Brahms and the Principle of Developing Variation PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Brahms and the Principle of Developing Variation PDF full book. Access full book title Brahms and the Principle of Developing Variation by Walter Frisch. Download full books in PDF and EPUB format.
Author: Walter Frisch
Publisher: Univ of California Press
ISBN: 9780520069589
Category : Biography & Autobiography
Languages : en
Pages : 244
Get Book Here
Book Description
This volume is an analytical study of 18 works by Brahms, making skillful use of Schoenberg's provocative concept of developing variation. It traces a genuine evolution through Brahm's compositions, considering their relationship to each other.
Author: Walter Frisch
Publisher: Univ of California Press
ISBN: 9780520069589
Category : Biography & Autobiography
Languages : en
Pages : 244
Get Book Here
Book Description
This volume is an analytical study of 18 works by Brahms, making skillful use of Schoenberg's provocative concept of developing variation. It traces a genuine evolution through Brahm's compositions, considering their relationship to each other.
Author: Walter Frisch
Publisher:
ISBN:
Category :
Languages : en
Pages : 634
Get Book Here
Book Description
Author: Brahms Studies
Publisher: U of Nebraska Press
ISBN: 9780803261969
Category : Biography & Autobiography
Languages : en
Pages : 272
Get Book Here
Book Description
A publication of the American Brahms Society, Brahms Studies publishes essays on the life, work, and artistic milieu of Johannes Brahms. Each volume collects the best in Brahms scholarship, including criticism, analysis, theory, biography, archival and documentary studies, and translations of important studies that have appeared in foreign languages.
Author: Jong Shin Kim
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
Get Book Here
Book Description
Author: Walter Miller Frisch
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 666
Get Book Here
Book Description
"...By developing variation Schoenberg means the construction of a theme by continuous modification of one or more features (intervals, rhythms) of a basic idea, according to certain recognized procedures, such as inversion, fragmentation, extension, and displacement." (p. 13).
Author: Carlos de Lemos Almada
Publisher: Springer Nature
ISBN: 3031314514
Category : Mathematics
Languages : en
Pages : 329
Get Book Here
Book Description
This book offers an in-depth analysis of musical variation through a systematic approach, heavily influenced by the principles of Grundgestalt and developed variations, both created by the Austrian composer Arnold Schoenberg (1874-1951). The author introduces a new transformational-derivative model and the theory that supports it, specifically crafted for the examination of tonal music. The idea for this book emerged during a sabbatical at Columbia University, while the content is the product of extensive research conducted at the Federal University of Rio de Janeiro, resulting in the development of the Model of Derivative Analysis. This model places emphasis on the connections between musical entities rather than viewing them as separate entities. As a case study, the Intermezzo in A Major Op.118/2 by Brahms is selected for analysis. The author's goal is to provide a formal and structured approach while maintaining the text's readability and appeal for both musicians and mathematicians in the field of music theory. The book concludes with the author's recommendations for further research.
Author: Heather Platt
Publisher: Routledge
ISBN: 113557619X
Category : Art
Languages : en
Pages : 448
Get Book Here
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Walter Frisch
Publisher: Univ of California Press
ISBN: 9780520212183
Category : Music
Languages : en
Pages : 352
Get Book Here
Book Description
Between 1893 and 1908, composer Arnold Schoenberg created many genuine masterworks in the genres of Lieder, chamber music and symphonic music. Here is the first full-scale account of Schoenberg's rich repertory of early tonal works. 139 music examples. 2 illustrations.
Author: Thomas Christensen
Publisher: Cambridge University Press
ISBN: 1316025489
Category : Music
Languages : en
Pages : 1033
Get Book Here
Book Description
The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.
Author: Andrew Davis
Publisher: Indiana University Press
ISBN: 0253025451
Category : Music
Languages : en
Pages : 223
Get Book Here
Book Description
“An effort to expand sonata theory more solidly into the nineteenth-century repertoire.” —Notes In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic. “A major achievement.” —Michael L. Klein, author of Music and the Crises of the Modern Subject
