Bible Figures in Islamic Art PDF Download
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Author: Marlies Ter Borg
Publisher: Createspace Independent Pub
ISBN: 9781468029154
Category : Art
Languages : en
Pages : 46
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Book Description
The colorful images in this book show that we have more in common than is generally supposed. They are miniature figures well known from BIBLE AND QURAN. Adam, Noah, Moses, Mary and Jesus, and many others revered by Muslims and Christians alike. Surprising to find them rendered here by Muslim artists! Islamic art, admired for its non-figurative beauty, sometimes ventures into the figurative sphere, for educational and illustrative purposes. Tucked discreetly into books, rather than proudly displayed in mosques, they are now buried in the cellars of mainly Western museums. Reason enough to make these jewels available for the general public. For the images show not only similarities with Christian art but also fascinating differences both in content and style. Adam and Eve/Hawwa revered by angels, and then leaving Paradise on a four legged snake; the child Moses on Pharaoh's lap; King Solomon conversing with animals; Jesus on horseback raising Lazarus from the dead; finally Mary, Jesus and Moses depicted together with Muhammad; the last two with discreetly covered faces. Each image is accompanied by a short explanation and relevant Qur'anic texts. Reproductions of the images, stemming from the 16th and 17th century, admired by Christians and Muslims, have been shown in a mobile exhibition. Negotiations are underway for a full fledged exhibition with some if not all of the authentic miniatures. Compiled by Marlies ter Borg, www.marliesterborg.net
[email protected] author of Sharing Mary, Bible and Qur'an Side by Side Images courtesy of: The Nour Foundation, Khalili Family Trust, London The Arthur M. Sackler Gallery, Smithsonian, Washington D.C. The Topkapi museum, Istanbul The Wereldmuseum, Rotterdam The David Collection, Copenhagen
Author: Marlies Ter Borg
Publisher: Createspace Independent Pub
ISBN: 9781468029154
Category : Art
Languages : en
Pages : 46
Get Book Here
Book Description
The colorful images in this book show that we have more in common than is generally supposed. They are miniature figures well known from BIBLE AND QURAN. Adam, Noah, Moses, Mary and Jesus, and many others revered by Muslims and Christians alike. Surprising to find them rendered here by Muslim artists! Islamic art, admired for its non-figurative beauty, sometimes ventures into the figurative sphere, for educational and illustrative purposes. Tucked discreetly into books, rather than proudly displayed in mosques, they are now buried in the cellars of mainly Western museums. Reason enough to make these jewels available for the general public. For the images show not only similarities with Christian art but also fascinating differences both in content and style. Adam and Eve/Hawwa revered by angels, and then leaving Paradise on a four legged snake; the child Moses on Pharaoh's lap; King Solomon conversing with animals; Jesus on horseback raising Lazarus from the dead; finally Mary, Jesus and Moses depicted together with Muhammad; the last two with discreetly covered faces. Each image is accompanied by a short explanation and relevant Qur'anic texts. Reproductions of the images, stemming from the 16th and 17th century, admired by Christians and Muslims, have been shown in a mobile exhibition. Negotiations are underway for a full fledged exhibition with some if not all of the authentic miniatures. Compiled by Marlies ter Borg, www.marliesterborg.net
[email protected] author of Sharing Mary, Bible and Qur'an Side by Side Images courtesy of: The Nour Foundation, Khalili Family Trust, London The Arthur M. Sackler Gallery, Smithsonian, Washington D.C. The Topkapi museum, Istanbul The Wereldmuseum, Rotterdam The David Collection, Copenhagen
Author: Stephen J. Vicchio
Publisher: Wipf and Stock Publishers
ISBN: 1556353049
Category : Religion
Languages : en
Pages : 299
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Book Description
Vicchio believes that by understanding how much Muslim tradition overlaps with the biblical traditions of Judaism and Christianity, we might begin to expose a wedge of common ground on which understanding and respect might begin to be built. Vicchio begins with a brief introduction sketching some fundamentals of Muslim history and culture, and clearing away some common misconceptions. His main goal, however, is to give us a detailed look at the treatment of biblical figures in the literature of Islam. The broad range of his research and presentation is startling. He begins with the Qur'an but continues on to the collected writing of the roughly two hundred years after Mohammed (Hadith, Sunnah, Akhbar) that came to be regarded as authoritative in the various traditions that developed in early Islam. He then traces the interest in these biblical figures on into modern treatments of the role of these figures in Muslim scholarship and how these figures are understood and used in the traditions of Islam yet today. The result of Vicchio's scholarship and presentation will be a revelation to most Christian and Jewish readers. It has become somewhat commonplace to refer to Judaism, Christianity, and Islam as the three Abrahamic faiths. This shows a beginning awareness of the beginnings of each of these three great religions, birthed in the Middle East, in a common ancestor, Abraham (Ibrahim). Abraham's faithfulness and his closeness to God make his a revered figure in each of these three great faiths, and for each Abraham is a beginning of the story of the particular relationship between God and the people of each of these religions. --from the Foreword
Author: John Kaltner
Publisher: Bloomsbury Publishing
ISBN: 0567666034
Category : Religion
Languages : en
Pages : 181
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Book Description
The Bible and the Qur'an provides an overview of all the figures and groups who are mentioned in both the Bible and the Qur'an. Principal focus centres on the similarities and differences between the presentations of these characters in the two texts, with special emphasis placed on how they appear in the Islamic text. References are also included to how many of the individuals/groups discussed are treated in other Islamic sources. Each figure or group includes: (1) a list of relevant Qur'an passages; (2) a description of how the individual/group is presented in the Islamic Texts; (3) questions and issues to consider; (4) suggestions for further readings. An introductory section provides a basic orientation to the Qur'an and other Islamic sources.
Author: J. Cheryl Exum
Publisher: Bloomsbury Publishing
ISBN: 0567685160
Category : Religion
Languages : en
Pages : 249
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Book Description
In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark's gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.
Author: Gabriel Said Reynolds
Publisher: Yale University Press
ISBN: 0300181329
Category : Religion
Languages : en
Pages : 1029
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Book Description
"While the Hebrew Bible and the New Testament are understood to be related texts, the sacred scripture of Islam, the third Abrahamic faith, has generally been considered separately. Noted religious scholar Gabriel Said Reynolds draws on centuries of Qur'anic and Biblical studies to offer rigorous and revelatory commentary on how these holy books are intrinsically connected."--Dust jacket.
Author: Qaṭrîn Qôǧman-Appel
Publisher: BRILL
ISBN: 9004137890
Category : Religion
Languages : en
Pages : 400
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Book Description
This book discusses the decoration types of Sephardic illuminated Bibles in their broader historical, and social context in an era of cultural transition in Iberia and culture struggle within Spanish Jewry.
Author: Erica Cruikshank Dodd
Publisher: Syracuse University Press
ISBN:
Category : Architecture
Languages : en
Pages : 108
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Book Description
Volume I is designed to be read by itself, but it presents the arguments and conclusions drawn from the Indexes in Volume II. Volume II presents the documentation for the arguments: a collection of published inscriptions decorating Islamic monuments. They are organized under three headings: 1) according to the number of the Sura and verse; 2) according to the geographical area, the city and the building where the verses occur; 3) according to the location within the buildings, over doors, for example, or on minarets.
Author: Michael E. Stone
Publisher: A&C Black
ISBN: 9781563384110
Category : Religion
Languages : en
Pages : 458
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Book Description
1999 Biblical Archaeology Society Publication Award for the category Best Book Relating to the Old Testament. Explores the evolution of the biographical traditions of some fifteen biblical figures
Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
ISBN: 1108474659
Category : Art
Languages : en
Pages : 387
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Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Author: Eva R. Hoffman
Publisher: John Wiley & Sons
ISBN: 1405182075
Category : Art
Languages : en
Pages : 444
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Book Description
Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts. A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books
