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Author: Heather Graves
Publisher: Piatkus
ISBN: 1405528923
Category : Fiction
Languages : en
Pages : 358
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Book Description
Maggie McDiarmit takes after her father Dermot in every respect: her wild red hair, her love of horses - and her weakness for picking pockets. After Maggie and Dermot have stolen the passage money, the McDiarmit family travel to Australia, land of opportunity. But old habits die hard and when her pickpocketing skills come to light Maggie is forced to flee from the city. Accepting grazier Callum MacGregor's offer of a domestic position on his family's property, Maggie instinctively trusts him. In fact it is almost as though she has met him before. Soon Maggie realises why. Callum's younger brother, Hamish, from whom he is bitterly estranged, is none other than the young man her father robbed in Melbourne. Hamish has every reason to scorn and denounce her - but seeing his brother's undisguised interest in Maggie, he takes a more subtle revenge... Discover Piatkus Entice: temptation at your fingertips - www.piatkusentice.co.uk
Author: Heather Graves
Publisher: Piatkus
ISBN: 1405528923
Category : Fiction
Languages : en
Pages : 358
Get Book Here
Book Description
Maggie McDiarmit takes after her father Dermot in every respect: her wild red hair, her love of horses - and her weakness for picking pockets. After Maggie and Dermot have stolen the passage money, the McDiarmit family travel to Australia, land of opportunity. But old habits die hard and when her pickpocketing skills come to light Maggie is forced to flee from the city. Accepting grazier Callum MacGregor's offer of a domestic position on his family's property, Maggie instinctively trusts him. In fact it is almost as though she has met him before. Soon Maggie realises why. Callum's younger brother, Hamish, from whom he is bitterly estranged, is none other than the young man her father robbed in Melbourne. Hamish has every reason to scorn and denounce her - but seeing his brother's undisguised interest in Maggie, he takes a more subtle revenge... Discover Piatkus Entice: temptation at your fingertips - www.piatkusentice.co.uk
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Category : Home economics
Languages : en
Pages : 942
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Book Description
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Languages : en
Pages : 912
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Category : Home economics
Languages : en
Pages : 1034
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Category :
Languages : en
Pages : 952
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Category : Education
Languages : en
Pages : 1110
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Languages : en
Pages : 330
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Author: Cullen Gouldsbury
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Category : African poetry (English)
Languages : en
Pages : 152
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Book Description
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Category : Education
Languages : en
Pages : 532
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Book Description
Author: Clifford McCarty
Publisher:
ISBN: 9780195114737
Category : Music
Languages : en
Pages : 554
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Book Description
Film Composers in America is a landmark in the history of film. Here, renowned film scholar Clifford McCarty has attempted to identify every known composer who wrote background musical scores for films in the United States between 1911 and 1970. With information on roughly 20,000 films, the book is an essential tool for serious students of film and a treasure trove for film fans. It spans all types of American films, from features, shorts, cartoons, and documentaries to nontheatrical works, avant-garde films, and even trailers. Meticulously researched over 45 years, the book documents the work of more than 1,500 composers, from Robert Abramson to Josiah Zuro, including the first to score an American film, Walter C. Simon. It includes not only Hollywood professionals but also many composers of concert music--as well as popular music and other genres--whose cinematic work has never before been fully catalogued. The book also features an index that lets readers quickly find the composer for any American film through 1970. To recover this history, much of which was lost or never recorded, McCarty corresponded with or interviewed hundreds of composers, arrangers, orchestrators, musical directors, and music librarians. He also conducted extensive research in the archives of the seven largest film studios--Columbia, MGM, Paramount, RKO, 20th Century-Fox, Universal, and Warner Bros.--and wherever possible, he based his findings on the most reliable evidence, that of the manuscript scores and cue sheets (as opposed to less accurate screen credits). The result is the definitive guide to the composers and musical scores for the first 60 years of American film.
