Beyond Salsa Percussion-The Cuban Timba Revolution PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Beyond Salsa Percussion-The Cuban Timba Revolution PDF full book. Access full book title Beyond Salsa Percussion-The Cuban Timba Revolution by Kevin Moore. Download full books in PDF and EPUB format.
Author: Kevin Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781456343965
Category : Drum
Languages : en
Pages : 0
Get Book Here
Book Description
This book presents an encyclopedic selection of all the basic rhythm parts used on timbales and drums in Latin music (salsa, timba, Afro-Cuban folkloric rhythms, rumba, danzón, chachachá et al). The central premise is for the student to master each rhythm by singing and tapping before attempting to play it on an instrument, so as to avoid bad habits of technique during the critical period when the rhythm is being memorized and internalized.To accommodate as many learning styles as possible, each rhythm is presented in eight ways: two types of standard notation, two types of graphic or "box" notation, full speed audio, slow motion audio, and two speeds using a special "task-by-task" learning method where the rhythm is learned one stroke at a time against a steady rhythmic accompaniment.Each rhythm is first presented as a single part in its historical context and then in the combinations of two and three parts at once that a percussionist would be expected to play in various group situations.One group of audio files (107 tracks) is available as a free online download, with the link provided in the book. The remainder (the more advanced files) are available as a separate downloadable product.The book will also be useful for those who can already play drums and timbales but need to quickly learn the necessary rhythms for salsa and timba, but for true beginners, our strategy is to learn to sing and tap all of the basic rhythms before taking your first lesson and there's a very important reason for doing it this way: As with golf or tennis lessons, learning to play a musical instrument is about physical movements, dexterity, timing, coordination and body language - the types of things that are easier to demonstrate than to explain and are easier to master when your brain stays calmly out of the way as your body goes through the learning process. If your brain is struggling to learn what to play, it interferes with your body's natural ability to learn how to play. To put it another way, if you're concentrating on mastering the pattern of a new rhythm, you won't be able to give 100% of your effort to tone production, posture, hand position, and feeling the groove, and you're likely to develop "bad habits" that are hard to unlearn later. But if you've already learned to sing, clap and tap the rhythms before you take your first lesson on drums or timbales, you'll be much more likely to succeed, and - just as important - you'll be much more likely to enjoy the process.
Author: Kevin Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781456343965
Category : Drum
Languages : en
Pages : 0
Get Book Here
Book Description
This book presents an encyclopedic selection of all the basic rhythm parts used on timbales and drums in Latin music (salsa, timba, Afro-Cuban folkloric rhythms, rumba, danzón, chachachá et al). The central premise is for the student to master each rhythm by singing and tapping before attempting to play it on an instrument, so as to avoid bad habits of technique during the critical period when the rhythm is being memorized and internalized.To accommodate as many learning styles as possible, each rhythm is presented in eight ways: two types of standard notation, two types of graphic or "box" notation, full speed audio, slow motion audio, and two speeds using a special "task-by-task" learning method where the rhythm is learned one stroke at a time against a steady rhythmic accompaniment.Each rhythm is first presented as a single part in its historical context and then in the combinations of two and three parts at once that a percussionist would be expected to play in various group situations.One group of audio files (107 tracks) is available as a free online download, with the link provided in the book. The remainder (the more advanced files) are available as a separate downloadable product.The book will also be useful for those who can already play drums and timbales but need to quickly learn the necessary rhythms for salsa and timba, but for true beginners, our strategy is to learn to sing and tap all of the basic rhythms before taking your first lesson and there's a very important reason for doing it this way: As with golf or tennis lessons, learning to play a musical instrument is about physical movements, dexterity, timing, coordination and body language - the types of things that are easier to demonstrate than to explain and are easier to master when your brain stays calmly out of the way as your body goes through the learning process. If your brain is struggling to learn what to play, it interferes with your body's natural ability to learn how to play. To put it another way, if you're concentrating on mastering the pattern of a new rhythm, you won't be able to give 100% of your effort to tone production, posture, hand position, and feeling the groove, and you're likely to develop "bad habits" that are hard to unlearn later. But if you've already learned to sing, clap and tap the rhythms before you take your first lesson on drums or timbales, you'll be much more likely to succeed, and - just as important - you'll be much more likely to enjoy the process.
Author: Kevin Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781450545631
Category : Dance music
Languages : en
Pages : 0
Get Book Here
Book Description
Written by the editor of the world's largest Cuban music website, www.timba.com, and the author of the popular "Tomás Cruz Conga Method", "Beyond Salsa Piano" is a series of method books and historical/discographical guides chronicling the role of the piano in Cuban music. After the 5 introductory volumes, Volume 7 is the second of a series of books on specific Cuban pianists, using note-for-note transcriptions from MIDI files. Iván "Melón" Lewis is one of the greatest timba pianists, having recorded and played with The Issac Delgado Group and Manolín, el Médico de la Salsa.
Author: Kevin Moore
Publisher: CreateSpace
ISBN: 9781492375692
Category : Music
Languages : en
Pages : 440
Get Book Here
Book Description
Doubling as a history and music appreciation course, each volume of the Beyond Salsa Bass series is significantly longer than the corresponding volume of Beyond Salsa Piano. At 440 pages, Beyond Salsa Bass Vol. 3 is by far the longest of the 26 Beyond Salsa books and the first to extensively cover New York and Puerto Rican salsa and pre-salsa as well as Latin jazz. Its audio product (separate purchase) has 616 tracks (a generous selection of 60 free audio tracks is also available by download). The book includes a bass tumbao for every piano tumbao in each of Volumes 3 and 4 of the Beyond Salsa Piano series, but it also includes hundreds of bass tumbaos from and historical analyses of areas of Latin music not covered in the piano series: Puerto Rico, New York, Latin Jazz, the Cuban descargas and additional aspects of the Cuban music of 1959-1989, i.e., from the Cuban Revolution to the Fall of the Berlin Wall. In addition to exercises in music notation, the bass series delves far more deeply into history and the biographies and discographies of individual artists than either the piano or percussion series. The bass series could be thought of as a thorough general history of Latin popular music, told from the perspective of the bass student.
Author: Vincenzo Perna
Publisher: Routledge
ISBN: 1351539086
Category : Music
Languages : en
Pages : 370
Get Book Here
Book Description
Cuban music is recognized unanimously as a major historical force behind Latin American popular music, and as an important player in the development of US popular music and jazz. However, the music produced on the island after the Revolution in 1959 has been largely overlooked and overshadowed by the Buena Vista Social Club phenomenon. The Revolution created the conditions for the birth of a type of highly sophisticated popular music, which has grown relatively free from market pressures. These conditions premised the new importance attained by Afro-Cuban dance music during the 1990s, when the island entered a period of deep economic and social crisis that has shaken Revolutionary institutions from their foundations. Vincenzo Perna investigates the role of black popular music in post-Revolutionary Cuba, and in the 1990s in particular. The emergence of timba is analysed as a distinctively new style of Afro-Cuban dance music. The controversial role of Afro-Cuban working class culture is highlighted, showing how this has resisted co-optation into a unified, pacified vision of national culture, and built musical bridges with the transnational black diaspora. Musically, timba represents an innovative fusion of previous popular and folkloric Afro-Cuban styles with elements of hip-hop and other African-American styles like jazz, funk and salsa. Timba articulates a black urban youth subculture with distinctive visual and choreographic codes. With its abrasive commentaries on issues such as race, consumer culture, tourism, prostitution and its connections to the underworld, timba demonstrates at the 'street level' many of the contradictions of contemporary Cuban society. After repeatedly colliding with official discourses, timba has eventually met with institutional repression. This book will appeal not only to ethnomusicologists and those working on popular music studies, but also to those working in the areas of cultural and Black studies, anthropology, Latin American st
Author: Eugene Robinson
Publisher: Simon and Schuster
ISBN: 1439138095
Category : History
Languages : en
Pages : 349
Get Book Here
Book Description
In power for forty-four years and counting, Fidel Castro has done everything possible to define Cuba to the world and to itself -- yet not even he has been able to control the thoughts and dreams of his people. Those thoughts and dreams are the basis for what may become a post-Castro Cuba. To more fully understand the future of America's near neighbor, veteran reporter Eugene Robinson knew exactly where to look -- or rather, to listen. In this provocative work, Robinson takes us on a sweaty, pulsating, and lyrical tour of a country on the verge of revolution, using its musicians as a window into its present and future. Music is the mother's milk of Cuban culture. Cubans express their fondest hopes, their frustrations, even their political dissent, through music. Most Americans think only of salsa and the Buena Vista Social Club when they think of the music of Cuba, yet those styles are but a piece of a broad musical spectrum. Just as the West learned more about China after the Cultural Revolution by watching From Mao to Mozart, so will readers discover the real Cuba -- the living, breathing, dying, yet striving Cuba. Cuban music is both wildly exuberant and achingly melancholy. A thick stew of African and European elements, it is astoundingly rich and influential to have come from such a tiny island. From rap stars who defy the government in their lyrics to violinists and pianists who attend the world's last Soviet-style conservatory to international pop stars who could make millions abroad yet choose to stay and work for peanuts, Robinson introduces us to unforgettable characters who happily bring him into their homes and backstage discussions. Despite Castro's attempts to shut down nightclubs, obstruct artists, and subsidize only what he wants, the musicians and dancers of Cuba cannot stop, much less behave. Cubans move through their complicated lives the way they move on the dance floor, dashing and darting and spinning on a dime, seducing joy and fulfillment and next week's supply of food out of a broken system. Then at night they take to the real dance floors and invent fantastic new steps. Last Dance in Havana is heartwrenching, yet ultimately as joyous and hopeful as a rocking club late on a Saturday night.
Author: Robin D. Moore
Publisher: Univ of California Press
ISBN: 0520247108
Category : Art
Languages : en
Pages : 734
Get Book Here
Book Description
Annotation A history of Cuban music during the Castro regime (1950s to the present.
Author: Ifeoma C.K. Nwankwo
Publisher: University of Michigan Press
ISBN: 0472027476
Category : Music
Languages : en
Pages : 278
Get Book Here
Book Description
"Collecting essays by fourteen expert contributors into a trans-oceanic celebration and critique, Mamadou Diouf and Ifeoma Kiddoe Nwankwo show how music, dance, and popular culture turn ways of remembering Africa into African ways of remembering. With a mix of Nuyorican, Cuban, Haitian, Kenyan, Senegalese, Trinidagonian, and Brazilian beats, Rhythms of the Afro-Atlantic World proves that the pleasures of poly-rhythm belong to the realm of the discursive as well as the sonic and the kinesthetic." ---Joseph Roach, Sterling Professor of Theater, Yale University "As necessary as it is brilliant, Rhythms of the Afro-Atlantic World dances across, beyond, and within the Black Atlantic Diaspora with the aplomb and skill befitting its editors and contributors." ---Mark Anthony Neal, author of Soul Babies: Black Popular Culture and the Post-Soul Aesthetic Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures. Rhythms of the Afro-Atlantic World distinguishes itself as a collection focusing on the circulation of cultural forms across the Atlantic world, tracing the paths trod by a range of music and dance forms within, across, or beyond the variety of locales that constitute the Atlantic world. The editors and contributors do so, however, without assuming that these paths have been either always in line with national, regional, or continental boundaries or always transnational, transgressive, and perfectly hybrid/syncretic. This collection seeks to reorient the discourse on cultural forms moving in the Atlantic world by being attentive to the specifics of the forms---their specific geneses, the specific uses to which they are put by their creators and consumers, and the specific ways in which they travel or churn in place. Mamadou Diouf is Leitner Family Professor of African Studies, Director of the Institute of African Studies, and Professor of History at Columbia University. Ifeoma Kiddoe Nwankwo is Associate Professor of English at Vanderbilt University. Jacket photograph by Elias Irizarry
Author: Richard Filz
Publisher: Warner Bros. Publications
ISBN: 9783933136114
Category : Body percussion
Languages : en
Pages : 0
Get Book Here
Book Description
This book discusses the various percussive sounds which can be made by the body, looks at different kinds of grooves and styles, and presents solo and ensemble pieces for body percussion. The DVD illustrates the techniques, sounds, rhythms and pieces in the book.
Author: Kevin Moore
Publisher: Createspace Independent Publishing Platform
ISBN: 9781480160934
Category : Music and dance
Languages : en
Pages : 0
Get Book Here
Book Description
After writing over 20 instructional books on Cuban piano, congas, drums, timbales, clave and bass, this is Kevin Moore's first book for non-musicians - listeners, dancers and fans of Latin music. Beyond Salsa alternates between "Listening Tours" (music history, analysis of songs, and record-collecting advice) and Rhythm Exercises chapters with singing, clapping and dancing exercises (including audio files) designed to enhance listening skills.The four Listening Tours are: I. Pre-Revolution Cuban Popular Music (1900-1959); II. Salsa and Post-Revolution Cuban Popular Music (1959-1989); Timba (1989-2012); and a special section covering Afro-Cuban Folkloric Music, Comparsa, Changüí and Rumba.The rhythm exercises include the basic rhythms of each instrument, clave, various types of basic dance steps, a section on learning to feel the Latin groove properly, and a special chapter on the problems that new listeners of Afro-Cuban folkloric music sometimes have with hearing the beat and meter correctly. A link is provided for a free audio download with 107 audio files corresponding to the exercises. There's also a second download for sale with additional audio files.Also included are an extensive glossary and a beginners guide to the Spanish language and Cuban slang in music for English-speakers.
Author: Tomás Cruz
Publisher: Mel Bay Publications
ISBN: 0786670797
Category : Music
Languages : en
Pages : 88
Get Book Here
Book Description
Volume III is the first educational product to tackle the complex subject of Timba, the new musical genre which has been played in Cuba since 1989. Timba represents a quantum leap for all the instruments of the rhythm section and especially the congas. The recordings of Toms Cruz are considered the most advanced examples of Timba conga-playing and so fascinated the three coauthors that they sought out Toms Cruz and spent a year and a half studying his style and meticulously documenting it before even considering the idea of publishing it. After many hundreds of hours of passionate research, this "labor of love" eventually reached fruition as Volume III. Volumes II & I were then written to trace the roots of the style and to understand the path Toms took to arrive at his phenomenal level of technical mastery and rhythmic creativity. Much more than a collection of patterns or exercises, Volume III analyzes Timba arrangements from beginning to end, explaining the role of the congas in each section, the relationship to the "clave," and Tomasito's creative process, including an exercise which teaches the reader to invent his own Timba conga parts. It was the intricacies of the material of Volume III which inspired the creation of the Step by Step DVD Method, which enables the reader to learn these exciting new rhythms in a fraction of the time it would take working with only written music and audio recordings.
