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Author: Ruth Harriett Blackburn
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111392740
Category : Language Arts & Disciplines
Languages : en
Pages : 208
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Book Description
Author: Ruth Harriett Blackburn
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111392740
Category : Language Arts & Disciplines
Languages : en
Pages : 208
Get Book Here
Book Description
Author: Howard B. Norland
Publisher: U of Nebraska Press
ISBN: 9780803233379
Category : Drama
Languages : en
Pages : 428
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Book Description
A time of great changes after nearly a century of foreign wars and civil strife, the Tudor era witnessed a significant transformation of dramatic art. Medieval traditions were modified by the forces of humanism and the Reformation, and a renewed interest in classical models inspired experimentation. Howard B. Norland examines Tudor plays performed between 1485 and 1558, a time when drama reached beyond local, popular, and religious contexts to treat more varied and more secular concerns, culminating in the emergence of comedy and tragedy as major genres. The theater also imported dramas from the Continent, adapting them to English tastes. After establishing the popular dramatic traditions of fifteenth-century Britain, Norland discusses the critical interpretation of the Latin plays of Terence studied in the schools and the views of influential authors such as Erasmus, Vives, and More about what drama should be and do. The heart of the book is its in-depth analyses of individual plays. Norland examines the secularization of the morality play in Skelton's Magnificence, Bale's King John, Respublica, and Redford's Wit and Science and he traces the changes in comic form from Medwall's Fulgens and Lucres through Calisto and Melebea and Johan Johan to Udall's Roister Doister and Gammer Gurton's Needle. The final section examines the first tragedies written in England: Watson's Absolom, Christopherson's Jephthah, and Grimald's Archipropheta. Howard B. Norland is a professor of English at the University of Nebraska-Lincoln. His articles have appeared in Genre, Sixteenth Century Journal, Fifteenth Century Studies, Comparative Drama, and Journal of Medieval and Renaissance Studies.
Author: Eva von Contzen
Publisher: Manchester University Press
ISBN: 1526131617
Category : Drama
Languages : en
Pages : 300
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Book Description
The thirteen chapters in this collection open up new horizons for the study of biblical drama by putting special emphasis on multitemporality, the intersections of biblical narrative and performance, and the strategies employed by playwrights to rework and adapt the biblical source material in Catholic, Protestant and Jewish culture. Aspects under scrutiny include dramatic traditions, confessional and religious rites, dogmas and debates, conceptualisations of performance, and audience response. The contributors stress the co-presence of biblical and contemporary concerns in the periods under discussion, conceiving of biblical drama as a central participant in the dynamic struggle to both interpret and translate the Bible.
Author: Lynette R. Muir
Publisher: Cambridge University Press
ISBN: 9780521542104
Category : Drama
Languages : en
Pages : 352
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Book Description
This book presents a detailed survey and analysis of the surviving corpus of biblical drama from all parts of medieval Christian Europe. Over five hundred plays from the tenth to the sixteenth centuries are examined, in a wide-ranging discussion which makes available the full scope of this important part of theatre history. The volume is specially organised to provide a complete overview of major aspects of medieval biblical theatre, including the theatrical community of both audience and players; the major plays and cycles; and the legacy of medieval biblical theatre. The book also includes valuable appendices with information on the liturgical calendar, processions, and the Mass and the Bible.
Author: C W R D Moseley
Publisher: Lulu.com
ISBN: 1847601065
Category : Drama
Languages : en
Pages : 249
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Book Description
Part I provides some contexts for what is inevitably our reading of the history plays, so that perhaps we may guess at the impact they may have had on their contemporaries. The author suggests, by implication, a way of approaching Elizabethan drama that may be generally useful. Part II is a consideration of what the author thinks are some major issues in the Ricardian plays.
Author: C W R D Moseley
Publisher: Humanities-Ebooks
ISBN: 1847601650
Category : Literary Criticism
Languages : en
Pages : 116
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Book Description
After a brief examination of' Jacobethan' attitudes to history and politics, the first chapter summarises some key concepts: the sort of world people thought they were living in, the issues of freewill and predestination, and the supposed (and in fact problematic) linkage at all levels between the world of man and the macrocosm. A short discussion of theories and types of drama and their topical application then follows. Shakespeare's use of his sources, and what they suggested to him, leads us in to a full discussion of the figure of Richard: the dramatic types on which he is built, and how Shakespeare has subtly developed them are explored. We then examine in detail the progress of the play, before discussing some of its themes and issues, such as justice, vengeance, revenge and time. The last chapter suggests some ways of looking at the linguistic and semantic texture of this elegant play.
Author: Rachel Teukolsky
Publisher: Oxford University Press
ISBN: 0192603574
Category : Literary Criticism
Languages : en
Pages : 465
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Book Description
The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.
Author: Christine Peters
Publisher: Cambridge University Press
ISBN: 9780521580625
Category : History
Languages : en
Pages : 418
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Book Description
This book offers a new interpretation of the transition from Catholicism to Protestantism in the English Reformation, and explores its implications for an understanding of women and gender. It argues that late medieval Christocentric piety shaped the nature of the Reformation, and reasseses assumptions that the 'loss' of the Virgin Mary and the saints was detrimental to women. In defining the representative frail Christian as a woman devoted to Christ, the Reformation could not be an alien environment for women, while the Christocentric tradition encouraged the questioning of gender stereotypes.
Author: Margaret Aston
Publisher: CUP Archive
ISBN: 9780521484572
Category : Art
Languages : en
Pages : 296
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Book Description
A fascinating and lavishly-illustrated detective story about the allegorical painting Edward VI and the Pope.
Author: Michelle Ephraim
Publisher: Routledge
ISBN: 1317071018
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
The first book-length examination of Jewish women in Renaissance drama, this study explores fictional representations of the female Jew in academic, private and public stage performances during Queen Elizabeth I's reign; it links lesser-known dramatic adaptations of the biblical Rebecca, Deborah, and Esther with the Jewish daughters made famous by Christopher Marlowe and William Shakespeare on the popular stage. Drawing upon original research on early modern sermons and biblical commentaries, Michelle Ephraim here shows the cultural significance of biblical plays that have received scant critical attention and offers a new context with which to understand Shakespeare's and Marlowe's fascination with the Jewish daughter. Protestant playwrights often figured Elizabeth through Jewish women from the Hebrew scripture in order to legitimate her religious authenticity. Ephraim argues that through the figure of the Jewess, playwrights not only stake a claim to the Old Testament but call attention to the process of reading and interpreting the Jewish bible; their typological interpretations challenge and appropriate Catholic and Jewish exegeses. The plays convey the Reformists' desire for propriety over the Hebrew scripture as a "prisca veritas," the pure word of God as opposed to that of corrupt Church authority. Yet these literary representations of the Jewess, which draw from multiple and conflicting exegetical traditions, also demonstrate the elusive quality of the Hebrew text. This book establishes the relationship between Elizabeth and dramatic representations of the Jewish woman: to "play" the Jewess is to engage in an interpretive "play" that both celebrates and interrogates the religious ideology of Elizabeth's emerging Protestant nation. Ephraim approaches the relationship between scripture and drama from a historicist perspective, complicating our understanding of the specific intersections between the Jewess in Elizabethan drama, biblical commentaries, political discourse, and popular culture. This study expands the growing field of Jewish studies in the Renaissance and contributes also to critical work on Elizabeth herself, whose influence on literary texts many scholars have established.
