A New History of American and Canadian Folk Music PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A New History of American and Canadian Folk Music PDF full book. Access full book title A New History of American and Canadian Folk Music by Dick Weissman. Download full books in PDF and EPUB format.
Author: Dick Weissman
Publisher: Bloomsbury Publishing USA
ISBN: 1501344161
Category : Music
Languages : en
Pages : 345
Get Book Here
Book Description
Building on his 2006 book, Which Side Are You On?, Dick Weissman's A New History of American and Canadian Folk Music presents a provocative discussion of the history, evolution, and current status of folk music in the United States and Canada. North American folk music achieved a high level of popular acceptance in the late 1950s. When it was replaced by various forms of rock music, it became a more specialized musical niche, fragmenting into a proliferation of musical styles. In the pop-folk revival of the 1960s, artists were celebrated or rejected for popularizing the music to a mass audience. In particular the music seemed to embrace a quest for authenticity, which has led to endless explorations of what is or is not faithful to the original concept of traditional music. This book examines the history of folk music into the 21st century and how it evolved from an agrarian style as it became increasingly urbanized. Scholar-performer Dick Weissman, himself a veteran of the popularization wars, is uniquely qualified to examine the many controversies and musical evolutions of the music, including a detailed discussion of the quest for authenticity, and how various musicians, critics, and fans have defined that pursuit.
Author: Dick Weissman
Publisher: Bloomsbury Publishing USA
ISBN: 1501344161
Category : Music
Languages : en
Pages : 345
Get Book Here
Book Description
Building on his 2006 book, Which Side Are You On?, Dick Weissman's A New History of American and Canadian Folk Music presents a provocative discussion of the history, evolution, and current status of folk music in the United States and Canada. North American folk music achieved a high level of popular acceptance in the late 1950s. When it was replaced by various forms of rock music, it became a more specialized musical niche, fragmenting into a proliferation of musical styles. In the pop-folk revival of the 1960s, artists were celebrated or rejected for popularizing the music to a mass audience. In particular the music seemed to embrace a quest for authenticity, which has led to endless explorations of what is or is not faithful to the original concept of traditional music. This book examines the history of folk music into the 21st century and how it evolved from an agrarian style as it became increasingly urbanized. Scholar-performer Dick Weissman, himself a veteran of the popularization wars, is uniquely qualified to examine the many controversies and musical evolutions of the music, including a detailed discussion of the quest for authenticity, and how various musicians, critics, and fans have defined that pursuit.
Author: Keith Campbell MacMillan
Publisher: Markham, Ont. : Penguin Books Canada
ISBN:
Category : Music
Languages : en
Pages : 240
Get Book Here
Book Description
82 folkesange.
Author: Peter Unwin
Publisher: Dundurn
ISBN: 1459710282
Category : Biography & Autobiography
Languages : en
Pages : 233
Get Book Here
Book Description
A collection of lives and stories that provides a fascinating look at the eminent and no so eminent characters who came before us and left their colourful mark on Canada’s history.
Author: Gillian Mitchell
Publisher: Routledge
ISBN: 1317022505
Category : Music
Languages : en
Pages : 259
Get Book Here
Book Description
This work represents the first comparative study of the folk revival movement in Anglophone Canada and the United States and combines this with discussion of the way folk music intersected with, and was structured by, conceptions of national affinity and national identity. Based on original archival research carried out principally in Toronto, Washington and Ottawa, it is a thematic, rather than general, study of the movement which has been influenced by various academic disciplines, including history, musicology and folklore. Dr Gillian Mitchell begins with an introduction that provides vital context for the subject by tracing the development of the idea of 'the folk', folklore and folk music since the nineteenth century, and how that idea has been applied in the North American context, before going on to examine links forged by folksong collectors, artists and musicians between folk music and national identity during the early twentieth century. With the 'boom' of the revival in the early sixties came the ways in which the movement in both countries proudly promoted a vision of nation that was inclusive, pluralistic and eclectic. It was a vision which proved compatible with both Canada and America, enabling both countries to explore a diversity of music without exclusiveness or narrowness of focus. It was also closely linked to the idealism of the grassroots political movements of the early 1960s, such as integrationist civil rights, and the early student movement. After 1965 this inclusive vision of nation in folk music began to wane. While the celebrations of the Centennial in Canada led to a re-emphasis on the 'Canadianness' of Canadian folk music, the turbulent events in the United States led many ex-revivalists to turn away from politics and embrace new identities as introspective singer-songwriters. Many of those who remained interested in traditional folk music styles, such as Celtic or Klezmer music, tended to be very insular and conservative in their approach, rather than linking their chosen genre to a wider world of folk music; however, more recent attempts at 'fusion' or 'world' music suggest a return to the eclectic spirit of the 1960s folk revival. Thus, from 1945 to 1980, folk music in Canada and America experienced an evolving and complex relationship with the concepts of nation and national identity. Students will find the book useful as an introduction, not only to key themes in the folk revival, but also to concepts in the study of national identity and to topics in American and Canadian cultural history. Academic specialists will encounter an alternative perspective from the more general, broad approach offered by earlier histories of the folk revival movement.
Author: Roy W. Gibbons
Publisher: University of Ottawa Press
ISBN: 1772823414
Category : Music
Languages : en
Pages : 135
Get Book Here
Book Description
A selection of thirty-two traditional fiddle tunes transcribed from tapes with commentary concerning the tunes’ melody, performers, and annotations. An analysis of the ten extant versions of “La grande gigue simple” and the ten versions of its derivative “Red River Jig” are also provided.
Author: Carmen Roy
Publisher: University of Ottawa Press
ISBN: 177282318X
Category : History
Languages : en
Pages : 54
Get Book Here
Book Description
A summary of activities of the Canadian Centre for Folk Culture Studies in 1973.
Author: John Michael Glofcheskie
Publisher: University of Ottawa Press
ISBN: 276032415X
Category : Music
Languages : en
Pages : 100
Get Book Here
Book Description
A field collection of the repertoire of song and dance music of the Polish-Canadians of Renfrew County, Ontario, and a discussion of its function in their daily lives. / Échantillon du répertoire musical des Canadiens polonais du comté de Renfrew, Ontario, et l’amorce d’une discussion sur sa fonction au sein de la communauté.
Author: John A. Fleming
Publisher: University of Alberta
ISBN: 9780888644183
Category : Art
Languages : en
Pages : 188
Get Book Here
Book Description
With over 100 colour photographs, Folk Furniture of Canada's Doukhobors, Hutterites, Mennonites and Ukrainians offers a stunning visual record of the culture and values of these four ethno-cultural groups. Authors John Fleming and Michael Rowan take an interpretive approach to the importance of folk furniture and its intimate ties to people's values and beliefs. Photographer James Chambers beautifully captures both representative and exceptional artifacts, from large furniture items such as storage chests, benches, cradles, and tables, to small kitchen items including spoons, breadboxes, and cookie cutters.
Author: Anna Hoefnagels
Publisher: Cambridge Scholars Publishing
ISBN: 1527566382
Category : Music
Languages : en
Pages : 285
Get Book Here
Book Description
Folk Music, Traditional Music, Ethnomusicology: Canadian Perspectives, Past and Present features the proceedings of the Fiftieth Annual Conference of the Canadian Society for Traditional Music / La Société Canadienne pour les Traditions Musicales (formerly the Canadian Folk Music Society / La Société canadienne de musique folklorique) that took place in November, 2006 in Ottawa at Carleton University and the Canadian Museum of Civilization. This publication showcases the diversity of music research currently being conducted by folk and traditional music specialists, ethnomusicologists, and practicing musicians in Canada. The papers are organized in five sections according to common themes in contemporary research in ethnomusicology and folk music studies, and each section is preceded by a short introduction which highlights the section’s theme(s) as well as the individual papers. Folk Music, Traditional Music, Ethnomusicology: Canadian Perspectives, Past and Present confirms the rich history of the Canadian Society for Traditional Music, a history that comprises enormous changes in scholarly research, musical practice, emergent technologies, changes in doing fieldwork, and shifting identity boundaries over the past fifty years. This volume is intended as a contribution to published literature on ethnomusicological and folklore research in Canada, creating a new resource of historical, contemporary, and scholarly relevance that will appeal to academics and music enthusiasts alike. "Canadian ethnomusicologists' expertise in the realm of First Nations musics, and Anglo, Celtic and French folksong repertories is already well established. This volume shows us the breadth of cultural territory with which 21st-century Canadian scholars of music and scholars of Canadian musics are now engaged, as well as their theoretical and methodological sophistication. " —Kati Szego, School of Music, Memorial University
Author: David Dicaire
Publisher: McFarland
ISBN: 0786457376
Category : Music
Languages : en
Pages : 253
Get Book Here
Book Description
This history of folk music looks at musicians, collectors and other figures from around the world. The book presents an overview of international folk roots and shows the contributions of the artists and the evolution of folk music as a force for political and social change. Profiles of Pete Seeger, Burl Ives, Woody Guthrie and others show how the stage was set for the American folk revival of the 1960s.
