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Author: Robert O. Paxton
Publisher: Vintage
ISBN: 0307428125
Category : Political Science
Languages : en
Pages : 338
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Book Description
What is fascism? By focusing on the concrete: what the fascists did, rather than what they said, the esteemed historian Robert O. Paxton answers this question. From the first violent uniformed bands beating up “enemies of the state,” through Mussolini’s rise to power, to Germany’s fascist radicalization in World War II, Paxton shows clearly why fascists came to power in some countries and not others, and explores whether fascism could exist outside the early-twentieth-century European setting in which it emerged. "A deeply intelligent and very readable book. . . . Historical analysis at its best." –The Economist The Anatomy of Fascism will have a lasting impact on our understanding of modern European history, just as Paxton’s classic Vichy France redefined our vision of World War II. Based on a lifetime of research, this compelling and important book transforms our knowledge of fascism–“the major political innovation of the twentieth century, and the source of much of its pain.”
Author: Robert O. Paxton
Publisher: Vintage
ISBN: 0307428125
Category : Political Science
Languages : en
Pages : 338
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Book Description
What is fascism? By focusing on the concrete: what the fascists did, rather than what they said, the esteemed historian Robert O. Paxton answers this question. From the first violent uniformed bands beating up “enemies of the state,” through Mussolini’s rise to power, to Germany’s fascist radicalization in World War II, Paxton shows clearly why fascists came to power in some countries and not others, and explores whether fascism could exist outside the early-twentieth-century European setting in which it emerged. "A deeply intelligent and very readable book. . . . Historical analysis at its best." –The Economist The Anatomy of Fascism will have a lasting impact on our understanding of modern European history, just as Paxton’s classic Vichy France redefined our vision of World War II. Based on a lifetime of research, this compelling and important book transforms our knowledge of fascism–“the major political innovation of the twentieth century, and the source of much of its pain.”
Author: Peter B. R. Carey
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Bill McKibben
Publisher: Random House
ISBN: 0804153434
Category : Social Science
Languages : en
Pages : 289
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Book Description
“Highly personal and original . . . McKibben goes beyond Marshall McLuhan’s theory that the medium is the message.” ——The New York Times Imagine watching an entire day’s worth of television on every single channel. Acclaimed environmental writer and culture critic Bill McKibben subjected himself to this sensory overload in an experiment to verify whether we are truly better informed than previous generations. Bombarded with newscasts and fluff pieces, game shows and talk shows, ads and infomercials, televangelist pleas and Brady Bunch episodes, McKibben processed twenty-four hours of programming on all ninety-three Fairfax, Virginia, cable stations. Then, as a counterpoint, he spent a day atop a quiet and remote mountain in the Adirondacks, exploring the unmediated man and making small yet vital discoveries about himself and the world around him. As relevant now as it was when originally written in 1992–and with new material from the author on the impact of the Internet age–this witty and astute book is certain to change the way you look at television and perceive media as a whole. “By turns humorous, wise, and troubling . . . a penetrating critique of technological society.”–Cleveland Plain Dealer “Masterful . . . a unique, bizarre portrait of our life and times.” –Los Angeles Times “Do yourself a favor: Put down the remote and pick up this book.” –Houston Chronicle
Author: Herman Cohen
Publisher: National Communication Assn
ISBN: 9780944811146
Category : History
Languages : en
Pages : 353
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Book Description
Printbegrænsninger: Der kan printes kapitelvis.
Author: Hal Foster
Publisher: Mit Press
ISBN: 9780262560818
Category : Art
Languages : en
Pages : 313
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Book Description
Surrealism has long been seen as its founder, André Breton,wanted it to be seen: as amovement of love and liberation. In Compulsive Beauty, Foster reads surrealism from its other,darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive towarddeath.To this end Foster first restages the difficult encounter of surrealism with Freudianpsychoanalysis, then redefines the crucial categories of surrealism - the marvelous, convulsivebeauty, objective chance - in terms of the Freudian uncanny,or the return of familar things madestrange by repression. Next, with the art of Giorgio de Chirico, Max Ernst, and Alberto Giacomettiin mind, Foster develops a theory of the surrealist image as a working over of a primal fantasy.This leads him finally to propose as a summa of surrealism a body of work often shunted to itsmargins: the dolls of Hans Bellmer, so many traumatic tableaux that point to difficult connectionsnot only between sadism and masochism butal so between surrealism and fascism.At this pointCompulsive Beauty turns to the social dimension of the surrealist uncanny. First Foster reads thesurrealist repertoire of automatons and mannequins as a reflection on the uncanny processes ofmechanization and commodification. Then he considers the surrealist use of outmoded images as anattempt to work through the historical repression effected by these same processes. In a briefconclusion he discusses the fate of surrealism today ina world become surrealistic.Compulsive Beautynot only offers a deconstructive reading of surrealism, long neglected by Anglo-American arthistory, it also participates in a postmodern reconsideration of modernism, the dominant accounts ofwhich have obscured its involvements in desire and trauma, capitalist shock and technologicaldevelopment.Hal Foster is Associate Professor of Art History and Comparative Literature at CornellUniversity. He is an editor of the journal OCTOBER.
Author: Estate of Barton Whaley
Publisher: Naval Institute Press
ISBN: 1612519830
Category : Political Science
Languages : en
Pages : 281
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Book Description
Written by the undisputed dean of U.S. denial and deception experts, Practise to Deceive is the most in-depth look at deception as a military strategy. Barton Whaley knew the history of denial and deception across time, disciplines, and culture. He was the foremost authority on the intricacies of denial and deception strategy and tactics. For Whaley, deception was a mind-game, requiring imagination, deep critical thought, a profound understanding of the enemy as well as one's self (a variation of Sun Tzu), and patience and fortitude. This book presents 88 vividly descriptive case studies to serve as a handbook for intelligence and military professionals. In Whaley's analysis, variations in guilefulness between opposing individuals or groups can be crucial in deciding who achieves victory in combat.
Author: Adrian Pabst
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802864511
Category : Philosophy
Languages : en
Pages : 558
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Book Description
"This book does nothing less than to set new standards in combining philosophical with political theology. Pabst s argument about rationality has the potential to change debates in philosophy, politics, and religion." (from the foreword) This comprehensive and detailed study of individuation reveals the theological nature of metaphysics. Adrian Pabst argues that ancient and modern conceptions of "being" or individual substance fail to account for the ontological relations that bind beings to each other and to God, their source. On the basis of a genealogical account of rival theories of creation and individuation from Plato to postmodernism, Pabst proposes that the Christian Neo-Platonic fusion of biblical revelation with Greco-Roman philosophy fulfills and surpasses all other ontologies and conceptions of individuality.
Author: Emma-Jayne Graham
Publisher: British Archaeological Reports Oxford Limited
ISBN:
Category : Social Science
Languages : en
Pages : 150
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Book Description
The horror of the puticuli, the mass burial pits, and their traditional association with the poor, has often led to this socio-economic group being viewed as somehow 'different' to the rest of the ancient urban community in the Italy of the Late Roman Republic. This is the theory questioned by the author of this volume. Why should this part of the community care so little about the disposal of the dead when other members of society were devoting huge amounts of time and money to ensuring that the deceased received not only burial, but also lasting commemoration? This volume emerged from the author's growing sense of unease at the way in which the urban poor of Rome seemed to be forgotten about, not only in discussions of burial practice, but also general societal trends. It stemmed from a wish to try to identify and re-humanise these often neglected people, as well as to use this information to more comprehensively assess the disposal practices of the ancient city dweller. The work goes some way to beginning this process. Much of the world of the ancient urban poor remains still to be explored, and, while not claiming to be comprehensive, the author hopes that it will re-insert the poor inhabitants of Rome into the consciousness of scholars of the ancient world, and contribute towards the development of new and exciting dialogues that take account of the attitudes and activities of all the varied members of ancient society.
Author: Dominic Head
Publisher: Cambridge University Press
ISBN: 9780521669665
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
In this introduction to post-war fiction in Britain, Dominic Head shows how the novel yields a special insight into the important areas of social and cultural history in the second half of the twentieth century. Head's study is the most exhaustive survey of post-war British fiction available. It includes chapters on the state and the novel, class and social change, gender and sexual identity, national identity and multiculturalism. Throughout Head places novels in their social and historical context. He highlights the emergence and prominence of particular genres and links these developments to the wider cultural context. He also provides provocative readings of important individual novelists, particularly those who remain staple reference points in the study of the subject. Accessible, wide-ranging and designed specifically for use on courses, this is the most current introduction to the subject available. An invaluable resource for students and teachers alike.
Author: Jon Peddie
Publisher: Springer Science & Business Media
ISBN: 1447149327
Category : Computers
Languages : en
Pages : 485
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Book Description
If you have ever looked at a fantastic adventure or science fiction movie, or an amazingly complex and rich computer game, or a TV commercial where cars or gas pumps or biscuits behaved liked people and wondered, “How do they do that?”, then you’ve experienced the magic of 3D worlds generated by a computer. 3D in computers began as a way to represent automotive designs and illustrate the construction of molecules. 3D graphics use evolved to visualizations of simulated data and artistic representations of imaginary worlds. In order to overcome the processing limitations of the computer, graphics had to exploit the characteristics of the eye and brain, and develop visual tricks to simulate realism. The goal is to create graphics images that will overcome the visual cues that cause disbelief and tell the viewer this is not real. Thousands of people over thousands of years have developed the building blocks and made the discoveries in mathematics and science to make such 3D magic possible, and The History of Visual Magic in Computers is dedicated to all of them and tells a little of their story. It traces the earliest understanding of 3D and then foundational mathematics to explain and construct 3D; from mechanical computers up to today’s tablets. Several of the amazing computer graphics algorithms and tricks came of periods where eruptions of new ideas and techniques seem to occur all at once. Applications emerged as the fundamentals of how to draw lines and create realistic images were better understood, leading to hardware 3D controllers that drive the display all the way to stereovision and virtual reality.
