Bilddokumente zur Lebensgeschichte Johann Sebastian Bachs PDF Download
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Author: Werner Neumann
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 456
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Book Description
Author: Werner Neumann
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 456
Get Book Here
Book Description
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category :
Languages : de
Pages : 470
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Book Description
Author: Christoph Wolff
Publisher: W. W. Norton & Company
ISBN: 9780393041064
Category : Music
Languages : en
Pages : 252
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Book Description
The cantatas of Johann Sebastian Bach are among the best known and most frequently performed musical works of the Baroque period. In an illuminating discussion of the musical, literary, aesthetic, and theological aspects of the composers early cantatas, leading Bach scholars place the works in their historical and biographical context. 85 photos.
Author: Daniel R. Melamed
Publisher: Oxford University Press
ISBN: 0195122313
Category : Music
Languages : en
Pages : 202
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Book Description
Subjects covered include bibliographic tools of Bach research and sources of literature; Bach's family; Bach biographies; places Bach lived and worked; Bach's teaching; the liturgy; Bach source studies and the transmission of his music; repertory and editions; genres and individual vocal and instrumental works; performance practice; the reception and analysis of Bach's music; and many others.
Author: Raymond Erickson
Publisher: Hal Leonard Corporation
ISBN: 1574671669
Category : Performing Arts
Languages : en
Pages : 389
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Book Description
(Amadeus). The Worlds of J.S. Bach offers both traditional and new perspectives on the life and work of the man who is arguably the central figure in the Western musical tradition. It appears at a time when, because of the fall of the Iron Curtain, extraordinary new discoveries are being made about Bach and his family at an increasing rate thus this book is able to incorporate important information and images not available even in the recent anniversary year of 2000. After making the case for the universality of Bach's art as an epitome of Western civilization, The Worlds of J.S. Bach considers in broad terms the composer's social, political, and artistic environment, its influence on him, and his interaction with it. Renowned specialists in history, religion, architecture, literature, theater, and dance offer the perspectives of these disciplines as they relate to Bach's milieu, while leading Bach specialists from both the U.S. and Germany focus on the man himself. The book is an outgrowth of the "celebrated" ( Boston Globe ) multidisciplinary Academies sponsored by the Aston Magna Foundation for Music and the Humanities with support from the National Endowment for the Humanities.
Author: Robin Leaver
Publisher: Taylor & Francis
ISBN: 1315452804
Category : Art
Languages : en
Pages : 593
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Book Description
The Ashgate Research Companion to Johann Sebastian Bach provides an indispensable introduction to the Bach research of the past thirty-fifty years. It is not a lexicon providing information on all the major aspects of Bach's life and work, such as the Oxford Composer Companion: J. S. Bach. Nor is it an entry-level research tool aimed at those making a beginning of such studies. The valuable essays presented here are designed for the next level of Bach research and are aimed at masters and doctoral students, as well as others interested in coming to terms with the current state of Bach research. Each author covers three aspects within their specific subject area; firstly, to describe the results of research over the past thirty-fifty years, concentrating on the most significant and controversial, such as: the debate over Smend's NBA edition of the B minor Mass; Blume's conclusions with regard to Bach's religion in the wake of the 'new' chronology; Rifkin's one-to-a-vocal-part interpretation; the rediscovery of the Berlin Singakademie manuscripts in Kiev; the discovery of hitherto unknown manuscripts and documents and the re-evaluation of previously known sources. Secondly, each author provides a critical analysis of current research being undertaken that is exploring new aspects, reinterpreting earlier assumptions, and/or opening-up new methodologies. For example, Martin W. B. Jarvis has suggested that Anna Magdalena Bach composed the cello suites and contributed to other works of her husband - another controversial hypothesis, whose newly proposed forensic methodology requires investigation. On the other hand, research into Bach's knowledge of the Lutheran chorale tradition is currently underway, which is likely to shed more light on the composer's choices and usage of this tradition. Thirdly, each author identifies areas that are still in need of investigation and research.
Author: Malcolm Boyd
Publisher: Oxford University Press
ISBN: 0199726329
Category : Music
Languages : en
Pages : 343
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Book Description
Published in its first edition in 1983, Boyds treatment of this canonical composer is essential reading for students, scholars, and everyone interested in Baroque music. In this third edition, biographical chapters alternate with commentary on the works, to demonstrate how the circumstances of Bachs life helped to shape the music he wrote at various periods. We follow Bach as he travels from Arnstadt and Muhlhausen to Weimar, Cothen, and finally Leipzig, these journeys alternating with insightful discussions of the great composers organ and orchestral compositions. As well as presenting a rounded picture of Bach, his music, and his posthumous reputation and influence, Malcolm Boyd considers the sometimes controversial topics of parody and arrangement, number symbolism, and the style and meaning of Bachs late works. Recent theories on the constitution of Bachs performing forces at Leipzig are also present. The text and the appendixes (which include a chronology, personalia, bibliography, and a complete catalogue of Bachs works) were thoroughly revised in this edition to take account of more recent research undertaken by Bach scholars, including the gold mine of new information uncovered in the former USSR.
Author: Noelle M. Heber
Publisher: Boydell & Brewer
ISBN: 1783275715
Category :
Languages : en
Pages : 287
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Book Description
In Johann Sebastian Bach's Lutheran church setting, various biblical ideas were communicated through sermons and songs to encourage parishioners to emulate Christian doctrine in their own lives. Such narratives are based on an understanding that one's lifetime on earth is a temporal passageway to eternity after death, where souls are sent either to heaven or hell based on one's belief or unbelief. Throughout J. S. Bach's Material and Spiritual Treasures, Bach scholar Noelle M. Heber explores theological themes related to earthly and heavenly 'treasures' in Bach's sacred music through an examination of selected texts from Bach's personal theological library. The book's storyline is organised around biblical concepts that are accented in Lutheran thought and in Bach's church compositions, such as the poverty and treasure of Christ and parables that contrast material and spiritual riches. While focused primarily on the greater theological framework, Heber presents an updated survey of Bach's own financial situation and considers his apparent attentiveness to spiritual values related to money. This multifaceted study investigates intertwining biblical ideologies and practical everyday matters in a way that features both Bach's religious context and his humanity. This book will appeal to musicologists, theologians, musicians, students, and Bach enthusiasts.
Author: Markus Zepf
Publisher: University of Illinois Press
ISBN: 0252078454
Category : Music
Languages : en
Pages : 242
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Book Description
"Published in cooperation with the American Bach Society."
Author: Szymon Paczkowski
Publisher: Rowman & Littlefield
ISBN: 0810888947
Category : Music
Languages : en
Pages : 419
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Book Description
Now appearing in an English translation, this book by Szymon Paczkowski is the first in-depth exploration of the Polish style in the music of Johann Sebastian Bach. Bach spent almost thirty years living and working in Leipzig in Saxony, a country ruled by Friedrich August I and his son Friedrich August II, who were also kings of Poland (as August II and August III). This period of close Polish-Saxon relations left a significant imprint on Bach’s music. Paczkowski’s meticulous account of this complex political and cultural dynamic sheds new light on many of Bach’s familiar pieces. The book explores the semantic and rhetorical functions that undergird the symbolism of the Polish style in Baroque music. It demonstrates how the notion of a Polish style in music was developed in German music theory, and conjectures that Bach’s successful application for the title of Court Composer at the court of the Elector of Saxony and King of Poland would induce the composer to deliberately use elements of the Polish style. This comprehensive study of the way Bach used the Polish style in his music moves beyond technical analysis to place the pieces within the context of Baroque customs and discourse. This ambitious and inspiring study is an original contribution to the scholarly conversation concerning Bach’s music, focusing on the symbolism of the polonaise, the most popular and recognizable Polish dance in 18th-century Saxony. In Saxony at this time the polonaise was associated with the ceremonies of the royal-electoral court in Dresden, and Saxon musicians regarded it as a musical symbol of royalty. Paczkowski explores this symbolism of the Polish royal dance in Bach’s instrumental music and, which is also to be found to an even greater extent, in his vocal works. The Polish Style in the Music of Johann Sebastian Bach provides wide-ranging interpretations based on a careful analysis of the sources explored within historical and theological context. The book is a valuable source for both teaching and further research, and will find readers not only among musicologists, but also historians, art historians, and readers in cultural studies. All lovers of Bach’s music will appreciate this lucid and intriguing study.
