Author: John Gruen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 368
Book Description
From fantastical beginnings - his mother went into labour while gambling at a French casino - to escaping Nazi Germany and Fascist Italy and ultimately conquering New York City, John Gruen's life has been anything but ordinary. As a boy unable to speak a single word of English, Gruen was determined to make it in America. Anxious to learn about his adopted country, Gruen ventured to the midwest to attend Iowa University, emerging five years later as a fully Americanised graduate student on his way to a PhD. Here is a subtly revealing self-portrait of a truly remarkable man.
Callas Kissed Me...Lenny Too!
Author: John Gruen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 368
Book Description
From fantastical beginnings - his mother went into labour while gambling at a French casino - to escaping Nazi Germany and Fascist Italy and ultimately conquering New York City, John Gruen's life has been anything but ordinary. As a boy unable to speak a single word of English, Gruen was determined to make it in America. Anxious to learn about his adopted country, Gruen ventured to the midwest to attend Iowa University, emerging five years later as a fully Americanised graduate student on his way to a PhD. Here is a subtly revealing self-portrait of a truly remarkable man.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 368
Book Description
From fantastical beginnings - his mother went into labour while gambling at a French casino - to escaping Nazi Germany and Fascist Italy and ultimately conquering New York City, John Gruen's life has been anything but ordinary. As a boy unable to speak a single word of English, Gruen was determined to make it in America. Anxious to learn about his adopted country, Gruen ventured to the midwest to attend Iowa University, emerging five years later as a fully Americanised graduate student on his way to a PhD. Here is a subtly revealing self-portrait of a truly remarkable man.
The Callas Imprint: A Centennial Biography
Author: Sophia Lambton
Publisher: The Crepuscular Press
ISBN: 1739286340
Category : Music
Languages : en
Pages : 676
Book Description
Coating opera's roles in opulence, Maria Callas (1923-1977) is a lyrical enigma. Seductress, villainess, and victor, queen and crouching slave, she is a gallery of guises instrumentalists would kill to engineer… made by a single voice. But while her craftsmanship has stood the test of time, Callas’ image has contested defamation at the hands of saboteurs of beauty. Twelve years in the making, this voluminous labour of love explores the singer with the reverence she dealt her heroines. The Callas Imprint: A Centennial Biography reaps never-before-seen correspondence and archival documents worldwide to illustrate the complex of their multi-faceted creator - closing in on her self-contradictions, self-descriptions, attitudes and habits with empathic scrutiny. It swivels readers through the singer's on- and offstage scenes and flux of fears and dreams... the double life of all performers. In its unveiling of the everyday it rolls a vivid film reel starring friends and foes and nobodies: vignettes that make up life. It's verity. It's meritable storytelling. Not unlike the Callas art.
Publisher: The Crepuscular Press
ISBN: 1739286340
Category : Music
Languages : en
Pages : 676
Book Description
Coating opera's roles in opulence, Maria Callas (1923-1977) is a lyrical enigma. Seductress, villainess, and victor, queen and crouching slave, she is a gallery of guises instrumentalists would kill to engineer… made by a single voice. But while her craftsmanship has stood the test of time, Callas’ image has contested defamation at the hands of saboteurs of beauty. Twelve years in the making, this voluminous labour of love explores the singer with the reverence she dealt her heroines. The Callas Imprint: A Centennial Biography reaps never-before-seen correspondence and archival documents worldwide to illustrate the complex of their multi-faceted creator - closing in on her self-contradictions, self-descriptions, attitudes and habits with empathic scrutiny. It swivels readers through the singer's on- and offstage scenes and flux of fears and dreams... the double life of all performers. In its unveiling of the everyday it rolls a vivid film reel starring friends and foes and nobodies: vignettes that make up life. It's verity. It's meritable storytelling. Not unlike the Callas art.
Working with Bernstein
Author: Jack Gottlieb
Publisher: Hal Leonard Corporation
ISBN: 1574671863
Category : Biography & Autobiography
Languages : en
Pages : 389
Book Description
Early on, critics often were distracted by the Maestro's dancelike style as a conductor.... But he always protested that he was not aware of it during the performance. His podium manner had to be a burning need to communicate the composer's thought processes to both orchestra and audience, whatever the physicality it took to make it manifest. At times it was as if he were-in the title of one of his songs from On the Town-"Carried Away." One is reminded of words from Psalm 35:
Publisher: Hal Leonard Corporation
ISBN: 1574671863
Category : Biography & Autobiography
Languages : en
Pages : 389
Book Description
Early on, critics often were distracted by the Maestro's dancelike style as a conductor.... But he always protested that he was not aware of it during the performance. His podium manner had to be a burning need to communicate the composer's thought processes to both orchestra and audience, whatever the physicality it took to make it manifest. At times it was as if he were-in the title of one of his songs from On the Town-"Carried Away." One is reminded of words from Psalm 35:
Walker's Way
Author: Isabelle Storey
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 304
Book Description
Isabelle Storey's memoir of her 10-year marriage to Walker Evans. The story of an elegant young woman's infatuation with a great American artist - with the man himself, with what he stood for aesthetically and with his artistic and social circle and how her initial passion gradually cooled into disenchantment. In candid, poignant narrative, which draws on the couple's correspondence, Isabelle describes how their marriage grew more formal, cooler and eventually failed altogether as Isabelle felt compelled to move on.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 304
Book Description
Isabelle Storey's memoir of her 10-year marriage to Walker Evans. The story of an elegant young woman's infatuation with a great American artist - with the man himself, with what he stood for aesthetically and with his artistic and social circle and how her initial passion gradually cooled into disenchantment. In candid, poignant narrative, which draws on the couple's correspondence, Isabelle describes how their marriage grew more formal, cooler and eventually failed altogether as Isabelle felt compelled to move on.
Schapiro's Heroes
Author:
Publisher: powerHouse Books
ISBN:
Category : Portrait photography
Languages : en
Pages : 258
Book Description
An extraordinary collection of behind-the-scenes photographs of famous people including Muhammad Ali, Robert Kennedy, Andy Warhol, Martin Luther King Jr, Jackie O, Barbra Streisand and Truman Capote, from celebrated documentarian Steve Schapiro. A rare and intimate glimpse of a major period of American history, photographed during the golden age of photojournalism.
Publisher: powerHouse Books
ISBN:
Category : Portrait photography
Languages : en
Pages : 258
Book Description
An extraordinary collection of behind-the-scenes photographs of famous people including Muhammad Ali, Robert Kennedy, Andy Warhol, Martin Luther King Jr, Jackie O, Barbra Streisand and Truman Capote, from celebrated documentarian Steve Schapiro. A rare and intimate glimpse of a major period of American history, photographed during the golden age of photojournalism.
Merce Cunningham Redux
Author: James Klosty
Publisher: powerHouse Books
ISBN: 9781576879429
Category : Photography
Languages : en
Pages : 0
Book Description
James Klosty'sMerce Cunninghamwas the first book ever published about Cunningham. It appeared in 1975 and was republished in 1986. Now, for the 100th anniversary of Cunningham's birth, it is reincarnated for a twenty-first-century audience in duotone printing, redesignedand completely reimagined with an additional 140pages of photographs, many published never before. In the years since their passing, the historical importance of the partnership of John Cage and Merce Cunningham has grown to the point where no consideration of avant-garde art, music, and dance in America makes sense if Cunningham and Cage are not posited, serene and smiling, at the wellspring of its inspiration. This is true not only in America but around the globe as well. Art does not exist in a vacuum and neither did Cunningham and Cage. Painters such as Robert Rauschenberg, Jasper Johns, Andy Warhol, Frank Stella, and Robert Morris, and composers such as Earle Brown, Christian Wolff, Morton Feldman, David Tudor, and Pauline Oliveros joined the endeavor. Jasper Johns slyly lured Marcel Duchamp into allowing his iconic Large Glass to be used as decor for a Cunningham dance. Cunningham repeatedly invited Erik Satie (without Satie's permission) into his musical family. This seemingly haphazard association of innovative artists served as the nearest thing America could offer in counterbalance to Diaghilev and his Ballets Russes. In addition to Klosty's photographs of the artists, composers, and dancers;and the dances themselves, both in rehearsal and performance; the book contains texts from Cunningham's associates including John Cage, Jasper Johns, Robert Rauschenberg, Carolyn Brown, Paul Taylor, Lincoln Kirstein, Edwin Denby, and a dozen others.
Publisher: powerHouse Books
ISBN: 9781576879429
Category : Photography
Languages : en
Pages : 0
Book Description
James Klosty'sMerce Cunninghamwas the first book ever published about Cunningham. It appeared in 1975 and was republished in 1986. Now, for the 100th anniversary of Cunningham's birth, it is reincarnated for a twenty-first-century audience in duotone printing, redesignedand completely reimagined with an additional 140pages of photographs, many published never before. In the years since their passing, the historical importance of the partnership of John Cage and Merce Cunningham has grown to the point where no consideration of avant-garde art, music, and dance in America makes sense if Cunningham and Cage are not posited, serene and smiling, at the wellspring of its inspiration. This is true not only in America but around the globe as well. Art does not exist in a vacuum and neither did Cunningham and Cage. Painters such as Robert Rauschenberg, Jasper Johns, Andy Warhol, Frank Stella, and Robert Morris, and composers such as Earle Brown, Christian Wolff, Morton Feldman, David Tudor, and Pauline Oliveros joined the endeavor. Jasper Johns slyly lured Marcel Duchamp into allowing his iconic Large Glass to be used as decor for a Cunningham dance. Cunningham repeatedly invited Erik Satie (without Satie's permission) into his musical family. This seemingly haphazard association of innovative artists served as the nearest thing America could offer in counterbalance to Diaghilev and his Ballets Russes. In addition to Klosty's photographs of the artists, composers, and dancers;and the dances themselves, both in rehearsal and performance; the book contains texts from Cunningham's associates including John Cage, Jasper Johns, Robert Rauschenberg, Carolyn Brown, Paul Taylor, Lincoln Kirstein, Edwin Denby, and a dozen others.
Vincent Persichetti
Author: Andrea Olmstead
Publisher: Rowman & Littlefield
ISBN: 1538118092
Category : Music
Languages : en
Pages : 520
Book Description
Vincent Persichetti: Grazioso, Grit, and Gold is the first critical biography of the esteemed American composer, bringing together scholarly work and short contributed essays of prominent performers. Andrea Olmstead weaves a captivating narrative of the composer from his early life to his musical activities at Juilliard and death in 1987.
Publisher: Rowman & Littlefield
ISBN: 1538118092
Category : Music
Languages : en
Pages : 520
Book Description
Vincent Persichetti: Grazioso, Grit, and Gold is the first critical biography of the esteemed American composer, bringing together scholarly work and short contributed essays of prominent performers. Andrea Olmstead weaves a captivating narrative of the composer from his early life to his musical activities at Juilliard and death in 1987.
Women in American Operas of The 1950s
Author: Monica A. Hershberger
Publisher: Boydell & Brewer
ISBN: 1648250610
Category : Music
Languages : en
Pages : 239
Book Description
The first feminist analysis of some of the most performed works in the American-opera canon, emphasizing the voices and perspectives of the sopranos who brought these operas to life. In the 1950s, composers and librettists in the United States were busy seeking to create an opera repertory that would be deeply responsive to American culture and American concerns. They did not break free, however, of the age-old paradigm so typically expressed in European opera: that is, of women as either saintly and pure or sexually corrupt, with no middle ground. As a result, in American opera of the 1950s, women risked becoming once again opera's inevitable victims. Yet the sopranos who were tasked with portraying these paragons of virtue and their opposites did not always take them as their composers and librettists made them. Sometimes they rewrote, through their performances, the roles they had been assigned. Sometimes they used their lived experiences to invest greater authenticity in the roles. With chapters on The Tender Land, Susannah, The Ballad of Baby Doe, and Lizzie Borden, this book analyzes some of the most performed yet understudied works in the American-opera canon. It acknowledges Catherine Clément's famous description of opera as "the undoing of women," while at the same time illuminating how singers like Beverly Sills and Phyllis Curtin worked to resist such undoing, years before the official resurgence of the American feminist movement. In short, they ended up helping to dismantle powerful gendered stereotypes that had often reigned unquestioned in opera houses until then.
Publisher: Boydell & Brewer
ISBN: 1648250610
Category : Music
Languages : en
Pages : 239
Book Description
The first feminist analysis of some of the most performed works in the American-opera canon, emphasizing the voices and perspectives of the sopranos who brought these operas to life. In the 1950s, composers and librettists in the United States were busy seeking to create an opera repertory that would be deeply responsive to American culture and American concerns. They did not break free, however, of the age-old paradigm so typically expressed in European opera: that is, of women as either saintly and pure or sexually corrupt, with no middle ground. As a result, in American opera of the 1950s, women risked becoming once again opera's inevitable victims. Yet the sopranos who were tasked with portraying these paragons of virtue and their opposites did not always take them as their composers and librettists made them. Sometimes they rewrote, through their performances, the roles they had been assigned. Sometimes they used their lived experiences to invest greater authenticity in the roles. With chapters on The Tender Land, Susannah, The Ballad of Baby Doe, and Lizzie Borden, this book analyzes some of the most performed yet understudied works in the American-opera canon. It acknowledges Catherine Clément's famous description of opera as "the undoing of women," while at the same time illuminating how singers like Beverly Sills and Phyllis Curtin worked to resist such undoing, years before the official resurgence of the American feminist movement. In short, they ended up helping to dismantle powerful gendered stereotypes that had often reigned unquestioned in opera houses until then.
George, Being George
Author: Nelson W. Aldrich
Publisher: Random House
ISBN: 1588367525
Category : Biography & Autobiography
Languages : en
Pages : 434
Book Description
Norman Mailer said that George Plimpton was the best-loved man in New York. For more than fifty years, his friends made a circle whose circumference was vast and whose center was a fashionable tenement on New York’s East Seventy-second street. Taxi drivers, hearing his address, would ask, “Isn’t that George Plimpton’s place?” George was always giving parties for his friends. It was one of the ways this generous man gave back. This book is the party that was George’s life–and it’s a big one–attended by scores of people, including Peter Matthiessen, Robert Silvers, Jean Stein, William Styron, Maggie Paley, Gay Talese, Calvin Trillin, and Gore Vidal, as well as lesser-known intimates and acquaintances, each with candid and compelling stories to tell about George Plimpton and childhood rebellion, adult indiscretions, literary tastes, ego trips, loyalties and jealousies, riches and drugs, and embracing life no matter the consequences. In George, Being George people feel free to say what guests say at parties when the subject of the conversation isn’t around anymore. Some even prove the adage that no best-loved man goes unpunished. Together, they provide a complete portrait of George Plimpton. They talk about his life: its privileged beginnings, its wild and triumphant middle, its brave, sad end. They say that George was a man of many parts: “the last gentleman”; founder and first editor of one of our best literary magazines, The Paris Review; the graceful writer who brought the New Journalism to sports in bestsellers such as Paper Lion, Bogey Man, and Out of My League; and Everyman’s proxy boxer, trapeze artist, stand-up comic, Western movie villain, and Playboy centerfold photographer. And one of the brave men who wrestled Sirhan Sirhan, the armed assassin of his friend Bobby Kennedy, to the ground. A Plimpton party was full of intelligent, funny, articulate people. So is this one. Many try hard to understand George, and some (not always the ones you would expect) are brilliant at it. Here is social life as it’s actually lived by New York’s elites. The only important difference between a party at George’s and this book is that no one here is drunk. They just talk about being drunk. George’s last years were awesome, truly so. His greatest gift was to be a blessing to others–not all, sadly–and that gift ended only with his death. But his parties, if this is one, need never end at all.
Publisher: Random House
ISBN: 1588367525
Category : Biography & Autobiography
Languages : en
Pages : 434
Book Description
Norman Mailer said that George Plimpton was the best-loved man in New York. For more than fifty years, his friends made a circle whose circumference was vast and whose center was a fashionable tenement on New York’s East Seventy-second street. Taxi drivers, hearing his address, would ask, “Isn’t that George Plimpton’s place?” George was always giving parties for his friends. It was one of the ways this generous man gave back. This book is the party that was George’s life–and it’s a big one–attended by scores of people, including Peter Matthiessen, Robert Silvers, Jean Stein, William Styron, Maggie Paley, Gay Talese, Calvin Trillin, and Gore Vidal, as well as lesser-known intimates and acquaintances, each with candid and compelling stories to tell about George Plimpton and childhood rebellion, adult indiscretions, literary tastes, ego trips, loyalties and jealousies, riches and drugs, and embracing life no matter the consequences. In George, Being George people feel free to say what guests say at parties when the subject of the conversation isn’t around anymore. Some even prove the adage that no best-loved man goes unpunished. Together, they provide a complete portrait of George Plimpton. They talk about his life: its privileged beginnings, its wild and triumphant middle, its brave, sad end. They say that George was a man of many parts: “the last gentleman”; founder and first editor of one of our best literary magazines, The Paris Review; the graceful writer who brought the New Journalism to sports in bestsellers such as Paper Lion, Bogey Man, and Out of My League; and Everyman’s proxy boxer, trapeze artist, stand-up comic, Western movie villain, and Playboy centerfold photographer. And one of the brave men who wrestled Sirhan Sirhan, the armed assassin of his friend Bobby Kennedy, to the ground. A Plimpton party was full of intelligent, funny, articulate people. So is this one. Many try hard to understand George, and some (not always the ones you would expect) are brilliant at it. Here is social life as it’s actually lived by New York’s elites. The only important difference between a party at George’s and this book is that no one here is drunk. They just talk about being drunk. George’s last years were awesome, truly so. His greatest gift was to be a blessing to others–not all, sadly–and that gift ended only with his death. But his parties, if this is one, need never end at all.
Bisexuality in Education
Author: Maria Pallotta-Chiarolli
Publisher: Routledge
ISBN: 1317417372
Category : Education
Languages : en
Pages : 219
Book Description
Although many schools and educational systems, from elementary to tertiary level, state that they endorse anti-homophobic policies, pedagogies and programs, there appears to be an absence of education about, and affirmation of, bisexuality and minimal specific attention paid to bi-phobia. Bisexuality appears to be falling into the gap between the binary of heterosexuality and homosexuality that informs anti-homophobic policies, programs, and practices in schools initiatives such as health education, sexuality education, and student welfare. These erasures and exclusions leave bisexual students, family members and educators feeling silenced and invisibilized within school communities. Also absent is attention to intersectionality, or how indigeneity, gender, class, ethnicity, rurality and age interweave with bisexuality. Indeed, as much research has shown, erasure, exclusion, and the absence of intersectionality have been considered major factors in bisexual young people, family members and educators in school communities experiencing worse mental, emotional, sexual and social health than their homosexual or heterosexual counterparts. This book is the first of its kind, providing an international collection of empirical research, theory and critical analysis of existing educational resources relating to bisexuality in education. Each chapter addresses three significant issues in relation to bisexuality and schooling: erasure, exclusion, and the absence of intersectionality. From indigenous to rural schools, from tertiary campuses to elementary schools, from films to picture books as curriculum resources, from educational theory to the health and wellbeing of bisexual students, this book’s contributors share their experiences, expertise and ongoing questions. This book was originally published as a special issue of the Journal of Bisexuality.
Publisher: Routledge
ISBN: 1317417372
Category : Education
Languages : en
Pages : 219
Book Description
Although many schools and educational systems, from elementary to tertiary level, state that they endorse anti-homophobic policies, pedagogies and programs, there appears to be an absence of education about, and affirmation of, bisexuality and minimal specific attention paid to bi-phobia. Bisexuality appears to be falling into the gap between the binary of heterosexuality and homosexuality that informs anti-homophobic policies, programs, and practices in schools initiatives such as health education, sexuality education, and student welfare. These erasures and exclusions leave bisexual students, family members and educators feeling silenced and invisibilized within school communities. Also absent is attention to intersectionality, or how indigeneity, gender, class, ethnicity, rurality and age interweave with bisexuality. Indeed, as much research has shown, erasure, exclusion, and the absence of intersectionality have been considered major factors in bisexual young people, family members and educators in school communities experiencing worse mental, emotional, sexual and social health than their homosexual or heterosexual counterparts. This book is the first of its kind, providing an international collection of empirical research, theory and critical analysis of existing educational resources relating to bisexuality in education. Each chapter addresses three significant issues in relation to bisexuality and schooling: erasure, exclusion, and the absence of intersectionality. From indigenous to rural schools, from tertiary campuses to elementary schools, from films to picture books as curriculum resources, from educational theory to the health and wellbeing of bisexual students, this book’s contributors share their experiences, expertise and ongoing questions. This book was originally published as a special issue of the Journal of Bisexuality.