Author: Felix Salomon
Publisher:
ISBN:
Category : Great Britain
Languages : de
Pages : 838
Book Description
William Pitt der Jüngere
Author: Felix Salomon
Publisher:
ISBN:
Category : Great Britain
Languages : de
Pages : 838
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : de
Pages : 838
Book Description
General catalogue of printed books
Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 496
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 496
Book Description
Catalogus der geschiedenis ...
Author: Koninklijke Bibliotheek (Netherlands)
Publisher:
ISBN:
Category :
Languages : en
Pages : 102
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 102
Book Description
General Catalogue of Printed Books to 1955
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1238
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1238
Book Description
Slave Portraiture in the Atlantic World
Author: Agnes Lugo-Ortiz
Publisher: Cambridge University Press
ISBN: 1107354781
Category : History
Languages : en
Pages : 489
Book Description
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
Publisher: Cambridge University Press
ISBN: 1107354781
Category : History
Languages : en
Pages : 489
Book Description
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
Art Index
Author: Alice Maria Dougan
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 942
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 942
Book Description
Art Index Retrospective
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 766
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 766
Book Description
Representing Duchess Anna Amalia's Bildung
Author: Christina K. Lindeman
Publisher: Routledge
ISBN: 1351768050
Category : Art
Languages : en
Pages : 288
Book Description
The cultural milieu in the “Age of Goethe” of eighteenth-century Germany is given fresh context in this art historical study of the noted writers’ patroness: Anna Amalia, Duchess of Weimar-Sachsen-Eisenach. An important noblewoman and patron of the arts, Anna Amalia transformed her court into one of the most intellectually and culturally brilliant in Europe; this book reveals the full scope of her impact on the history of art of this time and place. More than just biography or a patronage study, this book closely examines the art produced by German-speaking artists and the figure of Anna Amalia herself. Her portraits demonstrate the importance of social networks that enabled her to construct scholarly, intellectual identities not only for herself, but for the region she represented. By investigating ways in which the duchess navigated within male-dominated institutions as a means of advancing her own self-cultivation – or Bildung – this book demonstrates the role accorded to women in the public sphere, cultural politics, and historical memory. Cumulatively, Christina K. Lindeman traces how Anna Amalia, a woman from a small German principality, was represented as an active participant in enlightened discourses. The author presents a novel and original argument concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it – an approach that elucidates the power of portraiture in eighteenth- and early nineteenth-century Europe.
Publisher: Routledge
ISBN: 1351768050
Category : Art
Languages : en
Pages : 288
Book Description
The cultural milieu in the “Age of Goethe” of eighteenth-century Germany is given fresh context in this art historical study of the noted writers’ patroness: Anna Amalia, Duchess of Weimar-Sachsen-Eisenach. An important noblewoman and patron of the arts, Anna Amalia transformed her court into one of the most intellectually and culturally brilliant in Europe; this book reveals the full scope of her impact on the history of art of this time and place. More than just biography or a patronage study, this book closely examines the art produced by German-speaking artists and the figure of Anna Amalia herself. Her portraits demonstrate the importance of social networks that enabled her to construct scholarly, intellectual identities not only for herself, but for the region she represented. By investigating ways in which the duchess navigated within male-dominated institutions as a means of advancing her own self-cultivation – or Bildung – this book demonstrates the role accorded to women in the public sphere, cultural politics, and historical memory. Cumulatively, Christina K. Lindeman traces how Anna Amalia, a woman from a small German principality, was represented as an active participant in enlightened discourses. The author presents a novel and original argument concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it – an approach that elucidates the power of portraiture in eighteenth- and early nineteenth-century Europe.
Gemälde in deutschen Museen
Author: Hans F. Schweers
Publisher:
ISBN:
Category : Art museums
Languages : de
Pages : 484
Book Description
Publisher:
ISBN:
Category : Art museums
Languages : de
Pages : 484
Book Description
European Art-prices Annuary
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 440
Book Description