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Author: B.R. Tilghman
Publisher: Springer
ISBN: 1349211745
Category : Philosophy
Languages : en
Pages : 208
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Book Description
The author's purpose in this volume is to present the relevance of the ideas of Wittgenstein to those interested in aesthetics and the philosophy of art. He focuses on both the earlier work centred around the "Tractatus" and the later work of the "Philosophical Investigations".
Author: B.R. Tilghman
Publisher: Springer
ISBN: 1349211745
Category : Philosophy
Languages : en
Pages : 208
Get Book
Book Description
The author's purpose in this volume is to present the relevance of the ideas of Wittgenstein to those interested in aesthetics and the philosophy of art. He focuses on both the earlier work centred around the "Tractatus" and the later work of the "Philosophical Investigations".
Author: Jerrold Levinson
Publisher: Cambridge University Press
ISBN: 9780521788052
Category : Art
Languages : en
Pages : 344
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Book Description
This major collection of essays examines issues surrounding aesthetics and ethics.
Author: Daryl Koehn
Publisher: Springer Science & Business Media
ISBN: 9400770707
Category : Philosophy
Languages : en
Pages : 159
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Book Description
Ludwig Wittgenstein famously said, “Ethics is aesthetics.” It is unclear what such a claim might mean and whether it is true. This book explores contentious issues arising at the interface of ethics and aesthetics. The contributions reflect on the status of aesthetic en ethical judgments, the relation of aesthetic beauty and ethical goodness and art and character development. The book further considers the potential role art could play in ethical analysis and in the classroom and explores in what respects aesthetics and ethics might be intertwined and even mutually supportive.
Author: Elisabeth Schellekens
Publisher: Bloomsbury Publishing
ISBN: 1441122982
Category : Philosophy
Languages : en
Pages : 172
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Book Description
Aesthetic and moral value are often seen to go hand in hand. They do so not only practically, such as in our everyday assessments of artworks that raise moral questions, but also theoretically, such as in Kant's theory that beauty is the symbol of morality. Some philosophers have argued that it is in the relation between aesthetic and moral value that the key to an adequate understanding of either notion lies. But difficult questions abound. Must a work of art be morally admirable in order to be aesthetically valuable? How, if at all, do our moral values shape our aesthetic judgements - and vice versa? Aesthetics and Morality is a stimulating and insightful inquiry into precisely this set of questions. Elisabeth Schellekens explores the main ideas and debates at the intersection of aesthetics and moral philosophy. She invites readers to reflect on the nature of beauty, art and morality, and provides the philosophical knowledge to render such reflection more rigorous. This original, inspiring and entertaining book sheds valuable new light on a notably complex and challenging area of thought.
Author: Darren Hudson Hick
Publisher: Bloomsbury Publishing
ISBN: 1474254527
Category : Philosophy
Languages : en
Pages : 352
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Book Description
The Aesthetics and Ethics of Copying responds to the rapidly changing attitudes towards the use of another's ideas, styles, and artworks. With advances in technology making the copying of artworks and other artefacts exponentially easier, questions of copying no longer focus on the problems of forgery: they now expand into aesthetic and ethical legal concerns. This volume addresses the changes and provides the first philosophical foundation for an aesthetics and ethics of copying. Scholars from philosophy of art, philosophy of technology, philosophy of law, ethics, legal theory, media studies, art history, literary theory, and sociology discuss the role that copying plays in human culture, confronting the question of how-and why-copying fits into our broader system of values. Teasing out the factors and conceptual distinctions that must be accounted for in an ontology of copying, they set a groundwork for understanding the nature of copies and copying, showing how these interweave with ethical and legal concepts. Covering unique concerns for copying in the domain of artworks, from music and art to plays and literature, contributors look at work by artists including Heinrich von Kleist, Robert Rauschenberg, Courbet and Manet and conclude with the normative dimensions of copying in the twenty-first century. By bringing this topic into the philosophical domain and highlighting its philosophical relevance, The Aesthetics and Ethics of Copying establishes the complex conditions-ontological, aesthetic, ethical, cultural, and legal-that underlie and complicate the topic. The result is a timely collection that establishes the need for further discussion.
Author: Christopher D. Tirres
Publisher: Oxford University Press
ISBN: 0199352542
Category : Religion
Languages : en
Pages : 242
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Book Description
What is the future of liberation thought in the Americas? In this groundbreaking work, Christopher D. Tirres takes up this question by looking at the methodological connections between two quintessentially American traditions: liberation theology and pragmatism. He explains how pragmatism lends philosophical clarity and depth to some of liberation theology's core ideas and assumptions. Liberation theology in turn offers pragmatism a more nuanced and sympathetic approach to religious faith, especially its social and pedagogical dimensions. Ultimately, Tirres crafts a philosophical foundation that ensures the continued relevance of liberation thought in today's world. Keeping true to the method of pragmatism, the book begins inductively with a set of actual experiences-- the Good Friday liturgies at the San Fernando Cathedral in San Antonio, Texas-- and provides a compelling description of the way these performative rituals integrate the aesthetic and ethical dimensions of faith. Subsequent chapters probe this integration deductively at three levels of theoretical analysis: experience/metaphysics, sociality, and pedagogy. As Tirres shows, the aesthetic and ethical dimensions of faith emerge in different yet related ways at all three levels. He argues that utilizing the categories of the aesthetic and ethical enables a richer understanding of the dynamic relationship between faith and politics. This book builds new bridges between a number of discourses and key figures, and will be of interest to all who are interested in the liberatory potential of engaged faith praxis, especially when it is expressed in the form of religious ritual.
Author: Harriet Hulme
Publisher: UCL Press
ISBN: 1787352080
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Ethics and Aesthetics of Translation engages with translation, in both theory and practice, as part of an interrogation of ethical as well as political thought in the work of three bilingual European authors: Bernardo Atxaga, Milan Kundera and Jorge Semprún. In approaching the work of these authors, the book draws upon the approaches to translation offered by Benjamin, Derrida, Ricœur and Deleuze to highlight a broad set of ethical questions, focused upon the limitations of the monolingual and the democratic possibilities of linguistic plurality; upon our innate desire to translate difference into similarity; and upon the ways in which translation responds to the challenges of individual and collective remembrance. Each chapter explores these interlingual but also intercultural, interrelational and interdisciplinary issues, mapping a journey of translation that begins in the impact of translation upon the work of each author, continues into moments of linguistic translation, untranslatability and mistranslation within their texts and ultimately becomes an exploration of social, political and affective (un)translatability. In these journeys, the creative and critical potential of translation emerges as a potent, often violent, but always illuminating, vision of the possibilities of differentiation and connection, generation and memory, in temporal, linguistic, cultural and political terms.
Author: Ludwig Wittgenstein
Publisher: John Wiley & Sons
ISBN: 1118887131
Category : Philosophy
Languages : en
Pages : 152
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Book Description
The most complete edition yet published of Wittgenstein’s1929 lecture includes a never-before published first draft andmakes fresh claims for its significance in Wittgenstein’soeuvre. The first available print publication of all known drafts ofWittgenstein’s Lecture on Ethics Includes a previously unrecognized first draft of the lectureand new transcriptions of all drafts Transcriptions preserve the philosopher’s emendationsthus showing the development of the ideas in the lecture Proposes a different draft as the version read by Wittgensteinin his 1929 lecture Includes introductory essays on the origins of the material andon its meaning, content, and importance
Author: Oren Ben-Dor
Publisher: Routledge
ISBN: 113671975X
Category : Art
Languages : en
Pages : 322
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Book Description
In engaging with the full range of 'the arts', contributors to this volume consider the relationship between law, justice, the ethical and the aesthetic. Art continually informs the ethics of a legal theory concerned to address how theoretical abstractions and concrete oppressions overlook singularity and spontaneity. Indeed, the exercise of the legal role and the scholarly understanding of legal texts were classically defined as ars iuris - an art of law - which drew on the panoply of humanist disciplines, from philology to fine art. That tradition has fallen by the wayside, particularly in the wake of modernism. But approaching art in that way risks distorting the very inexpressibility to which art is attentive and responsive, whilst remaining a custodian of its mystery. The novelty and ambition of this book, then, is to elicit, in very different ways, styles and orientations, the importance of the relationship between law and art. What can law and art bring to one another, and what can their relationship tell us about how truth relates to power? The insights presented in this collection disturb and supplement conventional accounts of justice; inaugurating new possibilities for addressing the origin of violence in our world.
Author: Margarita Estévez-Saá
Publisher: Routledge
ISBN: 0429535708
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
This book applies ecofeminist ethics to the realm of aesthetics, offering instances of how alternative configurations of the self, of nature and of non-human animals can go hand in hand with different and viable experiences and visions of environmental welfare. Preceded by an insightful introduction on the history of ecofeminism and of ecofeminist literary criticism, the chapters included in the volume illustrate the continuing theoretical influence of seminal ecofeminists such as Carolyn Merchant, Rosemary Ruether, Karen Warren, Val Plumwood, as well as an awareness of more recent trends in ecofeminist formulations such as those proposed by Greta Gaard, Serenella Iovino, or Vernon Gras. The book also includes instances of contemporary nature writing such as the text by Irish poet Grace Wells, as well as case studies of the application of ecofeminist tenets in contemporary poetry and fiction written by both men and women. As the contributors demonstrate, contemporary writers are currently deploying a sound interest in the envisioning of alternative visions of healthy and ethical relationships between the human self and the natural environment. This book will be of interest to those researching the use of language for posthumanist ethics, the deconstruction of gender dichotomies and the ethics of care and environmental justice, as well as to those studying the wider field of ecofeminist literature. This book was originally published as a special issue of Women’s Studies.
