languages : en
Pages : 460
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Book Description
Author: Rosemary E. Scott
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 256
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Book Description
This volume contains the proceedings of the 18th Percival David Foundation Colloquy on Art and Archaeology in Asia, held in 1995. The essays were written by a range of international scholars and jade experts, providing a broad overview of the place of Chinese jades in the ancient and modern worlds.
Author: Mette Siggstedt
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 244
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Book Description
Author: Östasiatiska museet
Publisher:
ISBN:
Category : China
Languages : en
Pages : 648
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Book Description
Author: Marzia Varutti
Publisher: Boydell & Brewer Ltd
ISBN: 1843838885
Category : History
Languages : en
Pages : 206
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Book Description
An examination of museums in China, surveying their development from the nineteenth century, and looking in particular at their incredible recent proliferation. Museums in China have undergone tremendous transformations since they first appeared in the country in the late nineteenth century. Futuristic, state-of-the-art museums have today become symbols of China's global cultural, economic and technological prominence, and over the last two decades, the number of Chinese museums has increased at an unprecedented rate, with China set to become the country with the highest number of museums in the world. But why have museums become so important? This book, based on extensive research in a number of the museums themselves, examines recent changes in their display methods, narratives, actors and architectural style. It also considers their representations of Chinese national identity, millenarian history and extraordinary cultural diversity. Through an analysis of the changes affecting not only what we observe through museums, but also the very medium of observation (i.e. museums themselves), this book provides a unique, original and timely exploration of the ongoing changes affecting Chinese society, and an evaluation of their consequences. Dr Marzia Varutti is apost-doctoral fellow at the Centre for Museum Studies, Department of Culture Studies and Oriental Languages, University of Oslo.
Author: Denise Y. Ho
Publisher: Cambridge University Press
ISBN: 1108417957
Category : Art
Languages : en
Pages : 325
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Book Description
Curating Revolution examines how Mao-era exhibitions shaped popular understandings of, and participation in, the political campaigns of China's Communist revolution.
Author: Qin Shao
Publisher: Stanford University Press
ISBN: 9780804746892
Category : History
Languages : en
Pages : 388
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Book Description
This is a multidimensional study of a simulation of modernity that transformed Nantong, a provincial town, from a rural backwater to a model of progress in early twentieth-century China. The author analyzes this transformation by depicting the new institutional and cultural phenomena used by the elite to exhibit the modern: a museum, theater, cinema, sports arenas, parks, photographs, name cards, paper money, clocks, architecture, investigative tourism, and public speaking. In focusing on this exhibitory modernity and its role in reconstructing this local community and in promoting “the Nantong model” nationwide, the book sheds intriguing new light on the connections between local and national politics and rural and urban experience.
Author: Kirk A. Denton
Publisher: University of Hawaii Press
ISBN: 0824840062
Category : History
Languages : en
Pages : 362
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Book Description
During the Mao era, China’s museums served an explicit and uniform propaganda function, underlining official Party history, eulogizing revolutionary heroes, and contributing to nation building and socialist construction. With the implementation of the post-Mao modernization program in the late 1970s and 1980s and the advent of globalization and market reforms in the 1990s, China underwent a radical social and economic transformation that has led to a vastly more heterogeneous culture and polity. Yet China is dominated by a single Leninist party that continues to rely heavily on its revolutionary heritage to generate political legitimacy. With its messages of collectivism, self-sacrifice, and class struggle, that heritage is increasingly at odds with Chinese society and with the state’s own neoliberal ideology of rapid-paced development, glorification of the market, and entrepreneurship. In this ambiguous political environment, museums and their curators must negotiate between revolutionary ideology and new kinds of historical narratives that reflect and highlight a neoliberal present. In Exhibiting the Past, Kirk Denton analyzes types of museums and exhibitionary spaces, from revolutionary history museums, military museums, and memorials to martyrs to museums dedicated to literature, ethnic minorities, and local history. He discusses red tourism—a state sponsored program developed in 2003 as a new form of patriotic education designed to make revolutionary history come alive—and urban planning exhibition halls, which project utopian visions of China’s future that are rooted in new conceptions of the past. Denton’s method is narratological in the sense that he analyzes the stories museums tell about the past and the political and ideological implications of those stories. Focusing on “official” exhibitionary culture rather than alternative or counter memory, Denton reinserts the state back into the discussion of postsocialist culture because of its centrality to that culture and to show that state discourse in China is neither monolithic nor unchanging. The book considers the variety of ways state museums are responding to the dramatic social, technological, and cultural changes China has experienced over the past three decades.
Author: Joshua A. Fogel
Publisher: Univ of California Press
ISBN: 0520289846
Category : Art
Languages : en
Pages : 503
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Book Description
The modern histories of China and Japan are inexorably intertwined. Their relationship is perhaps most obvious in the fields of political, economic, and military history, but it is no less true in cultural and art history. Yet the traffic in artistic practices and practitioners between China and Japan remains an understudied field. In this volume, an international group of scholars investigates Japan’s impact on Chinese art from the mid-nineteenth century through the 1930s. Individual essays address a range of perspectives, including the work of individual Chinese and Japanese painters, calligraphers, and sculptors, as well as artistic associations, international exhibitions, the collotype production or artwork, and the emergence of a modern canon.
