Buero Vallejo's Theatre, 1949-1977 PDF Download
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Author: Susan Willis-Altamirano
Publisher: Peter Lang Publishing
ISBN:
Category : History
Languages : en
Pages : 304
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Book Description
Author: Susan Willis-Altamirano
Publisher: Peter Lang Publishing
ISBN:
Category : History
Languages : en
Pages : 304
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Book Description
Author: Marsha Forys
Publisher: Scarecrow Press
ISBN: 9780810821002
Category : Performing Arts
Languages : en
Pages : 238
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Book Description
To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.
Author: Eric Wayne Pennington
Publisher: Peter Lang
ISBN: 9780820488400
Category : Drama
Languages : en
Pages : 396
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Book Description
"Eric W. Pennington's book, the latest and one of the best on Buero Vallejo's theater, thoughtfully frames careful analyses with the major theoretical approaches of the last half century. Pennington's knowledge of those theories and his insights into the various artistic influences on Buero's plays are remarkably thorough. Of particular note also is his intelligent, even literary prose---the perfect vehicle for evoking the artistic nuance, historical detail, and human impact of Buero's compelling dramatic achievements." Dr. Robert L. Nicholas, Professor Emeritus of Spanish, University of Wisconsin-Madison --
Author:
Publisher: BRILL
ISBN: 9004349324
Category : Literary Criticism
Languages : en
Pages : 444
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Book Description
In A Companion to Celestina, Enrique Fernandez brings together twenty-three hitherto unpublished contributions on the Tragicomedia de Calisto y Melibea, popularly known as Celestina (c. 1499) written by leading experts who summarize, evaluate and expand on previous studies. The resulting chapters offer the non-specialist an overview of Celestina studies. Those who already know the field will find state of the art studies filled with new insights that elaborate on or depart from the well-established currents of criticism. Celestina's creation and sources, the parody of religious and erudite traditions, the treatment of magic, prostitution, the celestinesca and picaresque genre, the translations into other languages as well as the adaptations into the visual arts (engravings, paintings, films) are some of the topics included in this companion. Contributors are: Beatriz de Alba-Koch, Raúl Álvarez Moreno, Consolación Baranda, Ted L. Bergman, Patrizia Botta, José Luis Canet, Fernando Cantalapiedra, Ricardo Castells, Ivy Corfis, Manuel da Costa Fontes, Enrique Fernandez, José Luis Gastañaga Ponce de León, Ryan D. Giles, Yolanda Iglesias, Gustavo Illades Aguiar, Kathleen V. Kish, Bienvenido Morros Mestres, Devid Paolini, Antonio Pérez Romero, Amaranta Saguar García, Connie Scarborough, Joseph T. Snow, and Enriqueta Zafra.
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1914
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Book Description
Author: Maria M. Delgado
Publisher: Taylor & Francis
ISBN: 9789057021169
Category : Spanish drama
Languages : en
Pages : 132
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Book Description
Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
Author: Ralph Yarrow
Publisher: Routledge
ISBN: 1317566726
Category : Drama
Languages : en
Pages : 268
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Book Description
European theatre has been the site of enormous change and struggle since 1960. There have been radical shifts in the nature and understanding of performance, fuelled by increasing cross-cultural and international influence. Theatre has had to fight for its very existence, adapting its methods of operation to survive. European Theatre 1960-1990, first published in 1992, tells that story. The contributors - who in many cases have been theatre practitioners as well as critics - provide a wealth of fascinating information, covering Germany, France, Poland, Italy, Spain and Sweden, as well as Britain. The book offers an historical and descriptive overview of developments across national boundaries, enabling the reader to compare and contrast acting and directing styles, administrative strategies and the relationship between ideology and achievement. Chapters trace the evolution of theatre in all its aspects, including such elements as the end of censorship in many countries, the upsurge in political and personal awareness of the 1960s, shifting patterns of state artistic policy, and the effects on companies, directors, performers and audiences. This book should be of interest to undergraduates, postgraduates and academics of theatre studies.
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 2244
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Book Description
Author: John London
Publisher: MHRA
ISBN: 9780901286833
Category : Art
Languages : en
Pages : 300
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Book Description
The book constitutes the first attempt to provide an overview of the reception of foreign drama in Spain during the Franco dictatorship. John London analyses performance, stage design, translation, censorship, and critical reviews in relation to the works of many authors, including Noel Coward, Arthur Miller, Eugene Ionesco, and Samuel Beckett. He compares the original reception of these dramatists with the treatment they were given in Spain. However, his study is also a reassessment of the Spanish drama of the period. Dr London argues that only by tracing the reception of non-Spanish drama can we understand the praise lavished on playwrights such as Antonio Buero Vallejo and Alfonso Sastre, alongside the simultaneous rejection of Spanish avant-garde styles. A concluding reinterpretation of the early plays of Fernando Arrabal indicates the richness of an alternative route largely ignored in histories of Spanish theatre.
Author: Maria M. Delgado
Publisher: Manchester University Press
ISBN: 9780719059766
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
'Other' Spanish Theatres challenges established opinions on modern Iberian theatre through a consideration of the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages. In this broad and detailed study, Delgado selects six subjects which map out alternative readings of a nation's theatrical innovation through the last century. These six subjects include Margarita Xirgu, Enrique Rambal, María Casarest and Nuria Espert.
