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Author: Ted Magder
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
"The development of the feature film industry in Canada has been uncertain and difficult, with problems usually attributed to the country's small population and US domination of the movie industry. Ted Magder goes beyond these obvious influences in his examination of Canada's state policies as they affected the production of Canadian feature films from the First World War to the present. He presents a study focusing on the interplay between government policy and the dynamics of the industry, and undertakes an examination of cultural dependency in Canada. State policies, Magder points out, are related to domestic forces that impinge upon and set limits to policy decisions and their implementation." "In the immediate postwar period, the tone for much of Canada's cultural policies was set by the National Film Board and the recommendations of the Massey Commission. Members of both organizations expressed distaste for films designed to entertain and deemed feature filmmaking unworthy of support. A change of heart took place in the watershed year of 1967 with the passing of the Canadian Film Development Corporation Act, when Canadians finally entered the business of feature film production. Magder considers how this came to pass, what had changed within the industry itself to make feature film production viable, and why the state changed its position from one of neglect to one of support. In the last five chapters, he examines the contradictions and limitations that have bedevilled Canadian feature film production over the last two decades." "In his conclusion, Magder proposes that both the notion of cultural dependency and the goal of public support for cultural production to express national identity need to be re-examined."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Ted Magder
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 360
Get Book Here
Book Description
"The development of the feature film industry in Canada has been uncertain and difficult, with problems usually attributed to the country's small population and US domination of the movie industry. Ted Magder goes beyond these obvious influences in his examination of Canada's state policies as they affected the production of Canadian feature films from the First World War to the present. He presents a study focusing on the interplay between government policy and the dynamics of the industry, and undertakes an examination of cultural dependency in Canada. State policies, Magder points out, are related to domestic forces that impinge upon and set limits to policy decisions and their implementation." "In the immediate postwar period, the tone for much of Canada's cultural policies was set by the National Film Board and the recommendations of the Massey Commission. Members of both organizations expressed distaste for films designed to entertain and deemed feature filmmaking unworthy of support. A change of heart took place in the watershed year of 1967 with the passing of the Canadian Film Development Corporation Act, when Canadians finally entered the business of feature film production. Magder considers how this came to pass, what had changed within the industry itself to make feature film production viable, and why the state changed its position from one of neglect to one of support. In the last five chapters, he examines the contradictions and limitations that have bedevilled Canadian feature film production over the last two decades." "In his conclusion, Magder proposes that both the notion of cultural dependency and the goal of public support for cultural production to express national identity need to be re-examined."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Pierre Berton
Publisher: McClelland & Stewart
ISBN:
Category : History
Languages : en
Pages : 312
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Book Description
Between 1907 and 1975, Hollywood movie-makers made 575 movies specifically set (although not usually filmed) in Canada. That statistic will startle those Canadians who have been told that foreign audiences won't sit still for a film about their country. As Pierre Berton points out in this explosive, tragic, and often funny book, the opposite is true. Movies about Canada have been making money in international markets for half a century. But the Canada that has been shown to the world is very different from the real Canada; and the Canadian image - now firmly fixed in the minds of three generations of moviegoers - is a caricature of the real thing. If Canadians have no sense of their own identity, it is partly because American movie-makers have distorted and blurred that identity. And if foreigners think of this country as a land of snowswept forests and mountains, devoid of larger cities and peopled by happy-go-lucky French-Canadians, wicked half-breeds, wild trappers and loggers, savage Indians and , above all, grim-jawed Mounties - that's because Hollywood has pictured us that way. -- Jacket flap.
Author: Loren R. Lerner
Publisher: University of Toronto Press
ISBN: 0802029884
Category : Reference
Languages : en
Pages : 1862
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Book Description
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
Author: George Melnyk
Publisher: University of Toronto Press
ISBN: 9780802084446
Category : Performing Arts
Languages : en
Pages : 378
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Book Description
Melnyk argues passionately that Canadian cinema has never been a singular entity, but has continued to speak in the languages and in the voices of Canada's diverse population.
Author: Janine Marchessault
Publisher: Oxford University Press
ISBN: 019022911X
Category : Performing Arts
Languages : en
Pages : 506
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Book Description
The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.
Author: Chris Gittings
Publisher: Routledge
ISBN: 1134764855
Category : Social Science
Languages : en
Pages : 354
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Book Description
Canadian National Cinema explores the idea of the nation across Canada's film history, from early films of colonisation and white settlement such as The Wheatfields of Canada and Back to God's Country, to recent films like Nô, LE ConfessionalMon Oncle Antoine, Grey Fox, Highway 61, Kanehsatake, and I've Heard the Mermaids Singing.
Author: Michael Dorland
Publisher: James Lorimer & Company
ISBN: 9781550284942
Category : History
Languages : en
Pages : 396
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Book Description
Contents: Part I: Print Industries Book Publishing, Rowland Lorimer Periodical Publishing, Lon Dubinsky Newspaper Publishing, Christopher Dornan Part II: Sound Industries Sound Recording,
Author: Gorham Anders Kindem
Publisher: SIU Press
ISBN: 9780809322992
Category : Business & Economics
Languages : en
Pages : 436
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Book Description
A comprehensive history of the international movie industry during the 20th century. Essays examine the film industries of 19 countries focusing on individual national movie industries' economic, social, aesthetic, technological and political/ideological development within an international context.
Author: Ian Charles Jarvie
Publisher: Cambridge University Press
ISBN: 9780521415668
Category : History
Languages : en
Pages : 508
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Book Description
Hollywood's Overseas Campaign: The North Atlantic Movie Trade, 1920-1950 examines how Hollywood movies became one of the most successful U.S. exports, a phenomenon that began during World War I. Focusing on Canada, the market closest to the United States, on Great Britain, the biggest market, and on the U.S. movie industry itself, Ian Jarvie documents how fear of this mass medium's impact and covetousness toward its profits motivated many nations to resist the cultural invasion and economic drain that Hollywood movies represented.
Author: Manjunath Pendakur
Publisher: Wayne State University Press
ISBN: 9780814319994
Category : Business & Economics
Languages : en
Pages : 340
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Book Description
A history of the Canadian film industry from its inception to 1980s, providing a chronological record of the conflicting priorities between American capital, which seeks to shape the Canadian film industry to its own image, and Canada's stated goal, which is to serve the Canadian people with films autonomously conceived, produced, and exhibited.
