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Author: Jay L. Halio
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Jay L. Halio
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Jay L. Halio
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 0
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Author: Jay L. Halio
Publisher:
ISBN: 9780810309135
Category : English fiction
Languages : en
Pages :
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Author: Adam Guy
Publisher: Oxford University Press
ISBN: 0192589946
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
The nouveau roman and Writing in Britain After Modernism recovers a neglected literary history. In the late 1950s, news began to arrive in Britain of a group of French writers who were remaking the form of the novel. In the work of Michel Butor, Marguerite Duras, Robert Pinget, Alain Robbe-Grillet, Nathalie Sarraute, and Claude Simon, the hallmarks of novelistic writing—discernible characters, psychological depth, linear chronology—were discarded in favour of other aesthetic horizons. Transposed to Britain's highly polarized literary culture, the nouveau roman became a focal point for debates about the novel. For some, the nouveau roman represented an aberration, and a pernicious turn against the humanistic values that the novel embodied. For others, it provided a route out of the stultifying conventionality and conformism that had taken root in British letters. On both sides, one question persisted: given the innovations of interwar modernism, to what extent was the nouveau roman actually new? This book begins by drawing on publishers' archives and hitherto undocumented sources from a wide range of periodicals to show how the nouveau roman was mediated to the British public. Of central importance here is the publisher Calder & Boyars, and its belief that the nouveau roman could be enjoyed by a mass public. The book then moves onto literary responses in Britain to the nouveau roman, focusing on questions of translation, realism, the end of empire, and the writing of the project. From the translations of Maria Jolas, through to the hostile responses of the circle around C. P. Snow, and onto the literary debts expressed in novels by Brian W. Aldiss, Christine Brooke-Rose, Eva Figes, B. S. Johnson, Alan Sheridan, Muriel Spark, and Denis Williams, the nouveau roman is shown to be a central concern in the postwar British literary field.
Author: Julia Jordan
Publisher: Oxford University Press, USA
ISBN: 0198857284
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
In the decades following the immediately postwar period in Britain, a loose grouping of experimental writers that included Alan Burns, Christine Brooke-Rose, B. S. Johnson, and Ann Quin worked against the dominance, as they saw it, of the realist novel of the literary mainstream. Late Modernism and the Avant-Garde British Novel reassesses the experimentalism versus realism debates of the period, and finds a body of work engaged with, rather than merely antagonistic towards, the literary culture it sought to renovate. Charting these engagements, it shows how they have significance not just for our understanding of these decades but for the broader movement of the novel through the century. This volume takes some of the claims made about experimental fiction--that it is unreadable, nonlinear, elliptical, errant, plotless--and reimagines these descriptors as historically inscribed tendencies that express the period's investment in the idea of the accidental. These novels are interested in the fleeting and the fugitive, in discontinuity and shock. The experimental novel cultivates an interest in methods of representation that are oblique: attempting to conjure the world at an angle, or in the rear-view mirror; by ellipsis or evasion. These concepts--error, indeterminacy, uncertainty, accident--all bear a relation to that which evades or resists interpretation and meaning. Asking what are the wider political, ethical, and philosophical correlates of this incommensurability, Late Modernism and the Avant-Garde British Novel reads experimental literature in this light, as suffused with anxiety about its adequacy in the light of its status as necessarily imitative and derivative, and therefore redolent of the forms of not-knowing and uncertainty that mark late modernism more generally.
Author: George M. Johnson
Publisher: Gale Cengage
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 456
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Book Description
Information on the lives and works of British novelists of the late-Victorian and Edwardian era.
Author: Vanessa Guignery
Publisher: Bloomsbury Publishing
ISBN: 1137405848
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Jonathan Coe is one of the most popular and critically acclaimed contemporary British writers. This comprehensive introduction places his work in clear historical and theoretical context, offering extensive readings of the author's ten novels from The Accidental Woman to Expo 58, including the remarkable What a Carve Up! The book explores Coe's biography and his experimentations with narrative, genre and comedy, as well as his thematic preoccupations with history, memory, loss and nostalgia. The first volume devoted entirely to Coe, this book includes: - A supporting timeline of key dates in literature and current events - An examination of the critical reception to Coe's works - An exclusive interview with Jonathan Coe himself
Author: James B. Twitchell
Publisher: Columbia University Press
ISBN: 9780231115186
Category : Art
Languages : en
Pages : 328
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Book Description
Twitchell challenges the self-help movement, the recycling craze, Yuppie Guilt, and Oprah to reveal the heart of consumerism and what it tells us about ourselves. 36 illustrations.
Author: Jonathan Farina
Publisher: Cambridge University Press
ISBN: 1107181631
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
This book explores the ordinary turns of phrase by which major nineteenth-century British writers created character.
Author: NA NA
Publisher: Springer
ISBN: 1349036501
Category : Literary Criticism
Languages : en
Pages : 1555
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Book Description
