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Author: Daniel BRYANT
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
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Author: Daniel BRYANT
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
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Author: Lingard (Singer)
Publisher:
ISBN:
Category :
Languages : en
Pages : 202
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Book Description
Author: Peter La Chapelle
Publisher: University of Chicago Press
ISBN: 0226923010
Category : Music
Languages : en
Pages : 355
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Book Description
A “educational, interesting, and very easy to read” history of the bond between country music and politics in America (Harry Reid). Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I’d Fight the World, Peter La Chapelle traces the deep bonds between country music and politics, from the nineteenth-century rise of fiddler-politicians to more recent figures like Pappy O’Daniel, Roy Acuff, and Rob Quist. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world. La Chapelle vividly shows how country music campaigners have profoundly influenced the American political landscape. Praise for I’d Fight the World “Thoroughly researched and insightful, I’d Fight the World exposes the political themes embedded in country music of all stripes, as well as the sometimes subtle, sometimes blatant, always shrewd employment of this music by politicians. La Chapelle reveals a political legacy in country music that today’s audiences have an obligation to confront.” —Jocelyn Neal, author of Country Music: A Cultural and Stylistic History “In this well-written and expansive book, La Chapelle narrates a national history of politics and country music, from nineteenth-century populism to post–World War II conservatism. I’d Fight the World demonstrates how both political and cultural history can shine light upon each other, creating a rich tapestry of scholarship.” —David Gilbert, author of The Product of Our Souls “Lively and informative. . . . This book will surprise those who have preconceived notions about country music and Southern politicians, and their longstanding connection.” —Library Journal “A deeply researched examination of the ways that country and old-time music have been coopted into political life. . . . La Chapelle traces the not especially healthy relationship between country music and populism. . . . La Chapelle’s exhaustive examination of his subject uncovers many untold stories and raises interesting questions about whether country music has yet truly reckoned with its political past.” —Times Literary Supplement
Author: Bradley Shope
Publisher: Boydell & Brewer
ISBN: 158046548X
Category : Music
Languages : en
Pages : 254
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The first systematic study to address the character and scope of American popular music in India during British rule.
Author: Edwin Byron Christy
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 108
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 598
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1082
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 710
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Author: British Library
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 538
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Book Description
Author: James A. Davis
Publisher: Routledge
ISBN: 1315438232
Category : Music
Languages : en
Pages : 370
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Book Description
In 1864, Union soldier Charles George described a charge into battle by General Phil Sheridan: "Such a picture of earnestness and determination I never saw as he showed as he came in sight of the battle field . . . What a scene for a painter!" These words proved prophetic, as Sheridan’s desperate ride provided the subject for numerous paintings and etchings as well as songs and poetry. George was not alone in thinking of art in the midst of combat; the significance of the issues under contention, the brutal intensity of the fighting, and the staggering number of casualties combined to form a tragedy so profound that some could not help but view it through an aesthetic lens, to see the war as a concert of death. It is hardly surprising that art influenced the perception and interpretation of the war given the intrinsic role that the arts played in the lives of antebellum Americans. Nor is it surprising that literature, music, and the visual arts were permanently altered by such an emotional and material catastrophe. In The Arts and Culture of the American Civil War, an interdisciplinary team of scholars explores the way the arts – theatre, music, fiction, poetry, painting, architecture, and dance – were influenced by the war as well as the unique ways that art functioned during and immediately following the war. Included are discussions of familiar topics (such as Ambrose Bierce, Peter Rothermel, and minstrelsy) with less-studied subjects (soldiers and dance, epistolary songs). The collection as a whole sheds light on the role of race, class, and gender in the production and consumption of the arts for soldiers and civilians at this time; it also draws attention to the ways that art shaped – and was shaped by – veterans long after the war.
