Author: Alexander Pushkin
Publisher: Oxford University Press
ISBN: 0199554048
Category : Drama
Languages : en
Pages : 249
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Book Description
James E. Falen's verse translation consists of 'Boris Godunov', 'A Scene from Faust', the four 'Little Tragedies' and 'Rusalka'. The text features an introduction on Russia's most cosmopolitan playwright.
Author: Aleksandr Sergeevich Pushkin
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
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Book Description
Author: Alexander Pushkin
Publisher: Vintage
ISBN: 0593467574
Category : Drama
Languages : en
Pages : 305
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Book Description
The award-winning translators bring us the complete plays of the most acclaimed Russian writer of the Romantic era. Known as the father of Russian literature, Alexander Pushkin was celebrated for his dramas as well as his poetry and stories. His most famous play is Boris Godunov (later adapted into a popular opera by Mussorgsky), a tale of ambition and murder centered on the sixteenth-century Tsar who preceded the Romanovs. Pushkin was inspired by the example of Shakespeare to create this panoramic drama, with its richly varied cast of characters and artful blend of comic and tragic scenes. Pushkin’s shorter forays into verse drama include The Water Nymph, A Scene from Faust, and the four brief plays known as the Little Tragedies: The Miserly Knight, set in medieval France; Mozart and Salieri, which inspired the popular film Amadeus; The Stone Guest, a tale of Don Juan in Madrid; and A Feast in a Time of Plague, in which a group of revelers defy quarantine in plague-ridden London. These new translations of the complete plays, from the award-winning translators Richard Pevear and Larissa Volokhonsky, freshly reveal the range of Pushkin’s enduring artistry.
Author: Maxim Osipov
Publisher: New York Review of Books
ISBN: 1681373327
Category : Fiction
Languages : en
Pages : 305
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Book Description
The first English-language collection of a contemporary Russian master of the short story, recenly profiled in The New Yorker Maxim Osipov, who lives and practices medicine in a town ninety miles outside Moscow, is one of Russia’s best contemporary writers. In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to write stories of great subtlety and striking insight. Osipov’s fiction presents a nuanced, collage-like portrait of life in provincial Russia—its tragedies, frustrations, and moments of humble beauty and inspiration. The twelve stories in this volume depict doctors, actors, screenwriters, teachers, entrepreneurs, local political bosses, and common criminals whose paths intersect in unpredictable yet entirely natural ways: in sickrooms, classrooms, administrative offices and on trains and in planes. Their encounters lead to disasters, major and minor epiphanies, and—on occasion—the promise of redemption.
Author: Brian Hamnett
Publisher: Oxford University Press
ISBN: 0199695040
Category : History
Languages : en
Pages : 344
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Book Description
Brian Hamnett examines key historical novels by Scott, Balzac, Manzoni, Dickens, Eliot, Flaubert, Fontane, Galdós, and Tolstoy, revealing the contradictions inherent in this form of fiction and exploring the challenges writers encountered in attempting to represent a reality that linked past and present.
Author: Brian Kulick
Publisher: Bloomsbury Publishing
ISBN: 1350309923
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
This book is a brief history of the end of the world as seen through the eyes of theatre. Since its inception, theatre has staged the fall of empires, floods, doomsdays, shipwrecks, earthquakes, plagues, environmental degradations, warfare, nuclear annihilation, and the catastrophic effects of climate change. Using a wide range of plays alongside contemporary thinkers, this study helps guide and galvanize the reader in grappling with the climate crisis. Kulick divides this litany of theatrical cataclysms into four distinct historical phases: the Ancients, including Euripides and Bhasa, the legendary Sanskrit dramatist; the Age of Belief, with the anonymous authors of the medieval mystery cycles, Shakespeare, and Pushkin; the Moderns, with Ibsen, Chekhov, Brecht, Beckett, and Bond; and, finally, the way the world might end now, encompassing Caryl Churchill, Tony Kushner, and Anne Washburn. In tandem with the insights gleaned from these playwrights, the book draws upon the work of contemporary scientists, ecologists, and ethicists to further tease out the philosophical implications of such plays and their relevance to our own troubled times. In the end, Kulick shows how each of these ages and their respective authors have something essential to say, not only about humanity's potential end, but, more importantly, about the possibility for our collective continuance.
Author:
Publisher: BRILL
ISBN: 9004523324
Category : Philosophy
Languages : en
Pages : 394
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Book Description
This volume explores the influence of the Socratic legacy on philosophy and literature in the Russian, East European, and Soviet contexts, including the work of Skovoroda, Radishchev, Herzen, Dostoevsky, Rozanov, Bely, Narbut, Bulgakov, and many others.
Author: Ostap Kushnir
Publisher: Lexington Books
ISBN: 149855864X
Category : Political Science
Languages : en
Pages : 219
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Book Description
This book first proves that the rationale behind Russia’s aggressive actions in its neighborhood resides in its goal of achieving certain geostrategic objectives which are largely predefined by the state’s imperial traditions, memories, and fears that the Kremlin may irretrievably lose control over lands which were once Russian. In other words, Russia constantly remains an expansion-oriented and centralized state regardless of epochs and political regimes ruling over it. That is its geopolitical modus operandi successfully tested throughout history. This book also scrutinizes Ukraine as a young post-colonial and post-communist state which, unlike Russia, is more prone to democratize and decentralize. To understand the logics of the ongoing Ukrainian transformation, its domestic and international developments are assessed in their connection to the Soviet political tradition and the medieval legacy of the Cossack statehood (15–18 centuries). This book outlines differences between the political cultures of Ukrainian and Russian nations. This envisages scrutiny of historical experiences and their impacts on the Ukrainian and Russian state-building, institutional structures, national identity, religious issues, and other features of sovereignty. Based on these discoveries, a structure of symbolic thinking which predefines indigenous understandings of justice and order has been constructed for Ukrainians and Russians.
Author: Klara Moricz
Publisher: Univ of California Press
ISBN: 0520975529
Category : Music
Languages : en
Pages : 309
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Book Description
The Bolsheviks’ 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants’ and the Bolsheviks’ contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky’s disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky’s neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky’s neoclassicism, shedding new light on this infinitely elusive term.
Author: Tom Stern
Publisher: Routledge
ISBN: 1134575912
Category : Philosophy
Languages : en
Pages : 225
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Book Description
The relationship between philosophy and theatre is a central theme in the writings of Plato and Aristotle and of dramatists from Aristophanes to Stoppard. Where Plato argued that playwrights and actors should be banished from the ideal city for their suspect imitations of reality, Aristotle argued that theatre, particularly tragedy, was vital for stimulating our emotions and helping us to understanding ourselves. Despite this rich history the study of philosophy and theatre has been largely overlooked in contemporary philosophy. This is the first book to introduce philosophy and theatre. It covers key topics and debates, presenting the contributions of major figures in the history of philosophy, including: what is theatre? How does theatre compare with other arts? theatre as imitation, including Plato on mimesis truth and illusion in the theatre, including Nietzsche on tragedy theatre as history theatre and morality, including Rousseau’s criticisms of theatre audience and emotion, including Aristotle on catharsis theatre and politics, including Brecht’s Epic Theatre. Including annotated further reading and summaries at the end of each chapter, Philosophy and Theatre is an ideal starting point for those studying philosophy, theatre studies and related subjects in the arts and humanities.
