Author:
Publisher:
ISBN:
Category : Europe, Eastern
Languages : en
Pages : 400
Book Description
Canadian Slavonic Papers
Author:
Publisher:
ISBN:
Category : Europe, Eastern
Languages : en
Pages : 400
Book Description
Publisher:
ISBN:
Category : Europe, Eastern
Languages : en
Pages : 400
Book Description
I Am a Brave Bridge
Author: Sarah Hinlicky Wilson
Publisher: Thornbush Press
ISBN: 1736013602
Category : Biography & Autobiography
Languages : en
Pages : 283
Book Description
Once upon a time an American girl moved to a little town in Slovakia. And she fell in love with the country, and with a boy. And then another boy. And then about a dozen boys fell in love with her. Many linguistic and romantic antics ensued, and a happy ending unlike any she could have foreseen. This is a story for everyone—the armchair traveler and the real one, the lover of love stories and the connoisseur of culture clash—but above all, it’s a story for anyone who is always homesick for somewhere else.
Publisher: Thornbush Press
ISBN: 1736013602
Category : Biography & Autobiography
Languages : en
Pages : 283
Book Description
Once upon a time an American girl moved to a little town in Slovakia. And she fell in love with the country, and with a boy. And then another boy. And then about a dozen boys fell in love with her. Many linguistic and romantic antics ensued, and a happy ending unlike any she could have foreseen. This is a story for everyone—the armchair traveler and the real one, the lover of love stories and the connoisseur of culture clash—but above all, it’s a story for anyone who is always homesick for somewhere else.
Picturing the Page
Author: Megan Swift
Publisher: University of Toronto Press
ISBN: 1442667427
Category : History
Languages : en
Pages : 246
Book Description
Based on sources from rare book libraries in Russia and around the world, Picturing the Page offers a vivid exploration of illustrated children’s literature and reading under Lenin and Stalin – a period when mass publishing for children and universal public education became available for the first time in Russia. By analysing the illustrations in fairy tales, classic "adult" literature reformatted for children, and war-time picture books, Megan Swift elucidates the vital and multifaceted function of illustrated children’s literature in repurposing the past. Picturing the Page demonstrates that while the texts of the past remained fixed, illustrations could slip between the pages to mediate and annotate that past, as well as connect with anti-religious, patriotic, and other campaigns that were central to Soviet children’s culture after the 1917 Revolution.
Publisher: University of Toronto Press
ISBN: 1442667427
Category : History
Languages : en
Pages : 246
Book Description
Based on sources from rare book libraries in Russia and around the world, Picturing the Page offers a vivid exploration of illustrated children’s literature and reading under Lenin and Stalin – a period when mass publishing for children and universal public education became available for the first time in Russia. By analysing the illustrations in fairy tales, classic "adult" literature reformatted for children, and war-time picture books, Megan Swift elucidates the vital and multifaceted function of illustrated children’s literature in repurposing the past. Picturing the Page demonstrates that while the texts of the past remained fixed, illustrations could slip between the pages to mediate and annotate that past, as well as connect with anti-religious, patriotic, and other campaigns that were central to Soviet children’s culture after the 1917 Revolution.
When Pigs Could Fly and Bears Could Dance
Author: Miriam Neirick
Publisher: University of Wisconsin Pres
ISBN: 0299287637
Category : Performing Arts
Languages : en
Pages : 309
Book Description
For more than seven decades the circuses enjoyed tremendous popularity in the Soviet Union. How did the circus—an institution that dethroned figures of authority and refused any orderly narrative structure—become such a cultural mainstay in a state known for blunt and didactic messages? Miriam Neirick argues that the variety, flexibility, and indeterminacy of the modern circus accounted for its appeal not only to diverse viewers but also to the Soviet state. In a society where government-legitimating myths underwent periodic revision, the circus proved a supple medium of communication. Between 1919 and 1991, it variously displayed the triumph of the Bolshevik revolution, the beauty of the new Soviet man and woman, the vulnerability of the enemy during World War II, the prosperity of the postwar Soviet household, and the Soviet mission of international peace—all while entertaining the public with the acrobats, elephants, and clowns. With its unique ability to meet and reconcile the demands of both state and society, the Soviet circus became the unlikely darling of Soviet culture and an entertainment whose usefulness and popularity stemmed from its ambiguity.
Publisher: University of Wisconsin Pres
ISBN: 0299287637
Category : Performing Arts
Languages : en
Pages : 309
Book Description
For more than seven decades the circuses enjoyed tremendous popularity in the Soviet Union. How did the circus—an institution that dethroned figures of authority and refused any orderly narrative structure—become such a cultural mainstay in a state known for blunt and didactic messages? Miriam Neirick argues that the variety, flexibility, and indeterminacy of the modern circus accounted for its appeal not only to diverse viewers but also to the Soviet state. In a society where government-legitimating myths underwent periodic revision, the circus proved a supple medium of communication. Between 1919 and 1991, it variously displayed the triumph of the Bolshevik revolution, the beauty of the new Soviet man and woman, the vulnerability of the enemy during World War II, the prosperity of the postwar Soviet household, and the Soviet mission of international peace—all while entertaining the public with the acrobats, elephants, and clowns. With its unique ability to meet and reconcile the demands of both state and society, the Soviet circus became the unlikely darling of Soviet culture and an entertainment whose usefulness and popularity stemmed from its ambiguity.
Ukrainian Nationalism
Author: Myroslav Shkandrij
Publisher: Yale University Press
ISBN: 0300210744
Category : History
Languages : en
Pages : 344
Book Description
Both celebrated and condemned, Ukrainian nationalism is one of the most controversial and vibrant topics in contemporary discussions of Eastern Europe. Perhaps today there is no more divisive and heatedly argued topic in Eastern European studies than the activities in the 1930s and 1940s of the Organization of Ukrainian Nationalists (OUN). This book examines the legacy of the OUN and is the first to consider the movement’s literature alongside its politics and ideology. It argues that nationalism’s mythmaking, best expressed in its literature, played an important role. In the interwar period seven major writers developed the narrative structures that gave nationalism much of its appeal. For the first time, the remarkable impact of their work is recognized.
Publisher: Yale University Press
ISBN: 0300210744
Category : History
Languages : en
Pages : 344
Book Description
Both celebrated and condemned, Ukrainian nationalism is one of the most controversial and vibrant topics in contemporary discussions of Eastern Europe. Perhaps today there is no more divisive and heatedly argued topic in Eastern European studies than the activities in the 1930s and 1940s of the Organization of Ukrainian Nationalists (OUN). This book examines the legacy of the OUN and is the first to consider the movement’s literature alongside its politics and ideology. It argues that nationalism’s mythmaking, best expressed in its literature, played an important role. In the interwar period seven major writers developed the narrative structures that gave nationalism much of its appeal. For the first time, the remarkable impact of their work is recognized.
Between God and Tsar
Author: Isolde Thyret
Publisher:
ISBN: 9780875802749
Category : History
Languages : en
Pages : 275
Book Description
Challenging traditional interpretations of the roles of royal women in patriarchal Muscovite society, Between God and Tsar opens a new approach to understanding medieval Russia. Drawing upon a wide range of sources in anthropology, sociology, art history, and literature, it sheds light on the lives of the tsaritsy, about which little has been known, and on the culture surrounding them. This pioneering study demonstrates that the wives of the early tsars played complex roles in government, especially during times of crisis, and shows how religious culture perpetuated the expressions of their legitimacy as female rulers. Muscovite Russia's values were sanctioned by religion, and it is through religious images that the royal women's claims to rulership can be seen most clearly. Thyrêt explores Orthodox iconography--such as that of the Golden Palace of the Tsaritsy, which proclaims Irina Godunova's right to act as an independent ruler--and shows how the Muscovite court used gendered images to reveal the spiritual power of female rulers. Myths and legends adapted from one generation to another also underscore royal wives' claim to authority based on their great spiritual power. Illuminating medieval Russia's art, literature, and culture, Between God and Tsar opens new ways to understand the tsaritsy. Students of Russian history have often wondered how and why, under the Romanovs, female rulers governed so often. Thyrêt's broadly researched study provides an answer. Between God and Tsar offers stimulating insights into the power of Russia's royal women and how it was manifest in Muscovite culture.
Publisher:
ISBN: 9780875802749
Category : History
Languages : en
Pages : 275
Book Description
Challenging traditional interpretations of the roles of royal women in patriarchal Muscovite society, Between God and Tsar opens a new approach to understanding medieval Russia. Drawing upon a wide range of sources in anthropology, sociology, art history, and literature, it sheds light on the lives of the tsaritsy, about which little has been known, and on the culture surrounding them. This pioneering study demonstrates that the wives of the early tsars played complex roles in government, especially during times of crisis, and shows how religious culture perpetuated the expressions of their legitimacy as female rulers. Muscovite Russia's values were sanctioned by religion, and it is through religious images that the royal women's claims to rulership can be seen most clearly. Thyrêt explores Orthodox iconography--such as that of the Golden Palace of the Tsaritsy, which proclaims Irina Godunova's right to act as an independent ruler--and shows how the Muscovite court used gendered images to reveal the spiritual power of female rulers. Myths and legends adapted from one generation to another also underscore royal wives' claim to authority based on their great spiritual power. Illuminating medieval Russia's art, literature, and culture, Between God and Tsar opens new ways to understand the tsaritsy. Students of Russian history have often wondered how and why, under the Romanovs, female rulers governed so often. Thyrêt's broadly researched study provides an answer. Between God and Tsar offers stimulating insights into the power of Russia's royal women and how it was manifest in Muscovite culture.
Stalinist Perpetrators on Trial
Author: Lynne Viola
Publisher: Oxford University Press
ISBN: 0190674164
Category : History
Languages : en
Pages : 305
Book Description
Between the summer of 1937 and November 1938, the Stalinist regime arrested over 1.5 million people for "counterrevolutionary" and "anti-Soviet" activity and either summarily executed or exiled them to the Gulag. While we now know a great deal about the experience of victims of the Great Terror, we know almost nothing about the lower- and middle-level Narodnyi Komissariat Vnutrennikh Del (NKVD), or secret police, cadres who carried out Stalin's murderous policies. Unlike the postwar, public trials of Nazi war criminals, NKVD operatives were tried secretly. And what exactly happened in those courtrooms was unknown until now. In what has been dubbed "the purge of the purgers," almost one thousand NKVD officers were prosecuted by Soviet military courts. Scapegoated for violating Soviet law, they were charged with multiple counts of fabrication of evidence, falsification of interrogation protocols, use of torture to secure "confessions," and murder during pre-trial detention of "suspects" - and many were sentenced to execution themselves. The documentation generated by these trials, including verbatim interrogation records and written confessions signed by perpetrators; testimony by victims, witnesses, and experts; and transcripts of court sessions, provides a glimpse behind the curtains of the terror. It depicts how the terror was implemented, what happened, and who was responsible, demonstrating that orders from above worked in conjunction with a series of situational factors to shape the contours of state violence. Based on chilling and revelatory new archival documents from the Ukrainian secret police archives, Stalinist Perpetrators on Trial illuminates the darkest recesses of Soviet repression -- the interrogation room, the prison cell, and the place of execution -- and sheds new light on those who carried out the Great Terror.
Publisher: Oxford University Press
ISBN: 0190674164
Category : History
Languages : en
Pages : 305
Book Description
Between the summer of 1937 and November 1938, the Stalinist regime arrested over 1.5 million people for "counterrevolutionary" and "anti-Soviet" activity and either summarily executed or exiled them to the Gulag. While we now know a great deal about the experience of victims of the Great Terror, we know almost nothing about the lower- and middle-level Narodnyi Komissariat Vnutrennikh Del (NKVD), or secret police, cadres who carried out Stalin's murderous policies. Unlike the postwar, public trials of Nazi war criminals, NKVD operatives were tried secretly. And what exactly happened in those courtrooms was unknown until now. In what has been dubbed "the purge of the purgers," almost one thousand NKVD officers were prosecuted by Soviet military courts. Scapegoated for violating Soviet law, they were charged with multiple counts of fabrication of evidence, falsification of interrogation protocols, use of torture to secure "confessions," and murder during pre-trial detention of "suspects" - and many were sentenced to execution themselves. The documentation generated by these trials, including verbatim interrogation records and written confessions signed by perpetrators; testimony by victims, witnesses, and experts; and transcripts of court sessions, provides a glimpse behind the curtains of the terror. It depicts how the terror was implemented, what happened, and who was responsible, demonstrating that orders from above worked in conjunction with a series of situational factors to shape the contours of state violence. Based on chilling and revelatory new archival documents from the Ukrainian secret police archives, Stalinist Perpetrators on Trial illuminates the darkest recesses of Soviet repression -- the interrogation room, the prison cell, and the place of execution -- and sheds new light on those who carried out the Great Terror.
Reclaiming the Personal
Author: Natalia Khanenko-Friesen
Publisher: University of Toronto Press
ISBN: 1442637382
Category : History
Languages : en
Pages : 339
Book Description
"This edited collection is a contribution to the emerging field of oral history research in the post-socialist societies of Central Europe and former Soviet Union, and demonstrates what oral history can contribute to the changing nature of post-socialist social sciences."--
Publisher: University of Toronto Press
ISBN: 1442637382
Category : History
Languages : en
Pages : 339
Book Description
"This edited collection is a contribution to the emerging field of oral history research in the post-socialist societies of Central Europe and former Soviet Union, and demonstrates what oral history can contribute to the changing nature of post-socialist social sciences."--
Coding the Hypothetical
Author: Jane F. Hacking
Publisher: John Benjamins Publishing
ISBN: 9027281912
Category : Language Arts & Disciplines
Languages : en
Pages : 168
Book Description
Conditionals encode speculation. They convey how events could have been different in the past or present, or might be different in the future if particular conditions had been or will be met. While all languages afford the means to speculate or hypothesize about possible events, the ways in which they do so vary. This work explores some of this variation through an analysis of the stucture and semantics of complex conditional sentences in Russian and Macedonian. It addresses typological questions about the general properties of natural language conditionals and examines the role of the grammatical categories tense, aspect, mood and status in the coding of conditional meaning. The book also discusses the relationship between the use of these categories and the shape of a language’s conditional system. For example, the use of tense in counterfactual contexts in Macedonian correlates with the grammaticalization of more shades of conditional meaning than are grammaticalized in Russian, which does not employ tense forms in this way. The study draws on data from a rich variety of sources and thus includes kinds of conditionals overlooked in many other studies. The book addresses issues of concern to Slavists and raises questions for those interested in conditionals and the coding of hypothetical meaning.
Publisher: John Benjamins Publishing
ISBN: 9027281912
Category : Language Arts & Disciplines
Languages : en
Pages : 168
Book Description
Conditionals encode speculation. They convey how events could have been different in the past or present, or might be different in the future if particular conditions had been or will be met. While all languages afford the means to speculate or hypothesize about possible events, the ways in which they do so vary. This work explores some of this variation through an analysis of the stucture and semantics of complex conditional sentences in Russian and Macedonian. It addresses typological questions about the general properties of natural language conditionals and examines the role of the grammatical categories tense, aspect, mood and status in the coding of conditional meaning. The book also discusses the relationship between the use of these categories and the shape of a language’s conditional system. For example, the use of tense in counterfactual contexts in Macedonian correlates with the grammaticalization of more shades of conditional meaning than are grammaticalized in Russian, which does not employ tense forms in this way. The study draws on data from a rich variety of sources and thus includes kinds of conditionals overlooked in many other studies. The book addresses issues of concern to Slavists and raises questions for those interested in conditionals and the coding of hypothetical meaning.
Culture and Entertainment in Wartime Russia
Author: Richard Stites
Publisher: Indiana University Press
ISBN: 9780253209498
Category : History
Languages : en
Pages : 228
Book Description
"This lively and often moving collection of essays is an important contribution to Western scholarship on Soviet society and culture during the Second World War. . . . [a] straightforward but lively description of cultural life, unhampered by excessive interpretation or cultural theory. For all those who love Russia's cultural heritage, these essays cast a welcome spotlight on some of the people and pockets of life from that tragic but compelling time." —Canadian Slavonic Papers "Enjoyable to read and accessible to the nonspecialist, Culture and Entertainment is not only an indispensable addition to any Soviet studies library but will prove valuable to anyone interested in or teaching courses on World War II, propaganda and popular culture, homefront politics, or the interacation between cultural creation and governmental power." —Journal of Modern History "This comprehensive recollection of articles goes beyond cultural history, and provides an original approach to the study of war. War, we learn, is fought on many fronts, and the cultural one should not be underestimated." —SAIS Review " . . . takes the reader to the heart of the patriotic struggle, to the cultural and spiritual imperatives that roused Russian resistance." —Canadian Military History "This collection . . . furthers knowledge of Soviet high and popular culture, and also demonstrates the extremely important role that cultural productions played in helping to maintain Soviet spirits in the midst of the Nazi onslaught." —Choice "This anthology of scholarly articles provides surprising insights into Soviet cultural propaganda during the Great Patriotic War." —War, Literature and the Arts ". . . the essays here provide much food for thought and constitute a valuable addition to a relatively neglected area of study." —The Slavonic Review World War II (The Great Patriotic War) had a pronounced cultural and emotional impact on the Russian people. The subjects of these essays range from the Moscow press to frontline correspondents, from entertainment brigades to amateur songs by fighting men and women, from symphonic compositions to revivals of literary classics, and from Moscow stages to folk ensembles on the battlefield—the cultural outpourings in the hearts and souls of ordinary Russians at war.
Publisher: Indiana University Press
ISBN: 9780253209498
Category : History
Languages : en
Pages : 228
Book Description
"This lively and often moving collection of essays is an important contribution to Western scholarship on Soviet society and culture during the Second World War. . . . [a] straightforward but lively description of cultural life, unhampered by excessive interpretation or cultural theory. For all those who love Russia's cultural heritage, these essays cast a welcome spotlight on some of the people and pockets of life from that tragic but compelling time." —Canadian Slavonic Papers "Enjoyable to read and accessible to the nonspecialist, Culture and Entertainment is not only an indispensable addition to any Soviet studies library but will prove valuable to anyone interested in or teaching courses on World War II, propaganda and popular culture, homefront politics, or the interacation between cultural creation and governmental power." —Journal of Modern History "This comprehensive recollection of articles goes beyond cultural history, and provides an original approach to the study of war. War, we learn, is fought on many fronts, and the cultural one should not be underestimated." —SAIS Review " . . . takes the reader to the heart of the patriotic struggle, to the cultural and spiritual imperatives that roused Russian resistance." —Canadian Military History "This collection . . . furthers knowledge of Soviet high and popular culture, and also demonstrates the extremely important role that cultural productions played in helping to maintain Soviet spirits in the midst of the Nazi onslaught." —Choice "This anthology of scholarly articles provides surprising insights into Soviet cultural propaganda during the Great Patriotic War." —War, Literature and the Arts ". . . the essays here provide much food for thought and constitute a valuable addition to a relatively neglected area of study." —The Slavonic Review World War II (The Great Patriotic War) had a pronounced cultural and emotional impact on the Russian people. The subjects of these essays range from the Moscow press to frontline correspondents, from entertainment brigades to amateur songs by fighting men and women, from symphonic compositions to revivals of literary classics, and from Moscow stages to folk ensembles on the battlefield—the cultural outpourings in the hearts and souls of ordinary Russians at war.