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Author: M. Schoenfield
Publisher: Springer
ISBN: 0230617999
Category : Language Arts & Disciplines
Languages : en
Pages : 306
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Book Description
When Lord Byron identified the periodical industry as the "Literary Lower Empire," he registered the cultural clout that periodicals had accumulated by positioning themselves as both the predominant purveyors of scientific, economic, and social information and the arbiters of literary and artistic taste. British Periodicals and Romantic Identity explores how periodicals such as the Edinburgh, Blackwood s, and the Westminster became the repositories and creators of "public opinion." In addition, Schoenfield examines how particular figures, both inside and outside the editorial apparatus of the reviews and magazines, negotiated this public and rapidly professionalized space. Ranging from Lord Byron, whose self-identification as lord and poet anticipated his public image in the periodicals, to William Hazlitt, equally journalist and subject of the reviews, this engaging study explores both canonical figures and canon makers in the periodicals and positions them as a centralizing force in the consolidation of Romantic print culture.
Author: M. Schoenfield
Publisher: Springer
ISBN: 0230617999
Category : Language Arts & Disciplines
Languages : en
Pages : 306
Get Book Here
Book Description
When Lord Byron identified the periodical industry as the "Literary Lower Empire," he registered the cultural clout that periodicals had accumulated by positioning themselves as both the predominant purveyors of scientific, economic, and social information and the arbiters of literary and artistic taste. British Periodicals and Romantic Identity explores how periodicals such as the Edinburgh, Blackwood s, and the Westminster became the repositories and creators of "public opinion." In addition, Schoenfield examines how particular figures, both inside and outside the editorial apparatus of the reviews and magazines, negotiated this public and rapidly professionalized space. Ranging from Lord Byron, whose self-identification as lord and poet anticipated his public image in the periodicals, to William Hazlitt, equally journalist and subject of the reviews, this engaging study explores both canonical figures and canon makers in the periodicals and positions them as a centralizing force in the consolidation of Romantic print culture.
Author: Kim Wheatley
Publisher: Routledge
ISBN: 1317061578
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Romantic writers such as Robert Southey and Samuel Taylor Coleridge aspired to rise above the so-called 'age of personality,' a new culture of politicized print gossip and personal attacks. Nevertheless, Southey, Coleridge, and other Romantic-era figures such as Leigh Hunt, William Hazlitt, Sydney Owenson, and the explorer John Ross became enmeshed in lively feuds with the major periodicals of the day, the Edinburgh Review and the Quarterly Review. Kim Wheatley focuses on feuds from the second and third decades of the nineteenth century, suggesting that by this time the vituperative rhetoric of the Edinburgh and the Quarterly had developed into what Coleridge called 'a habit of malignity.' Attending to the formal strategies of the reviewers' surprisingly creative prose, she traces how her chosen feuds take on lives of their own, branching off into other print media, including the weekly press and monthly magazines. Ultimately, Wheatley shows, these hostile exchanges incorporated literary genres and Romantic themes such as the idealized poetic self, the power of the supernatural, and the quest for the sublime. By turning episodes of print warfare into stories of transfiguration, the feuds thus unexpectedly contributed to the emergence of Romanticism.
Author: L. Peer
Publisher: Springer
ISBN: 0230101925
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
Why are material objects so prominent in European Romantic literature, both as symbol and organizing device? This collection of essays maintains that European Romantic culture and its aesthetic artifacts were fundamentally shaped by "object aesthetics," an artistic idiom of acknowledging, through a profound and often disruptive use of objects, the movement of Western aesthetic practice into Romantic self-projection and imagination. Of course Romanticism, in all its dissonance and anxiety, is marked by a number of new artistic practices, all of which make up a new aesthetics, accounting for the dialectical and symbolistic view of literature that began in the late eighteenth century. Romanticism and the Object adds to our understanding of that aesthetics by reexamining a wide range of texts in order to discover how the use of objects works in the literature of the time.
Author: Julia Straub
Publisher: Springer
ISBN: 1137581689
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
This monograph explores transatlantic literary culture by tracing the proliferation of ‘new media,’ such as the anthology, the literary history and the magazine, in the period between 1750 and 1850. The fast-paced media landscape out of which these publishing genres developed produced the need of a ‘memory of literature’ and a concomitant rhetoric of remembering strikingly similar to what today is called a cultural memory debate. Thus, rather than depicting the emergence of an American national literature, The Rise of New Media(1750–1850) combines impulses from media history, the history of print, the sociology of literature and canon theory to uncover nascent forms and genres of literary self-reflectivity and early stirrings of a canon debate in the Atlantic World.
Author: Reine Meylaerts
Publisher: Leuven University Press
ISBN: 9462701121
Category : History
Languages : en
Pages : 225
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Book Description
International exchange in European cultural life in the 19th and 20th centuries From the early nineteenth century till the middle of the twentieth century, cultures in Europe were primarily national. They were organized and conceived of as attributes of the nation states. Nonetheless, these national cultures crossed borders with an unprecedented intensity even before globalization transformed the very concept of culture. During that long period, European cultures have imported and exported products, techniques, values, and ideas, relying on invisible but efficient international networks. The central agents of these networks are considered mediators: translators, publishers, critics, artists, art dealers and collectors, composers. These agents were not only the true architects of intercultural transfer, they also largely contributed to the shaping of a common canon and of aesthetic values that became part of the history of national cultures. Cultural Mediation in Europe, 1800-1950 analyses the strategic transfer roles of cultural mediators active in large parts of Western Europe in domains as varied as literature, music, visual arts, and design. Contributors Amélie Auzoux (Université Paris IV-Sorbonne), Christophe Charle (Université Paris I-Panthéon-Sorbonne), Kate Kangaslahti (KU Leuven), Vesa Kurkela (University of the Arts, Helsinki), Anne O’Connor (University of Galway), Saijaleena Rantanen (University of the Arts, Helsinki), Ágnes Anna Sebestyén (Hungarian Museum of Architecture, Budapest), Inmaculada Serón Ordóñez (University of Málaga), Renske Suijver (Van Gogh Museum, Amsterdam), Tom Toremans (KU Leuven), Dirk Weissmann (Université Toulouse Jean-Jaurès)
Author: Levy Michelle Levy
Publisher: Edinburgh University Press
ISBN: 1474457096
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
A study of the production and circulation of literary manuscripts in Romantic-era BritainOffers a detailed examination of the practices of literary manuscript culture, particularly the production, circulation and preservation of manuscripts, based on extensive archival researchDemonstrates how literary manuscript culture co-evolved with print culture, in a nuanced study of the interactions between the two mediaExamines the changing cultural attitudes towards literary manuscripts, and how these changes affected practices and valuesSurveys the impact of digital media on our access to and understanding of historical manuscriptsThis book examines how manuscript practices interacted with an expanding print marketplace to nurture and transform the period's literary culture. It unearths the alternative histories manuscripts tell us about British Romantic literary culture, describing the practices by which handwritten documents were written, shared, altered and preserved, and explores the functions they served as instruments of expression and sociability. By demonstrating how literary manuscript culture co-evolved with print culture, this study illuminates the complex entanglements between the media of script and print.
Author: Mark Towsey
Publisher: BRILL
ISBN: 9004348670
Category : History
Languages : en
Pages : 433
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Book Description
Before the Public Library explores the emergence of community-based lending libraries in the Atlantic World before the advent of the Public Library movement in the mid-nineteenth century. Essays by eighteen scholars from a range of disciplines seek to place, for the first time, community libraries within an Atlantic context over a two-century period. Taking a comparative approach, this volume shows that community libraries played an important – and largely unrecognized – role in shaping Atlantic social networks, political and religious movements, scientific and geographic knowledge, and economic enterprise. Libraries had a distinct role to play in shaping modern identities through the acquisition and circulation of specific kinds of texts, the fostering of sociability, and the building of community-based institutions.
Author: Regina Hewitt
Publisher: Lexington Books
ISBN: 1611484359
Category : Literary Criticism
Languages : en
Pages : 391
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Book Description
This volume offers a revaluation of the work of Romantic-era Scottish writer John Galt. Galt traveled throughout the Mediterranean and Atlantic worlds and founded the Canadian city of Guelph while remaining in touch with local cultures and politics in Scotland and England. He wrote fiction, drama, and biography based on his personal observations of life and in ways that associated him with the “theoretical” or “conjectural” methods of Scottish Enlightenment historiographers. Galt’s insights into the societies he inhabited and visited, his perceptions of political extremism and class conflict, his attitudes toward community building and progress, his convictions about determinism and historical revisionism, his strategies for manipulating literary genres and readers’ responses, and his ambivalence about the value of literature deserve consideration in light of new thinking in our own fields about what constitutes social knowledge and viable ways to represent it. The essays in this volume examine Galt’s work in light of the convergence of literature, history, and social theory in Scottish Enlightenment and Romantic-era culture and in our own interdisciplinary environment. Discussing Galt’s work and significance in the many areas, genres, and contexts in which he figures, they broaden the circle of contacts with whom we associate Galt, moving from expected comparisons with contemporaries Walter Scott and James Hogg to unexpected links with such later authors and social thinkers as George Douglas Brown and Harriet Martineau. Moreover, these essays expand the repertoire of works studied, offering the first extended analyses of Eben Erskine, Rothelan, and the Travels and Observations of Hareach, the Wandering Jew along with new readings of Annals of the Parish, Bogle Corbet, and Ringan Gilhaize. Overall, the essays draw out the implications of Galt’s practices and relations as a journalist, dramatist, critic, biographer, and novelist, developing grounded conjectures about their significance in Galt’s time and our own.
Author: M. Lussier
Publisher: Springer
ISBN: 0230119891
Category : Literary Criticism
Languages : en
Pages : 378
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Book Description
Romantic Dharma maps the emergence of Buddhism into European consciousness during the first half of the nineteenth century, probes the shared ethical and intellectual commitments embedded in Buddhist and Romantic thought, and proposes potential ways by which those insights translate into contemporary critical and pedagogical practices.
Author: Tim Fulford
Publisher: Springer
ISBN: 1137518898
Category : Literary Criticism
Languages : en
Pages : 416
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Book Description
Combining historical poetics and book history, Romantic Poetry and Literary Coteries shows Romanticism as characterized by tropes and forms that were jointly produced by literary circles. To show these connections, Fulford pulls from a wealth of print material including political squibs, magazine essays, illustrated tour poems, and journals.
