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Author: Christopher E. Gittings
Publisher: Psychology Press
ISBN: 9780415142823
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
This books traces the inscription of nation across Canada's film history, from early films of colonisation and white settlement to contemporary Canada's diverse multicultural output.
Author: Chris Gittings
Publisher: Routledge
ISBN: 1134764855
Category : Social Science
Languages : en
Pages : 354
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Book Description
Canadian National Cinema explores the idea of the nation across Canada's film history, from early films of colonisation and white settlement such as The Wheatfields of Canada and Back to God's Country, to recent films like Nô, LE Confessional Mon Oncle Antoine, Grey Fox, Highway 61, Kanehsatake, and I've Heard the Mermaids Singing.
Author: Christopher E. Gittings
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: David Lawrence Pike
Publisher: University of Toronto Press
ISBN: 1442612401
Category : Performing Arts
Languages : en
Pages : 393
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Book Description
Making a significant advance in the study of the film industry of the period, Canadian Cinema since the 1980s is also an ideal text for students, researchers, and Canadian film enthusiasts.
Author: William Beard
Publisher: University of Alberta
ISBN: 9780888643902
Category : Drama
Languages : en
Pages : 516
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Book Description
This is the first book to comprehensively examine the development of English-Canadian cinema since 1980; previous books in English have dealt either with specific films or filmmakers, with policy, or with specific genres (avant-garde film, documentary, films by women, etc.). It deals with regional and institutional questions, with the new authors that are defining contemporary cinema in English Canada, with avant-garde work and work by Aboriginal people. Bringing together a wide variety of contributors, the book deals with an enormous amount of cinema that has helped transform North American culture of the last two decades.
Author: George Melnyk
Publisher: Athabasca University Press
ISBN: 1927356598
Category : Social Science
Languages : en
Pages : 319
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Book Description
Most Canadians are city dwellers, a fact often unacknowledged by twentieth-century Canadian films, with their preference for themes of wilderness survival or rural life. Modernist Canadian films tend to support what film scholar Jim Leach calls “the nationalist-realist project,” a documentary style that emphasizes the exoticism and mythos of the land. Over the past several decades, however, the hegemony of Anglo-centrism has been challenged by francophone and First Nations perspectives and the character of cities altered by a continued influx of immigrants and the development of cities as economic and technological centers. No longer primarily defined through the lens of rural nostalgia, Canadian urban identity is instead polyphonic, diverse, constructed through multiple discourses and mediums, an exchange rather than a strict orientation. Taking on the urban as setting and subject, filmmakers are ideally poised to create and reflect multiple versions of a single city. Examining fourteen Canadian films produced from 1989 to 2007, including Denys Arcand’s Jésus de Montréal (1989), Jean-Claude Lauzon’s Léolo (1992), Mina Shum’s Double Happiness (1994), Clément Virgo’s Rude (1995), and Guy Maddin’s My Winnipeg (2007), Film and the City is the first comprehensive study of Canadian film and “urbanity”—the totality of urban culture and life. Drawing on film and urban studies and building upon issues of identity formation in Canadian studies, Melnyk considers how filmmakers, films, and urban audiences experience, represent, and interpret urban spatiality, visuality, and orality. In this way, Film and the City argues that Canadian narrative film of the postmodern period has aided in articulating a new national identity.
Author: George Melnyk
Publisher: University of Alberta
ISBN: 0888645287
Category : Performing Arts
Languages : en
Pages : 489
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Book Description
Great Canadian Film Directors is the first major study that reflects the cultural and linguistic diversity of Canada’s most dynamic film directors. The 19 essays in this collection focus on each filmmaker’s ability to create a vision that both reveals and redefines our national cultures. Together, these essays, by established and emerging scholars, highlight the diversity, imaginative power, and talent of Canadian filmmakers. This collection’s value is in its contemporary analysis of major figures as well as critical discussions of the work of women directors and young filmmakers. Filmographies and selected bibliographies for each director provide film students and the movie-going public with an unrivalled study of a cinema that now garners world attention.
Author: Miranda Campbell
Publisher: Canadian Scholars
ISBN: 1773383132
Category : Business & Economics
Languages : en
Pages : 294
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Book Description
Creative Industries in Canada is a foundational text that encourages students to think critically about creative industries within a Canadian context and interrogate the current state and future possibilities of the industry. While much of current creative industries literature concerns the United Kingdom, the United States, and Asia, this text captures the breadth of how Canadian industries are organized and experienced, and how they operate. This ambitious collection aims to guide students through the current landscape of Canadian creative industries through three thematic sections. “Production” collects chapters focused on how national discourses and identities are produced through creative industries and the tensions that exist between policy and media. “Participation” explores how we engage with these industries in different roles: as consumer, creator, policy-maker, and more. “Pedagogies” explores how education impacts inclusion and visibility in creative industries. Truly intersectional, Creative Industries in Canada provides students with practical industry knowledge and frameworks to explore the current state of the field and its future. With a broad application to many undergraduate programs, this text is a must-read resource for those pursuing media studies, arts management, creative and cultural industries studies, communications, and arts and humanities.
Author: Lee Carruthers
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228014921
Category : Performing Arts
Languages : en
Pages : 431
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Book Description
At the turn of the millennium Canadian cinema appeared to have reached an apex of aesthetic and commercial transformation. Domestic filmmaking has since declined in visibility: the sense of celebrity once associated with independent directors has diminished, projects garner less critical attention, and concepts that made late-twentieth-century Canadian film legible have been reconsidered or displaced. Canadian Cinema in the New Millennium examines this dramatic transformation and revitalizes our engagement with Canadian cinema in the contemporary moment, presenting focused case studies of films and filmmakers and contextual studies of Canadian film policy, labour, and film festivals. Contributors trace key developments since 2000, including the renouveau or Quebec New Wave, Indigenous filmmaking, i-docs, and diasporic experimental filmmaking. Reflecting the way film in Canada mediates multiple cultures, forging new affinities among anglophone, francophone, and Indigenous-language examples, this book engages familiar figures, such as Denis Villeneuve, Xavier Dolan, Sarah Polley, and Guy Maddin, in the same breath as small-budget independent films, documentaries, and experimental works that have emerged in the Canadian scene. Fuelled by close attention to the films themselves and a desire to develop new scholarly approaches, Canadian Cinema in the New Millennium models a renewed commitment to keeping the conversation about Canadian cinema vibrant and alive.
Author: Jacqueline Levitin
Publisher: Routledge
ISBN: 1136743057
Category : Performing Arts
Languages : en
Pages : 510
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Book Description
This wide-ranging volume of new work brings together women filmmakers and critics who speak about what has changed over the past twenty years. Including such filmmakers as Margarethe von Trotta, Deepa Mehta, and Pratibha Parmar, and such critics as E. Ann Kaplan, this comprehensive volume addresses political, artistic, and economic questions vital to understanding the relationship of women to the art and business of filmmaking.
Author: Constanza Burucúa
Publisher: Springer
ISBN: 3319768077
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
Historically, cinema in the Americas has been signed by a state of precariousness. Notwithstanding the growing accessibility to video and digital technologies, access to the material means of film production is still limited, affecting the spheres of production, distribution, and reception. Equally, questions about the precarious can be traced in cultural and archival policies, film legislations, as well as in thematic and aesthetic choices. While conventional definitions of the precarious have been associated with notions of scarcity and insecurity, this volume looks at precariousness from a non-monolithic angle, exploring its productivity and potential for original, critical approaches, with the aim of providing new readings to the variedly rich and complex cinemas of the Americas.
