Blank Sheet Music 12 Staves Per Page PDF Download
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Author: James Blank Sheet Music
Publisher: Createspace Independent Publishing Platform
ISBN: 9781545295335
Category :
Languages : en
Pages : 120
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Book Description
Blank Sheet Music 12 staves per page 120 pages 8.5x11 Inch
Author: Guitar Nation
Publisher:
ISBN: 9781951791186
Category : Music
Languages : en
Pages : 104
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Book Description
Author: Hal Leonard Corp. Staff
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780634096365
Category :
Languages : en
Pages : 0
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Book Description
(Manuscript Paper). 32-page stitched book; large 6 staves per page; 8 1/2 x 8 1/2; Music Notation Guide.
Author: James Blank Sheet Music
Publisher: Createspace Independent Publishing Platform
ISBN: 9781545295335
Category :
Languages : en
Pages : 120
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Book Description
Blank Sheet Music 12 staves per page 120 pages 8.5x11 Inch
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
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Book Description
Author: Theodore Presser
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 876
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Book Description
Includes music.
Author: George Whitefield Chadwick
Publisher: A-R Editions, Inc.
ISBN: 0895798557
Category : Music
Languages : en
Pages : 451
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Book Description
George Whitefield Chadwick (18541931), a Massachusetts native identified with the so-called second New England School of composers, is among the most important and creative American composers in the generation that bridged the nineteenth and twentieth centuries. Trained in part in Germany, he spent much of his working life educating other musicians at the New England Conservatory of Music, which he led from 1897 until his death. Chadwick fashioned a compelling individual musical voice rooted in a Euro-American musical idiom; his orchestral and chamber music was performed with some frequency in his own day and has been revived in ours. His opera The Padrone, set to a libretto by David K. Stevens (based on an idea from Chadwick himself), was composed in 1912; it was strongly influenced by the verismo operas of the time (such as Leoncavallos Pagliacci and Puccinis Tosca), which attempted to bring to opera the naturalism of such late nineteenth-century writers as Zola and Ibsen. The Padrone is set in an American city (presumably the North End of Boston) in the present. The story, a tragic tale in two acts with an orchestral interlude, revolves around a ruthless member of the Italian community (the padrone) and his exploitation of more recently arrived immigrants. Chadwick composed The Padrone for submission to the Metropolitan Opera Company in New York, but the opera was rejected, probably because of its gritty realism, and was never staged during Chadwicks lifetime. (The Padrone exists only in manuscript form and has never been published; its only public performance so far took place in 1997.) In contrast to American operas of its generation that dramatize myths and legends from the ancient past, The Padrone brings a modern story to the stage, set to music of dramatic power and superb craftsmanship.
Author: Edward R. Phillips
Publisher: Routledge
ISBN: 1000526275
Category : Music
Languages : en
Pages : 329
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Book Description
First published in 2000. Gabriel Urbain Fauré was brn 12 May 1845, in Pamiers in the south of France. Faure’s compositional style has proven difficult to classify. Some music historians consider him a figure of the nineteenth century, a traditionalist, even a neo-romantic; others consider him part of the twentieth century—at the least, a predecessor of modem French music or, at the other extreme, a quiet revolutionary and a great influence upon France’s musical future. This research guide offers a selective, annotated list of writings, biographical information and lists of works and photographs.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1790
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Book Description
Author: Stephen Town
Publisher: Rowman & Littlefield
ISBN: 1793606013
Category : Music
Languages : en
Pages : 325
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Book Description
The Choral-Orchestral Works of Ralph Vaughan Williams: Autographs, Context, Discourse combines contextual knowledge, a musical commentary, an inventory of the holograph manuscripts, and a critical assessment of the opus to create substantial and meticulous examinations of Ralph Vaughan Williams’s choral-orchestral works. The contents include an equitable choice of pieces from the various stages in the life of the composer and an analysis of pieces from the various stages of Williams’s life. The earliest are taken from the pre-World War I years, when Vaughan Williams was constructing his identity as an academic and musician—Vexilla Regis (1894), Mass (1899), and A Sea Symphony (1910). The middle group are chosen from the interwar period—Sancta Civitas (1925), Benedicite (1929), Magnificat (1932), Five Tudor Portraits (1935), Dona nobis pacem (1936)—written after Vaughan Williams had found his mature voice. The last cluster—Thanksgiving for Victory (1944), Fantasia (Quasi Variazione) on the ‘Old 104’ Psalm Tune(1949), Sons of Light (1950), Hodie (1954), The Bridal Day/Epithalamion (1938/1957)—typify the works finished or revisited during the final years of the composer’s life, near the end of the Second World War and immediately before or after his second marriage (1953).
Author:
Publisher:
ISBN:
Category : Music trade
Languages : en
Pages : 1010
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