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Author: Anthony Aldgate
Publisher:
ISBN:
Category : History
Languages : en
Pages : 382
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Book Description
Charts Britain's reaction to World War II by examining 13 key films produced between 1939 and 1945. Illustrated with stills, the work analyzes each film, drawing from official documentation to explore film as a medium for propaganda. This edition features two new chapters and a filmography.
Author: Anthony Aldgate
Publisher:
ISBN:
Category : History
Languages : en
Pages : 382
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Book Description
Charts Britain's reaction to World War II by examining 13 key films produced between 1939 and 1945. Illustrated with stills, the work analyzes each film, drawing from official documentation to explore film as a medium for propaganda. This edition features two new chapters and a filmography.
Author: Robert Murphy
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
No Marketing Blurb
Author: Christine Gledhill
Publisher: Manchester University Press
ISBN: 9780719042591
Category : History
Languages : en
Pages : 328
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Book Description
What was the relation between gender and nation when the waiting woman was displaced by the mobile woman and homes were flattened by bombs? What happened to notions of femininity, sexual difference and class as women moved into the workplace and donned dungarees, military uniforms and utility clothing?
Author: Visiting Senior Fellow Department of Psychology Nicky Hayes
Publisher: Liverpool University Press
ISBN: 9780853237631
Category : History
Languages : en
Pages : 364
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Book Description
This collection of essays brings together the latest historical research on cultural production and reception during the Second World War. It covers the way in which cultural provision was viewed by the labour movement and industry.
Author: Justine Ashby
Publisher: Routledge
ISBN: 1135125082
Category : Performing Arts
Languages : en
Pages : 409
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Book Description
British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.
Author: Lucy Noakes
Publisher: A&C Black
ISBN: 1441104976
Category : History
Languages : en
Pages : 241
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Book Description
Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.
Author: S. P. Mackenzie
Publisher: A&C Black
ISBN: 1852852585
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
The cinema was the most popular form of entertainment during the Second World War. Film was a critically important medium for influencing opinion. Films, such as In Which We Serve and One of Our Aircraft is Missing, shaped the British people's perceptions of the conflict. British War Films, 1939-45 is an account of the feature films produced during the war, rather than government documentaries and official propaganda, making the book an important index of British morale and values at a time of desperate national crisis.
Author: Robert Murphy
Publisher: A&C Black
ISBN: 9780826478979
Category : Performing Arts
Languages : en
Pages : 814
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Book Description
The author provides a decade-by-decade analysis of every film ever made in Britain about World War II. It provides a comprehensive account of how Britain has portrayed the war through films.
Author: M. Todd Bennett
Publisher: Univ of North Carolina Press
ISBN: 0807835749
Category : History
Languages : en
Pages : 380
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Book Description
World War II coincided with cinema's golden age. Movies now considered classics were created at a time when all sides in the war were coming to realize the great power of popular films to motivate the masses. Through multinational research, One World,
Author: Neil Rattigan
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638620
Category : History
Languages : en
Pages : 372
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Book Description
Third, that the condition of total war in which Britain found itself a short time after the commencement of hostilities would mean that films, and indeed, all mass/popular culture, would respond to the urgency of the situation by taking a special interest in representations of British society. And fourth, following on from this, that British films of the Second World War would, one way or another, be agents of propaganda. From these propositions, the book examines just what these films had to say about social class in the images of Britain they were promulgating, with the corollaries of just how were they saying it, and why were they saying it. Alongside this is a concern with what propaganda purposes were being met by these films."--Jacket.
