British Theatre Companies: 1965-1979 Welfare State International, Cast, Portable Theatre Company, the People Show, the Pip Simmons Theatre Group by John Bull

British Theatre Companies: 1965-1979 Welfare State International, Cast, Portable Theatre Company, the People Show, the Pip Simmons Theatre Group by John Bull PDF Author: John Bull
Publisher:
ISBN:
Category : PERFORMING ARTS
Languages : en
Pages : 0

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Book Description
"This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. It charts the movement of much of this work from the fringe to the mainstream of British theatre culture. Each volume provides an overview of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies." --Publisher.

British Theatre Companies: 1965-1979 Welfare State International, Cast, Portable Theatre Company, the People Show, the Pip Simmons Theatre Group by John Bull

British Theatre Companies: 1965-1979 Welfare State International, Cast, Portable Theatre Company, the People Show, the Pip Simmons Theatre Group by John Bull PDF Author: John Bull
Publisher:
ISBN:
Category : PERFORMING ARTS
Languages : en
Pages : 0

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Book Description
"This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. It charts the movement of much of this work from the fringe to the mainstream of British theatre culture. Each volume provides an overview of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies." --Publisher.

British Theatre Companies: 1965-1979

British Theatre Companies: 1965-1979 PDF Author: John Bull
Publisher: Bloomsbury Publishing
ISBN: 1408175460
Category : Performing Arts
Languages : en
Pages : 335

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Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context; an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies drawing on the Arts Council Archives to trace the impact of funding on the work produced. 1965–1979, covers the period often accepted as the 'golden age' of British Fringe companies, looking at the birth of companies concerned with touring their work to an ever-expanding circuit of 'alternative' performance venues. Leading academics provide case studies of six of the most important companies, including: * CAST, by Bill McDonnell (University of Sheffield, UK) * The People Show, by Grant Tyler Peterson (Brunel University London, UK) * Portable Theatre, by Chris Megson (Royal Holloway, University of London, UK) * Pip Simmons Theatre Group, by Kate Dorney (The Victoria and Albert Museum, UK) * Welfare State International, by Gillian Whitely (Loughborough University, UK) * 7:84 Theatre Companies, by David Pattie (University of Chester, UK).

British Theatre Companies: 1980-1994

British Theatre Companies: 1980-1994 PDF Author: Graham Saunders
Publisher: Bloomsbury Publishing
ISBN: 1408175517
Category : Performing Arts
Languages : en
Pages : 317

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Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including: * Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum) *Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK) * Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA) * Joint Stock, by Jaqueline Bolton (University of Lincoln, UK) * Theatre de Complicite, by Michael Fry * Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)

British Theatre Companies: 1995-2014

British Theatre Companies: 1995-2014 PDF Author: Liz Tomlin
Publisher: Bloomsbury Publishing
ISBN: 1408177307
Category : Performing Arts
Languages : en
Pages : 341

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Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to 2014. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the most important companies. Volume Three, 1995-2014, charts the expansion of the sector in the era of Lottery funding and traces the resistant influences of earlier movements in the emergence of new companies and an independent theatre ecology that seeks to reconfigure the mainstream. Leading academics provide case studies of six of the most important companies, including: * Mind the Gap, by Dave Calvert (University of Huddersfield, UK) * Blast Theory, by Maria Chatzichristodoulou (University of Hull, UK) * Suspect Culture, by Clare Wallace (Charles University, Prague, Czech Republic) * Punchdrunk, by Josephine Machon (Middlesex University, UK) * Kneehigh, by Duška Radosavljevic (University of Kent, UK) * Stans Cafe, by Marissia Fragkou (Canterbury Christ Church University, UK)

British Theatre Companies: 1965-1979: CAST, The People Show, Portable Theatre, Pip Simmons Theatre Group, Welfare State International, 7:84 Theatre Companies

British Theatre Companies: 1965-1979: CAST, The People Show, Portable Theatre, Pip Simmons Theatre Group, Welfare State International, 7:84 Theatre Companies PDF Author: John Stanley Bull
Publisher:
ISBN:
Category : Theater
Languages : en
Pages :

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Book Description
"This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. It charts the movement of much of this work from the fringe to the mainstream of British theatre culture. Each volume provides an overview of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies."--Publisher.

British Theatre Companies: 1965-1979

British Theatre Companies: 1965-1979 PDF Author: John Bull
Publisher: Bloomsbury Publishing
ISBN: 1408175452
Category : Performing Arts
Languages : en
Pages : 335

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Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context; an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies drawing on the Arts Council Archives to trace the impact of funding on the work produced. 1965–1979, covers the period often accepted as the 'golden age' of British Fringe companies, looking at the birth of companies concerned with touring their work to an ever-expanding circuit of 'alternative' performance venues. Leading academics provide case studies of six of the most important companies, including: * CAST, by Bill McDonnell (University of Sheffield, UK) * The People Show, by Grant Tyler Peterson (Brunel University London, UK) * Portable Theatre, by Chris Megson (Royal Holloway, University of London, UK) * Pip Simmons Theatre Group, by Kate Dorney (The Victoria and Albert Museum, UK) * Welfare State International, by Gillian Whitely (Loughborough University, UK) * 7:84 Theatre Companies, by David Pattie (University of Chester, UK).

Textbook of Plastic and Reconstructive Surgery

Textbook of Plastic and Reconstructive Surgery PDF Author: Deepak K. Kalaskar
Publisher: UCL Press
ISBN: 1910634379
Category : Medical
Languages : en
Pages : 491

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Book Description
Written by experts from London’s renowned Royal Free Hospital, Textbook of Plastic and Reconstructive Surgery offers a comprehensive overview of the vast topic of reconstructive plastic surgery and its various subspecialties for introductory plastic surgery and surgical science courses. The book comprises five sections covering the fundamental principles of plastic surgery, cancer, burns and trauma, paediatric plastic surgery and aesthetic surgery, and covers the breadth of knowledge that students need to further their career in this exciting field. Additional coverage of areas in which reconstructive surgery techniques are called upon includes abdominal wall reconstruction, ear reconstruction and genital reconstruction. A chapter on aesthetic surgery includes facial aesthetic surgery and blepharoplasty, aesthetic breast surgery, body contouring and the evolution of hair transplantation.The broad scope of this volume and attention to often neglected specialisms such as military plastic surgery make this a unique contribution to the field. Heavily illustrated throughout, Textbook of Plastic and Reconstructive Surgery is essential reading for anyone interested in furthering their knowledge of this exciting field. This book was produced as part of JISC's Institution as e-Textbook Publisher project. Find out more at https://www.jisc.ac.uk/rd/projects/institution-as-e-textbook-publisher

Culture, Democracy and the Right to Make Art

Culture, Democracy and the Right to Make Art PDF Author: Alison Jeffers
Publisher: Bloomsbury Publishing
ISBN: 1474258379
Category : Performing Arts
Languages : en
Pages : 299

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Book Description
Based on the words and experiences of the people involved, this book tells the story of the community arts movement in the UK, and, through a series of essays, assesses its influence on present day participatory arts practices. Part I offers the first comprehensive account of the movement, its history, rationale and modes of working in England, Northern Ireland, Scotland and Wales; Part II brings the work up to the present, through a scholarly assessment of its influence on contemporary practice that considers the role of technologies and networks, training, funding, commissioning and curating socially engaged art today. The community arts movement was a well-known but little understood and largely undocumented creative revolution that began as part of the counter-cultural scene in the late 1960s. A wide range of art forms were developed, including large processions with floats and giant puppets, shadow puppet shows, murals and public art, events on adventure playgrounds and play schemes, outdoor events and fireshows. By the middle of the 1980s community arts had changed and diversified to the point where its fragmentation meant that it could no longer be seen as a coherent movement. Interviews with the early pioneers provide a unique insight into the arts practices of the time. Culture, Democracy and the Right to Make Art is not simply a history because the legacy and influence of the community arts movement can be seen in a huge range of diverse locations today. Anyone who has ever encountered a community festival or educational project in a gallery or museum or visited a local arts centre could be said to be part of the on-going story of the community arts. This book is open access and available on www.bloomsburycollections.com . It is funded by the University of Manchester.

Block by Block

Block by Block PDF Author: William Glenn Robertson
Publisher: www.Militarybookshop.CompanyUK
ISBN:
Category : History
Languages : en
Pages : 484

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Book Description
First published by the Combat Studies Institute Press. The resulting anthology begins with a general overview of urban operations from ancient times to the midpoint of the twentieth century. It then details ten specific case studies of U.S., German, and Japanese operations in cities during World War II and ends with more recent Russian attempts to subdue Chechen fighters in Grozny and the Serbian siege of Sarajevo. Operations range across the spectrum from combat to humanitarian and disaster relief. Each chapter contains a narrative account of a designated operation, identifying and analyzing the lessons that remain relevant today.

The Onion Book of Known Knowledge

The Onion Book of Known Knowledge PDF Author: The Onion
Publisher: Little, Brown
ISBN: 031613323X
Category : Humor
Languages : en
Pages : 259

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Book Description
Are you a witless cretin with no reason to live? Would you like to know more about every piece of knowledge ever? Do you have cash? Then congratulations, because just in time for the death of the print industry as we know it comes the final book ever published, and the only one you will ever need: The Onion's compendium of all things known. Replete with an astonishing assemblage of facts, illustrations, maps, charts, threats, blood, and additional fees to edify even the most simple-minded book-buyer, The Onion Book of Known Knowledge is packed with valuable information -- such as the life stages of an Aunt; places to kill one's self in Utica, New York; and the dimensions of a female bucket, or "pail." With hundreds of entries for all 27 letters of the alphabet, The Onion Book of Known Knowledge must be purchased immediately to avoid the sting of eternal ignorance.