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Author: John Street
Publisher: Temple University Press
ISBN: 9781566396035
Category : Political Science
Languages : en
Pages : 230
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Book Description
In Politics and Popular Culture, John Street explores the debate about the political character of popular culture between those who see it as a form of manipulation and those who see it as populist self-expression. He argues that such approaches are limited and that we need to alter our perspective on the politics of popular culture. He does this by looking more closely at the ways in which the state organizes the production and consumption of popular culture, and at how political judgments are part of the creation and the pleasures of popular culture. This book will be invaluable for students in cultural studies, mass media studies, sociology and politics.
Author: John Street
Publisher: Temple University Press
ISBN: 9781566396035
Category : Political Science
Languages : en
Pages : 230
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Book Description
In Politics and Popular Culture, John Street explores the debate about the political character of popular culture between those who see it as a form of manipulation and those who see it as populist self-expression. He argues that such approaches are limited and that we need to alter our perspective on the politics of popular culture. He does this by looking more closely at the ways in which the state organizes the production and consumption of popular culture, and at how political judgments are part of the creation and the pleasures of popular culture. This book will be invaluable for students in cultural studies, mass media studies, sociology and politics.
Author: Charles Fairchild
Publisher: Bloomsbury Publishing USA
ISBN: 150133624X
Category : Music
Languages : en
Pages : 401
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Book Description
Sounds, Screens, Speakers provides a broadly comprehensive survey of the emerging field of music and media. Music has been present at the advent of nearly every new media form since the turn of the 20th century. Whether we look at the start of sound recording, film, television or the Internet, music has been a crucial participant in the social changes brought about by these new tools for making and listening to music. This book examines such changes starting in the late 19th century to the present. From the introduction of the microphone all the way through to music in reality television, the purpose of each section is not simply to move chronologically towards the present, but to focus especially on the tangible social relationships created through specific forms of mediation. With readings at the end of most chapters, key questions to facilitate additional discovery and research, and direction to additional readings and resources on popular websites and news sources, this text serves as the ideal introduction to popular music and media.
Author: Georgina Born
Publisher: Univ of California Press
ISBN: 9780520220836
Category : Art
Languages : en
Pages : 374
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Book Description
"[Western Music and Its Others] will be taken as an important book signalling a new turn within the field. It takes the best features of traditional, rigorous scholarship and brings these to bear upon contemporary, more speculative questions. The level of theoretical sophistication is high. The studies within it are polemical and timely and of lasting scholarly value."--Will Straw, co-editor of Theory Rules: Art as Theory/ Theory and Art "The great value of this collection lies in the wealth of questions that it raises--questions that together crystallize the recent concerns of musicology with force and clarity. But it also lies in the authors' resistance to the easy 'postmodernist' answers that threaten to turn new musicology prematurely grey. The editors' comprehensive, intellectually adventurous introduction exemplifies the sort of eager yet properly skeptical receptivity to scholarly innovation that fosters lasting disciplinary reform. It alone is worth the price of the book." --Richard Taruskin, author of Stravinsky and the Russian Traditions: A Biography of the Works Through " Mavra" "When cultural-studies methods first appeared in musicology 15 years ago, they triggered a storm of polemics that sometimes overshadowed the important issues being raised. As the canon wars recede, however, scholars are finding it possible to focus on the concerns that led them to cultural criticism in the first place: the study of music and its political meanings. Western Music and Its Others brings together leading musicologists, ethnomusicologists, and specialists in film and popular music to explore the ways European and North American musicians have drawn on or identified themselves in tension with the musical practices of Others. In a series of essays ranging from examination of the Orientalist tropes of early 20th-century Modernists to the tangled claims for ownership in today's World Music, the authors in this collection greatly advance both our knowledge of specific case studies and our intellectual awareness of the complexity and urgency of these problems. A timely intervention that should help push music studies to the next level." --Susan McClary, author of Conventional Wisdom: The Content of Musical Form (2000) "This collection provides a sophisticated model for using theory to interrogate music and music to interrogate theory. The essays both take up and challenge the dominance of notions of representation in cultural theory as they explore the relevance of the concepts of hybridity and otherness for contemporary art music. Sophisticated theory, erudite scholarship and a very real appreciation for the specificities of music make this a powerful and important addition to our understanding of both culture and music." --Lawrence Grossberg, author of Dancing in Spite of Myself
Author: Krister Malm
Publisher: Routledge
ISBN: 1134943075
Category : Social Science
Languages : en
Pages : 290
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Book Description
How do people make music - and how does this activity relate to the policies of governments and the music industry? What is the relationship between live music and music we hear on the radio, or in music videos? How has the digital revolution affected music-making in industrialised and in developing nations? In Media Policy and Music Activity, Krister Malm and Roger Wallis look in depth at the relationships between policies governing the output of the music media and music activity in society. A practical base in case study material is combined with a broad theoretical framework for understanding the music media.
Author: Nicholas Cook
Publisher: Cambridge University Press
ISBN: 0521865824
Category : Music
Languages : en
Pages : 381
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Book Description
Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.
Author: Marta Savigliano
Publisher: Routledge
ISBN: 0429965559
Category : Social Science
Languages : en
Pages : 308
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Book Description
What is tango? Dance, music, and lyrics of course, but also a philosophy, a strategy, a commodity, even a disease. This book explores the politics of tango, tracing tango's travels from the brothels of Buenos Aires to the cabarets of Paris and the shako dansu clubs of Tokyo. The author is an Argentinean political theorist and a dance professor at the University of California at Riverside. She uses her ?tango tongue? to tell interwoven tales of sexuality, gender, race, class, and national identity. Along the way she unravels relations between machismo and colonialism, postmodernism and patriarchy, exoticism and commodification. In the end she arrives at a discourse on decolonization as intellectual ?unlearning.?Marta Savigliano's voice is highly personal and political. Her account is at once about the exoticization of tango and about her own fate as a Third World woman intellectual. A few sentences from the preface are indicative: ?Tango is my womb and my tongue, a trench where I can shelter and resist the colonial invitations to '`'universalism,'? a stubborn fatalist mood when technocrats and theorists offer optimistic and seriously revised versions of '`'alternatives' for the Third World, an opportunistic metaphor to talk about myself and my stories as a success' of the civilization-development-colonization of Am ca Latina, and a strategy to figure out through the history of the tango a hooked-up story of people like myself. Tango is my changing, resourceful source of identity. And because I am where I am?outside?tango hurts and comforts me: '`'Tango is a sad thought that can be danced.'?Savigliano employs the tools of ethnography, history, body-movement analysis, and political economy. Well illustrated with drawings and photos dating back to the 1880s, this book is highly readable, entertaining, and provocative. It is sure to be recognized as an important contribution in the fields of cultural studies, performance studies, decolonization, and women-of-color feminism.
Author: Elizabeth Cooke
Publisher: iUniverse
ISBN: 1462049761
Category : Juvenile Fiction
Languages : en
Pages : 157
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Book Description
The Little People were a happy and peaceful clan who lived in the crater of a wonderful volcano. There, they were surrounded by their favorite smellssweet sulfur, in particularand were always warm and comfortable. It was safe there, too, because the predators stayed away, which was very important for the Little People, each of them no more than twelve inches tall. Then, one terrible day, things begin to go wrong. The hiss of steam in their happy home comes less and less. The sweet sulfur fades, growing weaker by the day. Their volcano is dying; soon, it will no longer be a safe, warm, comfortable place to call home. The Little People are forced to flee, and they find themselves in a Maine mill town, lost and afraid. How will they survive? Who will come to their aid in this strange, new land? Luckily, two curious kids, Timothy and Xandre, discover the Little People and befriend the strange clan. With the help of their new friendsplus a helpful grandma and a friendly dogthe Little People might be safe after all, despite the absence of sulfur and heat. At a chaotic town meeting, the fates of the Little People will be ultimately decided.
Author: Michael Veal
Publisher: Wesleyan University Press
ISBN: 0819574422
Category : Music
Languages : en
Pages : 353
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Book Description
Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Ebook Edition Note: Seven of the 25 illustrations have been redacted.
Author: AQEEL AHMED
Publisher: AQEEL AHMED
ISBN: 1998419843
Category : Fiction
Languages : en
Pages : 39
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Book Description
The Tiny People's Lighthouse Learn how the tiny people help the tall man find his way home using their special lighthouse. Summary "The Tiny People's Lighthouse," a charming story of bravery and friendship, takes readers to a world where big and small people meet. This interesting book has 14 exciting chapters that tell the story of the little people's amazing journey and their desire to help a lost tall man. The story starts in a town far away, where the little people live in peace because the tall people can't see them. Their society is based around the lighthouse, which is more than just a building; it's a home that represents guidance and hope. The adventure in the story is led by this lighthouse. Some foggy night, the little people meet a big man who is lost and needs to find his way home. This changes their lives. The villagers get over their original fear of being found out and their varying levels of compassion. To help the stranger, they make the brave choice to use their lighthouse in a way that has never been done before. Little people get together and share what they know and what they have to make the lighthouse's shine stronger. The light was meant to help them find the tall man's way home. What follows shows how well kindness and working together can work. Together, they get past the dangers in their way, like dangerous terrain and thick fog. In the process, they grow closer as friends and learn how important it is to work together. The stubbornness and kindness of the little people teach the tall man new things about the world as the trip goes on. He discovers beauty in the smallest things and sees the world in a new way. At the end of their journey, the lighthouse appears out of the darkness, shining brighter than before to lead them back to shore. It is a moving reflection of how harmony and purpose can bring light. The big guy in "The Tiny People's Lighthouse" says goodbye to the tiny people with a lot of love. His promise to himself is that he will always remember how they taught him to be brave, kind, and friendly. The locals go back to their homes, knowing that their lighthouse will always be there to guide anyone who gets lost, not just them. This interesting book teaches kids a very important lesson: by being brave and kind, everyone, no matter how big or small, can make a big difference. Chapter 1: The Small Town In a corner of a world that is very different from ours, there is a secret alcove that can't be seen by people who look down from high places and take very big steps. There are people living here, but there aren't a lot of big buildings and loud noises. Instead, it's a small group of people who are so small that you would miss them even if you were right next to them. These small groups of people have made their homes in perfect harmony with nature. They sometimes hide from the mushroom caps that look like tiny umbrellas in the landscape, either inside the hollows of old tree trunks or under the leaves of big trees. They are happy with their lives and the small people who live in their secret world. They are a clever and innovative group of people who make their own tools out of things they can find in nature. They use sand grains as building blocks, branches to make the beams for their homes, and flowers to make the comfortable beds they sleep on. Firefly lamps give off a soft glow that lights up every home in their world. Spun spider silk windows let in warm light that makes a kaleidoscope of natural beauty. A lighthouse is the most important thing in their town and a huge source of pride for their small community. Compared to the grand lighthouses we're used to seeing, this one is just a dot in the middle of their remote cove. For the little people, though, it's a beautiful tower made of pebbles, leaves, and nut shells that the locals put together with great skill and spider silk. When it gets dark, the lighthouse always shines brightly, showing the way and keeping people safe. It gets its magical light from the glowworms that the little people take great care of. Not only is this light a beacon, but it's also a beautiful, sparkling sign of how the little people work together to protect and guide each other. The way people live in the small village is set by natural forces. The tiny people rise along with the sun as it shines through their leafy canopy, making a mosaic of light and shade. All day long, they can hear soft sounds from nature, like streams running nearby, the wind whispering, and bees buzzing. Their days are spent taking care of their gardens, which are full of little vegetables and flowers of every color. It always smells like sweet baking and sounds like happy kids singing. Communities like theirs are very close and are based on trust and respect. Each person makes a choice while sitting in the middle of town, under the stars and the soft light of their lighthouse. Each little person has a job to do and makes the town a better place to live. Everyone's work is appreciated, from farmers who take care of the land so that it yields lots of crops to workers who make clothes and blankets out of silk. The little people are brave, even though they are small. They often go out into the vast wilderness that surrounds their town. They move through streams on the backs of friendly bugs and use sticks as bridges to get across gaps. Their world is full of fun things to do, but their lighthouse always leads them back to their safe town. The soothing light from the tower makes you think of home and safety. It talks about shared meals, nights of laughter, and how nice it is to be close to people you care about. It's more than just a building; it represents the little people's love, determination, and connection to the outside world. The small town does well in this faraway part of the world, showing what can be done when people work together toward a common goal. Even though they are small, tiny people have big hearts and goals. People who see their lighthouse are given hope, and it also serves as a warning that even a small light can get you through the darkest night. Everything in this world is amazing, every moment is loved, and the lighthouse's soft glow at night makes every night better. Chapter 2: The Tall Man Who Got Lost. One very foggy evening, a tall man was walking around, and the mist was so thick that it looked like it covered the whole world in white. This wanderer wasn't like most; he was taller than all the small houses and trees that made up the hidden village of little people. A "tall one," as the little people called him, from the world outside their secret nook, where the sky was big and the land was empty. With his big steps and long legs, the tall guy had pretty much stumbled upon the small people's secret town. He was not only nearby, but he was also totally lost and didn't know how to find his way home. He was walking through the tall, wild trees that surrounded the small town when all of a sudden, fog came in and caught him off guard. The trees were usually friendly and easy to spot, but now they looked like huge shadows that were scary and bent in strange ways. He felt like he was the only person in a huge, never-ending cloud of mist. Paths that were visible during the day were now hidden. He yelled, hoping someone would answer, but the fog made it impossible for him to speak. Even though he was a big guy, he felt small at that moment, which is something that smaller people bravely deal with every day. Instead of being excited about a trip, his heart was racing with worry. He only wanted the comfort of home, even though he had always been an explorer, eager to find new ways to do things and share stories. He had been able to walk on these feet before, but now they seemed shaky; with each step, they shook as if they were wondering, "Which way do we go?" As the evening went on, the tall man's situation got worse. It was hard to tell the difference between the sky and the ground because of the thick, steady fog. It looked like all directions were equal. He had no sun or stars to help him find his way. He had never been so lost before. He wasn't only lost, but he also felt cut off from everything he knew and held dear, including his family and friends. To see through the fog, he lit a small lamp that was in his pocket. But it looked like the light was hidden by the fog, so it didn't offer much comfort or direction. He thought about his home, the people he loved, the safety of his bed, and the fire in the fireplace. He thought about them wondering where he was and was getting more worried by the minute. These thoughts didn't make him feel better; instead, they made him realize how far away he was from his own home. Even though he was getting more and more down, the tall guy kept going. He chose to keep moving because he thought he would eventually find his way. He told himself words of hope and encouragement with each step, pleading with the world to lead him back to a place he knew. He thought back to stories he had read about travelers who got through the hardest terrain by following the smallest clues and wonders. People who got lost in those stories always found their way back because they believed in the strange and impossible.
Author: Simon Zagorski-Thomas
Publisher: Bloomsbury Publishing USA
ISBN: 1501334034
Category : Music
Languages : en
Pages : 433
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Book Description
The Bloomsbury Handbook of Music Production provides a detailed overview of current research on the production of mono and stereo recorded music. The handbook consists of 33 chapters, each written by leaders in the field of music production. Examining the technologies and places of music production as well the broad range of practices – organization, recording, desktop production, post-production and distribution – this edited collection looks at production as it has developed around the world. In addition, rather than isolating issues such as gender, race and sexuality in separate chapters, these points are threaded throughout the entire text.
