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Author: John Pettegrew
Publisher: JHU Press
ISBN: 9780801886034
Category : History
Languages : en
Pages : 434
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Book Description
Publisher description
Author: John Pettegrew
Publisher: JHU Press
ISBN: 9780801886034
Category : History
Languages : en
Pages : 434
Get Book Here
Book Description
Publisher description
Author: John Pettegrew
Publisher: Johns Hopkins University Press+ORM
ISBN: 0801891728
Category : Social Science
Languages : en
Pages : 667
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Book Description
“[A] vivid, massively researched history of ‘hyper-masculine’ sensibility . . . An instructive and provocative view of men’s dark side.” —Peter Filene, Men and Masculinities Are men truly predisposed to violence and aggression? Is it the biological fate of males to struggle for domination over women and vie against one another endlessly? These and related queries have long vexed philosophers, social scientists, and other students of human behavior. In Brutes in Suits, historian John Pettegrew examines theoretical writings and cultural traditions in the United States to find that, Darwinian arguments to the contrary, masculine aggression can be interpreted as a modern strategy for taking power. Drawing ideas from varied and at times seemingly contradictory sources, Pettegrew argues that traditionally held beliefs about masculinity developed largely through language and cultural habit—and that these same tools can be employed to break through the myth that brutishness is an inherently male trait. A major re-synthesis of late nineteenth- and early twentieth-century manhood, Brutes in Suits develops ambitious lines of research into the social science of sexual difference and professional history’s celebration of rugged individualism; the hunting-and-killing genre of popular men’s literature; that master text of hypermasculinity: college football; military culture, war making, and finding pleasure in killing; and patriarchy, sexual jealousy, and the law. This timely assessment of the evolution of masculine culture will be welcomed and debated by social and intellectual historians for years to come. “Pettegrew’s book remains rigorous and passionate in its narration of the historic appeal as well as the immediate dangers of de-evolutionary masculinity.” —American Historical Review
Author: Laura Rattray
Publisher: Routledge
ISBN: 1317316487
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Bringing together leading Wharton scholars from Europe, and North America, this volume offers the first ever collection of essays on Edith Wharton's 1913 tour de force, The Custom of the Country.
Author: C.N. Constantin
Publisher: Chris Constantin
ISBN: 0994005504
Category :
Languages : en
Pages : 411
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Book Description
The Hodgepocalypse takes North America and the d20 system and makes it a diverse world filed with magical rites, modern technology and bizarre cultures.
Author: Sarah Handley-Cousins
Publisher: University of Georgia Press
ISBN: 0820355194
Category : History
Languages : en
Pages : 204
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Book Description
In the popular imagination, Civil War disability is virtually synonymous with amputation. But war affects the body in countless ways, many of them understudied by historians. In Bodies in Blue, Sarah Handley-Cousins expands and complicates our understanding of wartime disability by examining a variety of bodies and ailments, ranging from the temporary to the chronic, from disease to injury, and encompassing both physical and mental conditions. She studies the cases of well-known individuals, such as Union general Joshua Lawrence Chamberlain, alongside many cases drawn from the ranks to provide a more comprehensive view of how soldiers, civilians, and institutions grappled with war-related disability in the Civil War–era North. During the Civil War and long after, the bodies of Union soldiers and veterans were sites of powerful cultural beliefs about duty and sacrifice. However, the realities of living with a disability were ever at odds with the expectations of manhood. As a consequence, men who failed to perform the role of wounded warrior properly could be scrutinized for failing to live up to standards of martial masculinity. Under the gaze of surgeons, officers, bureaucrats, and civilians, disabled soldiers made difficult negotiations in their attempts to accommodate impaired bodies and please observers. Some managed this process with ease; others struggled and suffered. Embracing and exploring this apparent contradiction, Bodies in Blue pushes Civil War history in a new direction.
Author: Michael Docherty
Publisher: State University of New York Press
ISBN: 143849713X
Category : Literary Criticism
Languages : en
Pages : 451
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Book Description
The Recursive Frontier is an innovative spatial history of both the literature of Los Angeles and the city itself in the mid-twentieth century. Setting canonical texts alongside underexamined works and sources such as census bulletins and regional planning documents, Michael Docherty identifies the American frontier as the defining dynamic of Los Angeles fiction from the 1930s to the 1950s. Contrary to the received wisdom that Depression-era narratives mourn the frontier's demise, Docherty argues that the frontier lives on as a cruel set of rules for survival in urban modernity, governing how texts figure race, space, mobility, and masculinity. Moving from dancehalls to offices to oil fields and beyond, the book provides a richer, more diverse picture of LA's literary production during this period, as well as a vivid account of LA's cultural and social development as it transformed into the multiethnic megalopolis we know today.
Author: Maxine Leeds Craig
Publisher: Oxford University Press, USA
ISBN: 0199845298
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Explores the feminization, sexualization, and racialization of dance in America since the 1960s.
Author: Molly K. Varley
Publisher: University of Oklahoma Press
ISBN: 0806147555
Category : History
Languages : en
Pages : 241
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Book Description
It was on the frontier, where “civilized” men and women confronted the “wilderness,” that Europeans first became Americans—or so authorities from Frederick Jackson Turner to Theodore Roosevelt claimed. But as the frontier disappeared, Americans believed they needed a new mechanism for fixing their collective identity; and they found it, historian Molly K. Varley suggests, in tales of white Americans held captive by Indians. For Americans in the Progressive Era (1890–1916) these stories of Indian captivity seemed to prove that the violence of national expansion had been justified, that citizens’ individual suffering had been heroic, and that settlers’ contact with Indians and wilderness still characterized the nation’s “soul.” Furthermore, in the act of memorializing white Indian captives—through statues, parks, and reissued narratives—small towns found a way of inscribing themselves into the national story. By drawing out the connections between actual captivity, captivity narratives, and the memorializing of white captives, Varley shows how Indian captivity became a means for Progressive Era Americans to look forward by looking back. Local boosters and cultural commentators used Indian captivity to define “Americanism” and to renew those frontier qualities deemed vital to the survival of the nation in the post-frontier world, such as individualism, bravery, ingenuity, enthusiasm, “manliness,” and patriotism. In Varley’s analysis of the Progressive Era mentality, contact between white captives and Indians represented a stage in the evolution of a new American people and affirmed the contemporary notion of America as a melting pot. Revealing how the recitation and interpretation of these captivity narratives changed over time—with shifting emphasis on brutality, gender, and ethnographic and historical accuracy—Americans Recaptured shows that tales of Indian captivity were no more fixed than American identity, but were consistently used to give that identity its own useful, ever-evolving shape.
Author: Jochen Hung
Publisher: University of Michigan Press
ISBN: 047222090X
Category : History
Languages : en
Pages : 275
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Book Description
Focusing on the fate of a Berlin-based newspaper during the 1920s and 1930s, Moderate Modernity: The Newspaper Tempo and the Transformation of Weimar Democracy chronicles the transformation of a vibrant and liberal society into an oppressive and authoritarian dictatorship. Tempo proclaimed itself as “Germany’s most modern newspaper” and attempted to capture the spirit of Weimar Berlin, giving a voice to a forward-looking generation that had grown up under the Weimar Republic’s new democratic order. The newspaper celebrated modern technology, spectator sports, and American consumer products, constructing an optimistic vision of Germany’s future as a liberal consumer society anchored in Western values. The newspaper’s idea of a modern, democratic Germany was undermined by the political and economic crises that hit Germany at the beginning of the 1930s. The way the newspaper described German democracy changed under these pressures. Flappers, American fridges, and modern music—the things that Tempo had once marshalled as representatives of a German future—were now rejected by the newspaper as emblems of a bygone age. The changes in Tempo’s vision of Germany’s future show that descriptions of Weimar politics as a standoff between upright democrats and rabid extremists do not do justice to the historical complexity of the period. Rather, we need to accept the Nazis as a lethal product of a German democracy itself. The history of Tempo teaches us how liberal democracies can create and nurture their own worst enemies.
Author: Sara Humphreys
Publisher: U of Nebraska Press
ISBN: 1496224809
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
At a time when print and film have shown the classic Western and noir genres to be racist, heteronormative, and neocolonial, Sara Humphreys’s Manifest Destiny 2.0 asks why these genres endure so prolifically in the video game market. While video games provide a radically new and exciting medium for storytelling, most game narratives do not offer fresh ways of understanding the world. Video games with complex storylines are based on enduring American literary genres that disseminate problematic ideologies, quelling cultural anxieties over economic, racial, and gender inequality through the institutional acceptance and performance of Anglo cultural, racial, and economic superiority. Although game critics and scholars recognize how genres structure games and gameplay, the concept of genre continues to be viewed as a largely invisible power, subordinate to the computational processes of programming, graphics, and the making of a multimillion-dollar best seller. Investigating the social and cultural implications of the Western and noir genres in video games through two case studies—the best-selling games Red Dead Redemption (2010) and L.A. Noire (2011)—Humphreys demonstrates how the frontier myth continues to circulate exceptionalist versions of the United States. Video games spread the neoliberal and neocolonial ideologies of the genres even as they create a new form of performative literacy that intensifies the genres well beyond their originating historical contexts. Manifest Destiny 2.0 joins the growing body of scholarship dedicated to the historical, theoretical, critical, and cultural analysis of video games.
