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Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838714782
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.
Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838714782
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.
Author: Eddie Dyja
Publisher: British Film Institute
ISBN: 9780851709901
Category : Performing Arts
Languages : en
Pages : 452
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Book Description
No Marketing Blurb
Author: Andrew Beck
Publisher: Routledge
ISBN: 1134439563
Category : Social Science
Languages : en
Pages : 212
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Book Description
Cultural Work examines the conditions of the production of culture. It maps the changed character of work within the cultural and creative industries, examines the increasing diversity of cultural work and offers new methods for analysing and thinking about cultural workplaces. Studying television, popular music, performance art, radio, film production and live performance it offers occupational biographies, cultural histories, practitioners' evidence, considerations of the economic environment as well as new ways of observing and studying the cultural industries.
Author: Jonathan Bignell
Publisher: Routledge
ISBN: 1317532139
Category : Performing Arts
Languages : en
Pages : 389
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Book Description
The New Television Handbook provides an exploration of the theory and practice of television at a time when the medium is undergoing radical changes. The book looks at television from the perspective of someone new to the industry, and explores the place of the medium within a constantly changing digital landscape. This title discusses key skills involved in television production, including: producing, production management, directing, camera, sound, editing and visual effects. Each of these activities is placed within a wider context as it traces the production process from commissioning to post-production. The book outlines the broad political and economic context of the television industry. It gives an account of television genres, in particular narrative, factual programmes and news, and it considers the academic discipline of media studies and the ways in which theorists have analysed and tried to understand the medium. It points to the interplay of theory and practice as it draws on the history of the medium and observes the ways in which the past continues to influence and invigorate the present. The New Television Handbook includes: contributions from practitioners ranging from established producers to new entrants; a comprehensive list of key texts and television programmes; a revised glossary of specialist terms; a section on training and ways of getting into the industry. By combining theory, real-world advice and a detailed overview of the industry and its history, The New Television Handbook is an ideal guide for students of media and television studies and young professionals entering the television industry.
Author: Anne Jäckel
Publisher: Bloomsbury Publishing
ISBN: 1838715584
Category : Performing Arts
Languages : en
Pages : 173
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Book Description
In what kind of state is the European film business? This study is the first in a series that provides an accessible understanding of how the world's contemporary screen industries function. It looks at all the factors in play, from government regulation to the marketing strategies behind an international success like 'Run Lola Run'/'Lola Rennt'. Anne Jackel evaluates how Europe's film industries operate, their working practices and the region's place within the global business of cinema. Exploring trends in production, distribution and exhibition, the book considers a range of national and pan-regional developments. Key areas of critical debate are highlighted, including private and public financing, co-production, film policy, links between the film and television industries, and the threats to 'art cinema' from within and without Europe.
Author: Sally Dux
Publisher: Manchester University Press
ISBN: 1526111780
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
Richard Attenborough’s film career has stretched across seven decades; surprisingly, Sally Dux’s book is the first detailed scholarly analysis of his work as a filmmaker. Concentrating on his work behind the camera, she explores his initial role as a producer, including his partnerships with Bryan Forbes in Beaver Films (1959–64) and with Allied Film Makers (1960–64). As we know, Attenborough went on to direct twelve films, many of which achieved great acclaim, most notably Gandhi, which won eight Academy Awards in 1982 Attenborough is most renowned for his biographical films including Young Winston, Cry Freedom, Chaplin and Shadowlands, which helped to establish the genre within British cinema. Although his work has often attracted controversy, particularly regarding the representation of individuals and historical events, his films are noted for extracting acclaimed performances from unknown actors such as Ben Kingsley (Gandhi), while maintaining his moral and thematic concerns.
Author: Sarah Street
Publisher: A&C Black
ISBN: 9780826413956
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
Transatlantic Crossings is the first major study of the distribution and exhibition of British films in the USA. Charting the cross-cultural reception of many British films, Sarah Street draws on a wide range of sources including studio records, film posters, press books and statistics. While the relative strength of Hollywood made it difficult for films that crossed the Atlantic, Streets research demonstrates that some strategies were more successful than others. She considers which British films made an impact and analyzes conditions that facilitated a positive reception from critics, censors, exhibitors and audiences.Case studies include Nell Gwyn (1926), The Private Life of Henry VIII (1933), The Ghost Goes West (1935), Henry V (1946), Black Narcissus (1947), The Red Shoes (1948), Ealing comedies, The Horror of Dracula (1958), Tom Jones (1963), A Hard Days Night (1964), Goldfinger (1964), The Remains of the Day (1993), Four Weddings and a Funeral (1994) and Trainspotting (1996).Against a background of the economic history of the British and Hollywood film industries, Transatlantic Crossings considers the many fascinating questions surrounding the history of British films in the USA, their relevance to wider issues of Anglo-American relations and to notions of "Britishness" on screen.
Author: Thomas Austin
Publisher: Manchester University Press
ISBN: 9780719057755
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
This book traces the circulation in Britain of three Hollywood films--Basic Instinct, Bram Stoker's Dracula and Natural Born Killers --from marketing and critical reception to consumption in cinemas and on video. It draws on economic discursive contexts and original audience research to trace how meanings, pleasures, and uses are derived from popular film. A significant intervention into methodological debates in film studies and a timely investigation of film culture, it focuses on key questions about genre, taste, sexual pleasure and screen violence.
Author: Patricia Holland
Publisher: Psychology Press
ISBN: 9780415212823
Category : Television
Languages : en
Pages : 324
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Book Description
The television handbook offers students an introduction to the techniques of producing material for television from the logistics to transmission. The author covers the history of broadcasting and an overview of the latest digital trends.
Author: Joachim Lembach
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 428
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Book Description
A study of the reception in Great Britain of the post-war German cinema, seen here as part of the wider issue of foreign-language film distribution and exhibition in the UK. An analysis of the relevant structural conditions of the industry as well as public attitudes toward non-English-language cinema is followed by a detailed reconstruction of the way films from both West and East Germany have been made available to British audiences, including an assessment of how they have been promoted both commercially and culturally. The final chapter ascertains to what extent the critical response to contemporary German features is a reflection of the general British perception of the films' country of origin. An appendix presents a list of 800 feature films, with details of their screenings on British television and in the cinema over five decades, as well as a bibliography including details of many film reviews, mainly from newspapers and specialist publications.
