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Author: Terri Brinegar
Publisher: Univ. Press of Mississippi
ISBN: 1496839285
Category : Biography & Autobiography
Languages : en
Pages : 338
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Book Description
In the late 1920s, Reverend A. W. Nix (1880–1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix’s recordings, were linked to the image of the “Old Negro” by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern “New Negro” citizen. Through interviews with family members, musical analyses of the sounds on Nix’s recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The “moaning voice” used by Nix and other ministers was a direct connection to the “blues moan” employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the “Father of Gospel Music,” Thomas A. Dorsey. The success of Nix’s recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.
Author: Terri Brinegar
Publisher: Univ. Press of Mississippi
ISBN: 1496839285
Category : Biography & Autobiography
Languages : en
Pages : 338
Get Book Here
Book Description
In the late 1920s, Reverend A. W. Nix (1880–1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix’s recordings, were linked to the image of the “Old Negro” by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern “New Negro” citizen. Through interviews with family members, musical analyses of the sounds on Nix’s recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The “moaning voice” used by Nix and other ministers was a direct connection to the “blues moan” employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the “Father of Gospel Music,” Thomas A. Dorsey. The success of Nix’s recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.
Author: Stephanie Jo Shaw
Publisher: UNC Press Books
ISBN: 080783873X
Category : Biography & Autobiography
Languages : en
Pages : 289
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Book Description
W. E. B. Du Bois and The Souls of Black Folk
Author: William Edward Burghardt Du Bois
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
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Book Description
The Souls of Black Folk is a classic work of American literature by W. E. B. Du Bois. It is a seminal work in the history of sociology, and a cornerstone of African-American literary history. To develop this groundbreaking work, Du Bois drew from his own experiences as an African-American in the American society. Outside of its notable relevance in African-American history, The Souls of Black Folk also holds an important place in social science as one of the early works in the field of sociology.
Author: W. E. B. Du Bois
Publisher: Open Road Media
ISBN: 1504064208
Category : History
Languages : en
Pages : 245
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Book Description
A look at African Americans’ contributions to the United States by the iconic leader whose life spanned from the Civil War to the civil rights movement. The first African American to earn a doctorate from Harvard and a cofounder of the NAACP, W. E. B. Du Bois remains a towering figure in US history. In The Gift of Black Folk, he celebrates Black Americans’ struggle for equality—a battle that would continue long after slavery was abolished—and in the ongoing pursuit of a more perfect union. As explorers, laborers, soldiers, artists, slaves, freedmen, and citizens, these individuals played an essential part in the unique conglomerate that is the United States, and their remarkable, often unsung history is conveyed in this classic work.
Author: Gladys-Marie Fry
Publisher: UNC Press Books
ISBN: 9780807849637
Category : Social Science
Languages : en
Pages : 276
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Book Description
During and after the days of slavery in the United States, one way in which slaveowners, overseers, and other whites sought to control the black population was to encourage and exploit a fear of the supernatural. By planting rumors of evil spirits, haunte
Author: Stanley Crouch
Publisher: Running Press Book Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
Crouch, a recognized jazz critic, joins noted journalist Playthell Benjamin for this thought-provoking look back at "The Souls of Black Folk" by W.E.B. DuBois, published in 1903. DuBois's collection of essays is reflected upon in this literary and sociological triumph on the 100th anniversary of DuBois's publication.
Author: Ariel Books
Publisher: Andrews McMeel Publishing
ISBN: 9780836230642
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Collected from Africa and the Americas, these proverbs remain as relevant nowas they were generations ago.
Author: Jane Livingston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
Forms from African and American popular arts, photojournalism, advertising, voodoo and the landscape reflect oral traditions of black culture: rural legends, popular history, Biblical stories, revivalism. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Author: St. Clair Drake
Publisher:
ISBN: 9781937306199
Category : History
Languages : en
Pages : 408
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Book Description
Black Folk Here and There is a seminal work that attempts to combine anthropology and comparative history in a study of the Black Experience from the beginning of literate cultures to the advent of the transatlantic slave trade and the White Racism that quickly developed as its ideological support. In this volume, the Black experience is conveyed through the Judaic, Greek and Roman cultures to European Christendom and the Muslim World in the period before the great diaspora from Africa to the West began in the sixteenth century CE.
Author: W.E.B. Du Bois
Publisher: e-artnow
ISBN: 8026883780
Category : Social Science
Languages : en
Pages : 282
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Book Description
'This monograph was begun during my residence as Rogers Memorial Fellow at Harvard University, and is based mainly upon a study of the sources, i.e., national, State, and colonial statutes, Congressional documents, reports of societies, personal narratives, etc. The collection of laws available for this research was, I think, nearly complete; on the other hand, facts and statistics bearing on the economic side of the study have been difficult to find, and my conclusions are consequently liable to modification from this source. The question of the suppression of the slave-trade is so intimately connected with the questions as to its rise, the system of American slavery, and the whole colonial policy of the eighteenth century, that it is difficult to isolate it, and at the same time to avoid superficiality on the one hand, and unscientific narrowness of view on the other. While I could not hope entirely to overcome such a difficulty, I nevertheless trust that I have succeeded in rendering this monograph a small contribution to the scientific study of slavery and the American Negro.' William Edward Burghardt "W. E. B." Du Bois (1868 – 1963) was an American sociologist, historian, civil rights activist, Pan-Africanist, author, writer and editor. Born in Great Barrington, Massachusetts, Du Bois grew up in a relatively tolerant and integrated community. After completing graduate work at the University of Berlin and Harvard, where he was the first African American to earn a doctorate, he became a professor of history, sociology and economics at Atlanta University. Du Bois was one of the co-founders of the National Association for the Advancement of Colored People in 1909.
