Author: John A. Fleming
Publisher: University of Alberta Press
ISBN: 9780888646309
Category : Art
Languages : en
Pages : 0
Book Description
Immerse yourself in more than 425 previously unpublished colour photographs of Canada's disappearing traditional folk art. The authors' discovery of distinctive objects from across Canada inspired them to re-classify folk art, and to analyze and interpret their examples in 17 thematic chapters. The "aesthetic of the everyday" of Canada's material heritage is presented through paintings and carvings, quilts and rugs, tables and trade signs-just to mention a few. These traditional art forms of diverse community groups express a decorative cultural identity, documented through the unique lens of photographer James A. Chambers. Historians, curators, collectors, designers, and dealers, as well as anyone who appreciates material culture, will want to have this collection in their libraries.
Canadian Folk Art to 1950
Author: John A. Fleming
Publisher: University of Alberta Press
ISBN: 9780888646309
Category : Art
Languages : en
Pages : 0
Book Description
Immerse yourself in more than 425 previously unpublished colour photographs of Canada's disappearing traditional folk art. The authors' discovery of distinctive objects from across Canada inspired them to re-classify folk art, and to analyze and interpret their examples in 17 thematic chapters. The "aesthetic of the everyday" of Canada's material heritage is presented through paintings and carvings, quilts and rugs, tables and trade signs-just to mention a few. These traditional art forms of diverse community groups express a decorative cultural identity, documented through the unique lens of photographer James A. Chambers. Historians, curators, collectors, designers, and dealers, as well as anyone who appreciates material culture, will want to have this collection in their libraries.
Publisher: University of Alberta Press
ISBN: 9780888646309
Category : Art
Languages : en
Pages : 0
Book Description
Immerse yourself in more than 425 previously unpublished colour photographs of Canada's disappearing traditional folk art. The authors' discovery of distinctive objects from across Canada inspired them to re-classify folk art, and to analyze and interpret their examples in 17 thematic chapters. The "aesthetic of the everyday" of Canada's material heritage is presented through paintings and carvings, quilts and rugs, tables and trade signs-just to mention a few. These traditional art forms of diverse community groups express a decorative cultural identity, documented through the unique lens of photographer James A. Chambers. Historians, curators, collectors, designers, and dealers, as well as anyone who appreciates material culture, will want to have this collection in their libraries.
For Folk’s Sake
Author: Erin Morton
Publisher: McGill-Queen's Press - MQUP
ISBN: 077359986X
Category : Art
Languages : en
Pages : 424
Book Description
Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk’s Sake charts how woodcarvings and paintings by well-known and obscure self-taught makers - and their connection to handwork, local history, and place - fed the public’s nostalgia for a simpler past. The folk artists examined here range from the well-known self-taught painter Maud Lewis to the relatively anonymous woodcarvers Charles Atkinson, Ralph Boutilier, Collins Eisenhauer, and Clarence Mooers. These artists are connected by the ways in which their work fascinated those active in the contemporary Canadian art world at a time when modernism – and the art market that once sustained it – had reached a crisis. As folk art entered the public collection of the Art Gallery of Nova Scotia and the private collections of professors at the Nova Scotia College of Art and Design, it evolved under the direction of collectors and curators who sought it out according to a particular modernist aesthetic language. Morton engages national and transnational developments that helped to shape ideas about folk art to show how a conceptual category took material form. Generously illustrated, For Folk’s Sake interrogates the emotive pull of folk art and reconstructs the relationships that emerged between relatively impoverished self-taught artists, a new brand of middle-class collector, and academically trained professors and curators in Nova Scotia’s most important art institutions.
Publisher: McGill-Queen's Press - MQUP
ISBN: 077359986X
Category : Art
Languages : en
Pages : 424
Book Description
Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk’s Sake charts how woodcarvings and paintings by well-known and obscure self-taught makers - and their connection to handwork, local history, and place - fed the public’s nostalgia for a simpler past. The folk artists examined here range from the well-known self-taught painter Maud Lewis to the relatively anonymous woodcarvers Charles Atkinson, Ralph Boutilier, Collins Eisenhauer, and Clarence Mooers. These artists are connected by the ways in which their work fascinated those active in the contemporary Canadian art world at a time when modernism – and the art market that once sustained it – had reached a crisis. As folk art entered the public collection of the Art Gallery of Nova Scotia and the private collections of professors at the Nova Scotia College of Art and Design, it evolved under the direction of collectors and curators who sought it out according to a particular modernist aesthetic language. Morton engages national and transnational developments that helped to shape ideas about folk art to show how a conceptual category took material form. Generously illustrated, For Folk’s Sake interrogates the emotive pull of folk art and reconstructs the relationships that emerged between relatively impoverished self-taught artists, a new brand of middle-class collector, and academically trained professors and curators in Nova Scotia’s most important art institutions.
From the Heart
Author: Canadian Centre for Folk Culture Studies
Publisher: McClelland & Stewart
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Publisher: McClelland & Stewart
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Russian Folk Art
Author: Alison Hilton
Publisher: Indiana University Press
ISBN: 9780253327536
Category : Art
Languages : en
Pages : 410
Book Description
Russian Folk Art surveys the traditions, styles, and functions of the many objects made by Russian peasant artists and artisans. Placing the objects within the settings in which folk artists worked -- the peasant household, the village, and the local market -- Alison Hilton discusses the principal media artists employed and the items they produced, from dippers and goblets to clothing and window frames. Emphasizing the balance between time-honored forms and techniques and the creativity of individual artists, the book explores how images and designs helped to form a Russian esthetic identity in the 19th and 20th centuries. Abundantly illustrated with examples from Russian museums, Russian Folk Art is a treasure for anyone interested in Russian culture.
Publisher: Indiana University Press
ISBN: 9780253327536
Category : Art
Languages : en
Pages : 410
Book Description
Russian Folk Art surveys the traditions, styles, and functions of the many objects made by Russian peasant artists and artisans. Placing the objects within the settings in which folk artists worked -- the peasant household, the village, and the local market -- Alison Hilton discusses the principal media artists employed and the items they produced, from dippers and goblets to clothing and window frames. Emphasizing the balance between time-honored forms and techniques and the creativity of individual artists, the book explores how images and designs helped to form a Russian esthetic identity in the 19th and 20th centuries. Abundantly illustrated with examples from Russian museums, Russian Folk Art is a treasure for anyone interested in Russian culture.
Nova Scotia Folk Art
Author: Ray Cronin
Publisher:
ISBN: 9781771088343
Category : Art
Languages : en
Pages : 0
Book Description
There may be many folk artists in Canada, but there is only one integrated folk art scene: the one in Nova Scotia. Classic folk art is the work of artists who did not think of themselves as artists, who made art that they never considered to be art at all. There were no festivals, no galleries, and no touring exhibitions when they started--just a sign by the side of the road, a painted house, or colourful sculptures in the yard to attract the attention of passers-by. Today in Nova Scotia, contemporary folk art has become a distinct style, one which stresses individual creativity over collective utility. The maker, and their stories, is central to the appeal. Written by former Art Gallery of Nova Scotia curator Ray Cronin, Nova Scotia Folk Art features profiles of fifty artists--some obscure and some well known--from the first, second, and third waves of folk art. The list includes Barry Colpitts, Laura Kenney, Ralph Boutilier, Craig Naugler, Joseph Norris, and Maud Lewis. With more than 150 colour images, this illustrated guide explores the exhibitions, collections, and festivals that allowed a group of Nova Scotia artists to move their creations from the roadside to the museum, and in so doing to create its own genre: Nova Scotia Folk Art.
Publisher:
ISBN: 9781771088343
Category : Art
Languages : en
Pages : 0
Book Description
There may be many folk artists in Canada, but there is only one integrated folk art scene: the one in Nova Scotia. Classic folk art is the work of artists who did not think of themselves as artists, who made art that they never considered to be art at all. There were no festivals, no galleries, and no touring exhibitions when they started--just a sign by the side of the road, a painted house, or colourful sculptures in the yard to attract the attention of passers-by. Today in Nova Scotia, contemporary folk art has become a distinct style, one which stresses individual creativity over collective utility. The maker, and their stories, is central to the appeal. Written by former Art Gallery of Nova Scotia curator Ray Cronin, Nova Scotia Folk Art features profiles of fifty artists--some obscure and some well known--from the first, second, and third waves of folk art. The list includes Barry Colpitts, Laura Kenney, Ralph Boutilier, Craig Naugler, Joseph Norris, and Maud Lewis. With more than 150 colour images, this illustrated guide explores the exhibitions, collections, and festivals that allowed a group of Nova Scotia artists to move their creations from the roadside to the museum, and in so doing to create its own genre: Nova Scotia Folk Art.
Canadian Folk Art
Author: Michael S. Bird
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Joe Norris
Author: Bernard Riordon
Publisher: Fredericton, N.B. : Goose Lane Editions ; Halifax : Art Gallery of Nova Scotia
ISBN: 9780864923189
Category : Art
Languages : en
Pages : 151
Book Description
Goose Lane Editions and the Art Gallery of Nova Scotia have released the first comprehensive book on the art of Joe Norris, one of Canada's greatest folk artists. The book was published in conjunction with a major show of Norris's work which opened November 25, 2000 at the Art Gallery of Nova Scotia and toured the country through 2003. Joe Norris was one of Nova Scotia's greatest folk artists. He was born in Halifax, Nova Scotia, and lived in Lower Prospect, Halifax County. For much of his life, he worked as a fisherman and construction worker. At the age of 49, a severe heart attack forced him into retirement and, at the encouragement of a visiting nurse who provided him with materials and prodded him to do a little painting each day, he began to make pictures for himself and for friends. Joe Norris is probably best known for his brilliantly coloured scenes of the rocky coves of Nova Scotia, his paintings of seagulls (sitting on islands or sprinkled about the cove), his hot pink horizons, animals and ships, his paintings of winter night scenes, invariably (and appropriately) titled "Starry Night." His work appears on traditional canvas or panel, but also on picture frames, tables, rocking chairs, stools, chests of drawers, and even fireplace mantels. The cove scenes and seagull paintings of Joe Norris have become icons of Nova Scotia over the past quarter century and many people consider the artist to be a national treasure. During his lifetime, his work was represented by Houston North Galleries and the Mira Godard Gallery and is now included in many private and public collections, including the Canadian Museum of Civilization and the McMichael Collection. Joe Norris embodied the free and lively spirit of folk artists who work outside the mainstream, free of any preconceived notions of what art ought to be. His simple paintings arouse feelings of joy in all but the most jaded viewers and provide a window open to his tranquil, but captivating, kingdom by the sea. This tribute to Joe Norris chronicles his life and work in the little fishing village of Lower Prospect, Nova Scotia, twenty-five kilometres and a lifetime away from Halifax. The book features almost 100 colour reproductions of his paintings, a dozen or more documentary photographs, text by Bernard Riordon that places Joe Norris and his work within the context of North American folk art, and shorter essays by Chris Huntington, John Houston, and Philip Brooks.
Publisher: Fredericton, N.B. : Goose Lane Editions ; Halifax : Art Gallery of Nova Scotia
ISBN: 9780864923189
Category : Art
Languages : en
Pages : 151
Book Description
Goose Lane Editions and the Art Gallery of Nova Scotia have released the first comprehensive book on the art of Joe Norris, one of Canada's greatest folk artists. The book was published in conjunction with a major show of Norris's work which opened November 25, 2000 at the Art Gallery of Nova Scotia and toured the country through 2003. Joe Norris was one of Nova Scotia's greatest folk artists. He was born in Halifax, Nova Scotia, and lived in Lower Prospect, Halifax County. For much of his life, he worked as a fisherman and construction worker. At the age of 49, a severe heart attack forced him into retirement and, at the encouragement of a visiting nurse who provided him with materials and prodded him to do a little painting each day, he began to make pictures for himself and for friends. Joe Norris is probably best known for his brilliantly coloured scenes of the rocky coves of Nova Scotia, his paintings of seagulls (sitting on islands or sprinkled about the cove), his hot pink horizons, animals and ships, his paintings of winter night scenes, invariably (and appropriately) titled "Starry Night." His work appears on traditional canvas or panel, but also on picture frames, tables, rocking chairs, stools, chests of drawers, and even fireplace mantels. The cove scenes and seagull paintings of Joe Norris have become icons of Nova Scotia over the past quarter century and many people consider the artist to be a national treasure. During his lifetime, his work was represented by Houston North Galleries and the Mira Godard Gallery and is now included in many private and public collections, including the Canadian Museum of Civilization and the McMichael Collection. Joe Norris embodied the free and lively spirit of folk artists who work outside the mainstream, free of any preconceived notions of what art ought to be. His simple paintings arouse feelings of joy in all but the most jaded viewers and provide a window open to his tranquil, but captivating, kingdom by the sea. This tribute to Joe Norris chronicles his life and work in the little fishing village of Lower Prospect, Nova Scotia, twenty-five kilometres and a lifetime away from Halifax. The book features almost 100 colour reproductions of his paintings, a dozen or more documentary photographs, text by Bernard Riordon that places Joe Norris and his work within the context of North American folk art, and shorter essays by Chris Huntington, John Houston, and Philip Brooks.
Art Et Architecture Au Canada
Author: Loren Ruth Lerner
Publisher: University of Toronto Press
ISBN: 9780802058560
Category : Architecture
Languages : en
Pages : 1646
Book Description
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Publisher: University of Toronto Press
ISBN: 9780802058560
Category : Architecture
Languages : en
Pages : 1646
Book Description
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Canadian Reference Sources
Author: Mary E. Bond
Publisher: UBC Press
ISBN: 9780774805650
Category : Language Arts & Disciplines
Languages : en
Pages : 1102
Book Description
In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: UBC Press
ISBN: 9780774805650
Category : Language Arts & Disciplines
Languages : en
Pages : 1102
Book Description
In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR
Encyclopedia of American Folk Art
Author: Gerard C. Wertkin
Publisher: Routledge
ISBN: 1135956154
Category : Reference
Languages : en
Pages : 724
Book Description
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.
Publisher: Routledge
ISBN: 1135956154
Category : Reference
Languages : en
Pages : 724
Book Description
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.