Black in White America PDF Download
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Author: Leonard Freed
Publisher: Getty Publications
ISBN: 1606060112
Category : African Americans
Languages : en
Pages : 210
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Book Description
Originally published: New York: Grossman Publishers, 1969.
Author: Leonard Freed
Publisher: Getty Publications
ISBN: 1606060112
Category : African Americans
Languages : en
Pages : 210
Get Book
Book Description
Originally published: New York: Grossman Publishers, 1969.
Author: Stephan Thernstrom
Publisher: Simon and Schuster
ISBN: 9781439129098
Category : Social Science
Languages : en
Pages : 704
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Book Description
In a book destined to become a classic, Stephan and Abigail Thernstrom present important new information about the positive changes that have been achieved and the measurable improvement in the lives of the majority of African-Americans. Supporting their conclusions with statistics on education, earnings, and housing, they argue that the perception of serious racial divisions in this country is outdated -- and dangerous.
Author: Carole Boston Weatherford
Publisher: Albert Whitman & Company
ISBN: 0807530182
Category : Juvenile Nonfiction
Languages : en
Pages : 34
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Book Description
The Society of Illustrators Original Art Exhibit 2015 2015 NAACP Image Award—Outstanding Literary Work, Children New York Public Library's 100 Titles for Reading and Sharing Notable Social Studies Trade Books for Young People 2016—CBC/NCSS STARRED REVIEW! "Weatherford writes in the present tense with intensity, carefully choosing words that concisely evoke the man. Parks' photography gave a powerful and memorable face to racism in America; this book gives him to young readers."—Kirkus Reviews starred review "This is a promising vehicle for introducing young children to the power of photography as an agent for social change, and it may make them aware of contemporary victims of injustice in need of an advocate with a camera."—The Bulletin of the Center for Children's Books The story of a self-taught photographer who used his camera to take a stand against racism in America. His white teacher tells her all-black class, You'll all wind up porters and waiters. What did she know? Gordon Parks is most famous for being the first black director in Hollywood. But before he made movies and wrote books, he was a poor African American looking for work. When he bought a camera, his life changed forever. He taught himself how to take pictures and before long, people noticed. His success as a fashion photographer landed him a job working for the government. In Washington DC, Gordon went looking for a subject, but what he found was segregation. He and others were treated differently because of the color of their skin. Gordon wanted to take a stand against the racism he observed. With his camera in hand, he found a way. Told through lyrical verse and atmospheric art, this is the story of how, with a single photograph, a self-taught artist got America to take notice.
Author: Andrew Billingsley
Publisher: Englewood Cliffs, N.J. : Prentice-Hall
ISBN:
Category : Social Science
Languages : en
Pages : 238
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Book Description
A social systems approach to the study of Negro family life -- Historical backgrounds of the Negro family -- Shadows of the plantation: contemporary social forrces affecting Negro family life -- Screens of opportunity: sources of achievement in Negro families -- Social status in the Black community -- The agony and the promise of social change -- Strategies of social reform.
Author: Marcus Mabry
Publisher: Simon and Schuster
ISBN: 0684196697
Category : Biography & Autobiography
Languages : en
Pages : 312
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Book Description
Mabry left Trenton, New Jersey for Lawrenceville, a prep school, then Stanford and finally a job at Newsweek.
Author: Robert M. Entman
Publisher: University of Chicago Press
ISBN: 0226210774
Category : Social Science
Languages : en
Pages : 326
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Book Description
Living in a segregated society, white Americans learn about African Americans not through personal relationships but through the images the media show them. The Black Image in the White Mind offers the most comprehensive look at the intricate racial patterns in the mass media and how they shape the ambivalent attitudes of Whites toward Blacks. Using the media, and especially television, as barometers of race relations, Robert Entman and Andrew Rojecki explore but then go beyond the treatment of African Americans on network and local news to incisively uncover the messages sent about race by the entertainment industry-from prime-time dramas and sitcoms to commercials and Hollywood movies. While the authors find very little in the media that intentionally promotes racism, they find even less that advances racial harmony. They reveal instead a subtle pattern of images that, while making room for Blacks, implies a racial hierarchy with Whites on top and promotes a sense of difference and conflict. Commercials, for example, feature plenty of Black characters. But unlike Whites, they rarely speak to or touch one another. In prime time, the few Blacks who escape sitcom buffoonery rarely enjoy informal, friendly contact with White colleagues—perhaps reinforcing social distance in real life. Entman and Rojecki interweave such astute observations with candid interviews of White Americans that make clear how these images of racial difference insinuate themselves into Whites' thinking. Despite its disturbing readings of television and film, the book's cogent analyses and proposed policy guidelines offer hope that America's powerful mediated racial separation can be successfully bridged. "Entman and Rojecki look at how television news focuses on black poverty and crime out of proportion to the material reality of black lives, how black 'experts' are only interviewed for 'black-themed' issues and how 'black politics' are distorted in the news, and conclude that, while there are more images of African-Americans on television now than there were years ago, these images often don't reflect a commitment to 'racial comity' or community-building between the races. Thoroughly researched and convincingly argued."—Publishers Weekly "Drawing on their own research and that of a wide array of other scholars, Entman and Rojecki present a great deal of provocative data showing a general tendency to devalue blacks or force them into stock categories."—Ben Yagoda, New Leader Winner of the Frank Luther Mott Award for best book in Mass Communication and the Robert E. Lane Award for best book in political psychology.
Author: Gerda Lerner
Publisher: New York : Pantheon Books
ISBN:
Category : History
Languages : en
Pages : 682
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Book Description
"In this fine collection of rare documentary sources, many of them previously unpublished, African-American women in their rich diversity speak of themselves, their lives, their ambitions, their struggles. Theirs are stores of oppression and survival, of family and community self-help, of inspiring heroism and grass-roots organizational continuity in the face of racism, economic hardship, and, far too often, violence. In the spirit of the slave mother who counseled her daughter, "Fight, and if you can't fight, kick; if you can't kick, then bite," black women resisted sexual abuse and economic oppression, cared for black children and neighbors, and organized for survival and political power. Their vivid accounts, their strong and insistent voices, make for inspiring reading, enriching our understanding of the American past"--Book cover.
Author: Jonathan Coleman
Publisher: Atlantic Monthly Press
ISBN: 9780871137234
Category : Social Science
Languages : en
Pages : 464
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Book Description
Explores race relations in America through the eyes of a cast of powerful characters, demonstrating how this complex social issue affects our daily lives, the workplace, and our general hopes for the future
Author: Allyson Hobbs
Publisher: Harvard University Press
ISBN: 067436810X
Category : Biography & Autobiography
Languages : en
Pages : 395
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Book Description
Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.
Author: Winthrop D. Jordan
Publisher: UNC Press Books
ISBN: 0807838683
Category : History
Languages : en
Pages : 692
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Book Description
In 1968, Winthrop D. Jordan set out in encyclopedic detail the evolution of white Englishmen's and Anglo-Americans' perceptions of blacks, perceptions of difference used to justify race-based slavery, and liberty and justice for whites only. This second edition, with new forewords by historians Christopher Leslie Brown and Peter H. Wood, reminds us that Jordan's text is still the definitive work on the history of race in America in the colonial era. Every book published to this day on slavery and racism builds upon his work; all are judged in comparison to it; none has surpassed it.
