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Author: Pierre Berton
Publisher: McClelland & Stewart
ISBN:
Category : History
Languages : en
Pages : 312
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Book Description
Between 1907 and 1975, Hollywood movie-makers made 575 movies specifically set (although not usually filmed) in Canada. That statistic will startle those Canadians who have been told that foreign audiences won't sit still for a film about their country. As Pierre Berton points out in this explosive, tragic, and often funny book, the opposite is true. Movies about Canada have been making money in international markets for half a century. But the Canada that has been shown to the world is very different from the real Canada; and the Canadian image - now firmly fixed in the minds of three generations of moviegoers - is a caricature of the real thing. If Canadians have no sense of their own identity, it is partly because American movie-makers have distorted and blurred that identity. And if foreigners think of this country as a land of snowswept forests and mountains, devoid of larger cities and peopled by happy-go-lucky French-Canadians, wicked half-breeds, wild trappers and loggers, savage Indians and , above all, grim-jawed Mounties - that's because Hollywood has pictured us that way. -- Jacket flap.
Author: Pierre Berton
Publisher: McClelland & Stewart
ISBN:
Category : History
Languages : en
Pages : 312
Get Book Here
Book Description
Between 1907 and 1975, Hollywood movie-makers made 575 movies specifically set (although not usually filmed) in Canada. That statistic will startle those Canadians who have been told that foreign audiences won't sit still for a film about their country. As Pierre Berton points out in this explosive, tragic, and often funny book, the opposite is true. Movies about Canada have been making money in international markets for half a century. But the Canada that has been shown to the world is very different from the real Canada; and the Canadian image - now firmly fixed in the minds of three generations of moviegoers - is a caricature of the real thing. If Canadians have no sense of their own identity, it is partly because American movie-makers have distorted and blurred that identity. And if foreigners think of this country as a land of snowswept forests and mountains, devoid of larger cities and peopled by happy-go-lucky French-Canadians, wicked half-breeds, wild trappers and loggers, savage Indians and , above all, grim-jawed Mounties - that's because Hollywood has pictured us that way. -- Jacket flap.
Author: Ted Magder
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
"The development of the feature film industry in Canada has been uncertain and difficult, with problems usually attributed to the country's small population and US domination of the movie industry. Ted Magder goes beyond these obvious influences in his examination of Canada's state policies as they affected the production of Canadian feature films from the First World War to the present. He presents a study focusing on the interplay between government policy and the dynamics of the industry, and undertakes an examination of cultural dependency in Canada. State policies, Magder points out, are related to domestic forces that impinge upon and set limits to policy decisions and their implementation." "In the immediate postwar period, the tone for much of Canada's cultural policies was set by the National Film Board and the recommendations of the Massey Commission. Members of both organizations expressed distaste for films designed to entertain and deemed feature filmmaking unworthy of support. A change of heart took place in the watershed year of 1967 with the passing of the Canadian Film Development Corporation Act, when Canadians finally entered the business of feature film production. Magder considers how this came to pass, what had changed within the industry itself to make feature film production viable, and why the state changed its position from one of neglect to one of support. In the last five chapters, he examines the contradictions and limitations that have bedevilled Canadian feature film production over the last two decades." "In his conclusion, Magder proposes that both the notion of cultural dependency and the goal of public support for cultural production to express national identity need to be re-examined."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Ian Charles Jarvie
Publisher: Cambridge University Press
ISBN: 9780521415668
Category : History
Languages : en
Pages : 508
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Book Description
Hollywood's Overseas Campaign: The North Atlantic Movie Trade, 1920-1950 examines how Hollywood movies became one of the most successful U.S. exports, a phenomenon that began during World War I. Focusing on Canada, the market closest to the United States, on Great Britain, the biggest market, and on the U.S. movie industry itself, Ian Jarvie documents how fear of this mass medium's impact and covetousness toward its profits motivated many nations to resist the cultural invasion and economic drain that Hollywood movies represented.
Author: George Melnyk
Publisher: University of Toronto Press
ISBN: 9780802084446
Category : Performing Arts
Languages : en
Pages : 378
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Book Description
Melnyk argues passionately that Canadian cinema has never been a singular entity, but has continued to speak in the languages and in the voices of Canada's diverse population.
Author: Mike Gasher
Publisher: UBC Press
ISBN: 9780774809689
Category : Art
Languages : en
Pages : 188
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Book Description
British Columbia’s billion-dollar film industry trails behind only those of California and New York. This book recounts the story of British Columbia’s rapid rise from relative obscurity in the film world to its current status as " Hollywood North." Gasher positions the industry as a model for commercial film production in the twenty-first century -- one strongly shaped by a perception of cinema as a medium, not of culture, but of regional industrial development. He addresses the specific economic and geographic factors that contribute to the province’s success, such as the low Canadian dollar and BC’s proximity to Los Angeles. Hollywood North is an important book that brings into focus the tension between globalization and localization in the film industry.
Author: Eugene P. Walz
Publisher: Rodopi
ISBN: 9789042015982
Category : Motion pictures
Languages : en
Pages : 424
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Book Description
Long recognized for outstanding National Film Board documentaries and innovative animated movies, Canada has recently emerged from the considerable shadow of the Hollywood elephant with a series of feature films that have captured the attention of audiences around the world. This is the first anthology to focus on Canada's feature films - those acknowledged as its very best. With essays by senior academics and leading scholars from across the country as well as some fresh new voices, Canada's Best Features offers penetrating analyses of fifteen award-winning films. Internationally acclaimed directors David Cronenberg, Atom Egoyan, Denys Arcand, and Claude Jutra are represented here. Noteworthy films include Mon oncle Antoine, often cited as Canada's number one film of all time, such Cannes Festival favourites as Le déclin de l'empire américain and Exotica, and cult films Careful by Guy Maddin and Masala by Srinivas Krishna. The essays offer the latest word on these films and filmmakers, done from a variety of perspectives. Some of the films have never been examined in-depth before. Complete filmographies and bibliographies accompany each essay. A contextualizing introduction by Professor Gene Walz provides the necessary overview. An annotated bibliography of books on the Canadian film industry completes this impressive package.
Author: Ryan Edwardson
Publisher: University of Toronto Press
ISBN: 1442692421
Category : History
Languages : en
Pages : 381
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Book Description
A nation is given shape in large part through the cultural activities of its builders. Historically, nationalists have turned to the arts and media to articulate and institute a sense of unique national identity. This was certainly true of Canada in the twentieth century. Canadian Content explores ways in which nationhood was defined and pursued through cultural means in Canada throughout the last century. As a framework for the study, Ryan Edwardson distinguishes between three phases of Canadianization: support for the arts and cultured mass media during the colony-to-nation transition; the 'new nationalist' empowerment of multi-brow culture and the call for state intervention in the mid-1960s and 1970s; and the 'cultural industrialism' initiated by the federal government under Pierre Trudeau in 1968. Examining each phase in its turn, Canadian Content looks at Canada as an ongoing postcolonial process of not one but a series of radically different nationhoods, each with its own valued but tentative set of cultural criteria for orchestrating and implementing a Canadian national experience. Considering the relationship between culture and national identity, this study offers an idea of what it means to be Canadian, and suggests just how adaptable, problematic, and ongoing the pursuit of nationhood can be.
Author: Wallace Clement
Publisher: McGill-Queen's Press - MQUP
ISBN: 077351502X
Category : Canada
Languages : en
Pages : 418
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Book Description
The new Canadian political economy has emerged from its infancy and is now regarded as a respected and innovative field of scholarship. Understanding Canada furthers this tradition by focusing on current issues in an accessible and informative way.
Author: Gorham Anders Kindem
Publisher: SIU Press
ISBN: 9780809322992
Category : Business & Economics
Languages : en
Pages : 436
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Book Description
A comprehensive history of the international movie industry during the 20th century. Essays examine the film industries of 19 countries focusing on individual national movie industries' economic, social, aesthetic, technological and political/ideological development within an international context.
Author: Peter Morris
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773503236
Category : Performing Arts
Languages : en
Pages : 372
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Book Description
Embattled Shadows is the first and only history of Canadian film making in the years before the establishment of the National Film Board of Canada in 1939. It begins with an entertaining account of the travelling showmen who brought the movies to large and small communities across the country, and discusses the films produced in Canada before World War I. In the atmosphere of heightened nationalism during and after the war there was a determined attempt to establish a film industry. Peter Morris chronicles its occasional successes while, at the same time, examining the reasons behind its ultimate failure -- using the colourful career of the independent producer Ernest Shipman ("Ten Percent Ernie") as a particular reference. He goes on to describe the establishment and eventual collapse of both the federal and Ontario governments' Motion Picture Bureaus. By the Thirties, with the connivance of the Canadian government, Canadian feature film production had deteriorated to the point of turning out "quota" films from the Hollywood mould.
