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![Bijoux, argenterie, tableaux anciens, meubles [Briest, 1981]. PDF](https://books.google.com/books/content/images/frontcover/Cxr4zQEACAAJ?fife=w80-h100)
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Pages : 44
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![Bijoux, argenterie, tableaux anciens, meubles [Briest, 1981]. PDF](https://books.google.com/books/content/images/frontcover/oM6-DAEACAAJ?fife=w80-h100)
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Pages : 12
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![Bijoux, argenterie, tableaux, meubles et objets d'art [Briest, 1986]. PDF](https://books.google.com/books/content/images/frontcover/rSP0jgEACAAJ?fife=w80-h100)
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Author: Ben van den Bercken
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ISBN: 9789088905063
Category : Gems
Languages : en
Pages : 0
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This book discuss different types of engraved gems in the collection of the Rijksmuseum van Oudheden Leiden, their makers, users and re-users, combining archaeological, culture historical and geological perspectives.
Author: Людмил Фердинандов Вагалински
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Category : Bulgaria
Languages : en
Pages : 414
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Category : Anarchism
Languages : en
Pages : 62
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Author: Diliana N. Angelova
Publisher: Univ of California Press
ISBN: 052095968X
Category : History
Languages : en
Pages : 465
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Diliana Angelova argues that from the time of Augustus through early Byzantium, a discourse of “sacred founders”—articulated in artwork, literature, imperial honors, and the built environment—helped legitimize the authority of the emperor and his family. The discourse coalesced around the central idea, bound to a myth of origins, that imperial men and women were sacred founders of the land, mirror images of the empire’s divine founders. When Constantine and his formidable mother Helena established a new capital for the Roman Empire, they initiated the Christian transformation of this discourse by brilliantly reformulating the founding myth. Over time, this transformation empowered imperial women, strengthened the cult of the Virgin Mary, fueled contests between church and state, and provoked an arresting synthesis of imperial and Christian art. Sacred Founders presents a bold interpretive framework that unearths deep continuities between the ancient and medieval worlds, recovers a forgotten transformation in female imperial power, and offers a striking reinterpretation of early Christian art.
